Aura Noir

Alcoholocaust – Necro Apocalipse Bestial Review

Alcoholocaust – Necro Apocalipse Bestial Review

“It’s Monday. 8:24 A.M. I pull my Toyota into the Magazine Street parking garage, fifth floor, the only spot in the shade that still has cell phone reception. Aura Noir‘s Out to Die is blasting on the stereo. I pay the parking fee on my mobile app and sigh as I prepare myself for another day at the office. And then, I stop. What if I don’t go in? I think to myself. What if I just turn the car back on and drive away? What if I forget my job and spend the rest of the summer guzzling booze, getting hairy, and banging my fukkin head for the Master in Hell? It seems radical, but a group of people have actually done it.” Down with adulthood!

Anticosm – The Call of the Void Review

Anticosm – The Call of the Void Review

Deströyer 666 and Hellripper opened my eyes to the sheer energy and surprising hooks which can be present when linked with black metal, while the likes of early Slayer overlapped with an old favorite in classic metal. I saw more clearly the interconnected map of styles in the ’80s and was lured in with the treats of genres with which I was better accustomed. The prospect of a new blackened thrash release in the promo bin was therefore exciting and so it was that I turned to New Jersey’s Anticosm and their third full-length entitled The Call of the Void.” Jersey boys in the void.

Nocturnal Breed – We Only Came for Violence Review

Nocturnal Breed – We Only Came for Violence Review

Nocturnal Breed are everything I’ve ever wanted to be in this life. They’re old-school, they don’t give a shit about anybody or anything, and they’re Norwegian. Making their start with ‘97’s Aggressor, these hateful sonsabitches haven’t changed a goddamn thing in over twenty years. Their albums are way too long, there’s no fluidity from one track to the next, and they’re still kicking the combination of Bathory, Venom, and Motörhead mixed with first-wave black metal and thrash.” Breed in the night.

All Hell – The Witch’s Grail Review

All Hell – The Witch’s Grail Review

“Comfort food. Whether you’re a cuisine snob who frequents Michelin-star restaurants or an amateur cook trying new recipes for the family, odds are that there are times when you don’t want anything too fancy. Food you can fall back on that hits all the right spots without being too challenging or demanding. Mac and cheese, if you’re like me. The kind of blackened thrash that North Carolina’s All Hell produces is my musical equivalent of comfort food. It’s not mind-bending in its complexity (like, say, Dodecahedron) or emotionally demanding (lookin’ at you, Bell Witch and Ataraxie). But when you’ve had a bad day at the office, or life’s getting you down with its quotidian mundanity, All Hell and their ilk are there to get put a contented smile on your face while those neck muscles flex in appreciation.” Feel the Hell.

Verwüstung – Gospel ov Fury Review

Verwüstung – Gospel ov Fury Review

“Nothing gets me going like blackened thrash metal. The mere sight of a promising promo that places the words “black” and “thrash” together is enough to manifest a throbbing pillar of flesh in my britches, the magnitude of which is rivaled only by the tower of Isengard. Belarus quartet Verwüstung take things a step further by describing their second album Gospel ov Fury as “a fucking firestorm of blackthrashing metal.” Jesus. Suddenly I need a cold shower.” Rage-gasms.

Vltimas – Something Wicked Marches In Review

Vltimas – Something Wicked Marches In Review

“Man, this March has been ridiculous. Just when all of us at the AMG Consortium of the Infernal’s brimstone lounge were bitching and moaning about the unfair quantity of choice black metal—leaving in its wake a noticeable dearth of death metal goodness—out of nowhere comes EquipoiseGomorrahVenom PrisonAephanemer, and now Vltimas. Like Equipoise, but also not at all like EquipoiseVltimas is a supergroup. Based out of Portugal, the band is comprised of three legends of the metal scene: David Vincent of Morbid Angel on vocals; Rune “Blasphemer” Eriksen (ex-Mayhem, Aura Noir) on the guitars, and Flo Mounier of Cryptopsy fame manning the kit.” Something supergroupy this way comes.

Witchgöat – Egregors of the Black Faith Review

Witchgöat – Egregors of the Black Faith Review

“If you have a blackened thrash band, your band name must have the word “witch” in it. So it was written in the Great Book Ov Heavy Metal, so it was obeyed by Skeletonwitch, Witchaven, Bewitched, Witching Hour, Witchery, and countless others I’m sure are out there. El Salvador’s Witchgöat are the latest addition to these unholy ranks and they’ve already earned my respect by having both an umlaut and a goat reference in their name.” Which goat is Witchgöat?

Deathhammer – Chained to Hell Review

Deathhammer – Chained to Hell Review

“What’s always been appealing about Deathhammer is their remarkably particular niche, one which nobody really knows they need until they hear it. Take the earliest Sodom and Slayer material, and pretend a band existed alongside them which kept more of the speed metal influence around and played their music with all the tact and professionalism of early Venom and you have a good idea of what to expect.” Bring down the Hammer.

Invocation Spells – Spread Cruelty in the Abyss Review

Invocation Spells – Spread Cruelty in the Abyss Review

“Two years ago, I passed on a little Chilean black/thrash band named Invocation Spells. Not because they, or their third full-length record, The Flame of Hate, sucked, but because I already had a handful of promos to prepare for review. So, when I saw their name pop up on the Almighty AMG Promo Sheet again, I knew I’d have to check them out. Though this little two-piece outfit ain’t the next generation of black/thrash, their Aura Noir-meets-Darkthrone approach—with the aggression of a second-wave black metal outfit—is a good fit for the genre.” Chile and means.