Bathory

King of Asgard – Karg Review

By Steel Druhm on August 4, 2014 in 2014, Melodic Death Metal, Metal Blade, Reviews, Swedish Metal, Viking Metal, Melodic Death Metal, Viking Metal, 18 comments

“Formed from the ashes of the highly underrated and (AMG worshipped) Viking metal act Mithotyn, King of Asgard has more or less continued the mission statement of releasing odes to the northern winds, Viking valor and snowy landscapes, all heavily influenced by latter period Bathory as well as Einherjer, Ensiferum. Karg is their third such endeavor and it observes the traditions of its ancestors with all due reverence, while moving things in a darker, more stripped down direction.” Do you feel the need to plunder and pillage? If so, here’s your liege lord.

Zgard – Contemplation Review

By Grymm on June 20, 2014 in 2014, Folk Metal, Reviews, Ukrainian Metal, 4 comments

“You never know when the winds of inspiration will go wafting through your soul like a favorite home-cooked meal. People will spend a good long time hammering out songs, putting hammer to anvil, cooling them off for a short time before honing them to perfection, and presenting their bared souls to the festering masses. Unless you are uber-prolific like Ukraine’s Zgard and release album after album, and I mean “four albums and one split in two years” prolific. And now, mastermind Yaromisl has unleashed Contemplation upon us.” The Ukraine may be in upheaval, but you can still count on Zgard’s productivity.

Yer Metal Is Olde! Ulver – Bergtatt

By Angry Metal Guy on April 20, 2014 in Blog Posts, Yer Metal Is Olde, 29 comments

Yer Metal Is Olde! is a recurring thing that we’re using to fill up space while we scramble around looking for reviews of new material that is worth reviewing. The idea was spurred on by the swath of amazing and classic records that are turning 10, 20, or 30 this year. It’s crazy to think that all the stuff that we worship is really as old as it is. Time moves quickly, but these classics never seem to lose their shine. Still, their enduring quality doesn’t change that your favorite metal is fucking old. Note: our focus today, Ulver’s Bergtatt is actually only 19 years old, but it was recorded in 1994 and for some reason I thought it was released then, too. Once I’d written this retro-review, I discovered that I was wrong. While it makes it less Olde, it’s not so much less. And it certainly deserves recognition.

Aurvandil – Thrones Review

By Steel Druhm on April 11, 2014 in 2014, Black Metal, Eisenwald Records, French Metal, Reviews, Black Metal, 4 comments

“I don’t review much black metal because I’m pretty tired of the genre and there are more avid and enthusiastic reviewers at AMG who can deal with it properly. However, for unknown reasons, I took quite a shine to Aurvandil’s 2011 opus Yearning and gave it high marks. Now we get Thrones, which was originally released last year as a limited edition cassette, though why anyone would release anything on cassette is beyond my simple mind (why not an 8-track edition or if you really want to be kvlt, go with a phonography cylinder).” In the mood for 50 minutes of low-fi blast beating? Here’s your huckleberry.

Falkenbach – Asa Review

By Steel Druhm on November 4, 2013 in 2013, Black Metal, Folk Metal, German Metal, Prophecy Productions, Reviews, Viking Metal, Black Metal, Folk Metal, Viking Metal, 25 comments

“There’s music meant for a summer drive with the top down (old Van Halen), hitting the weights hard (Slayer, Pantera) and a night of hard-drinking in sketchy beer mills (Fireball Ministry, Orange Goblin). Likewise, the new slice of folksy Viking metal from Falkenbach proves perfect for chopping wood in the brisk Fall air. While I recognize “wood chopping” or “lumberjack” metal is an under-served medium, I feel confident saying this is the finest chopper album I’ve heard all year.” Grab thine axe as Steel Druhm weaves his tales of Viking rage and folksy tomfoolery.

Zemial – Nykta Review

By Grymm on November 1, 2013 in 2013, Black Metal, Greek Metal, Hells Headbangers Records, Reviews, Black Metal, 1 comment

“Papa Grymm once told me, when I was just a wee little kvlt tyke, “Son, if you want something done right, you have to do it yourself. Also, clean your room. You’re an embarrassment to the Inner Circle.” Archon Vorskaath, mastermind behind the amorphous Greco-German black metal machine Zemial, is the posterchild of the DIY ethos, recording and performing all vocals, instruments, and sound effects, as well as releasing 2006’s In Monumentum, all by his own not-so-little lonesome over the last 20 plus-years, spawning two albums and handful of EPs. Vorskaath’s visionary trek continues with Nykta, Zemial’s third full-length and first for Hells Headbangers Records.” Ah, Greek black metal. So Spartan, so evil. It certainly seems to take Grymm back to his kvlt childhood.

Toxic Holocaust – Chemistry of Consciousness Review

By Steel Druhm on October 22, 2013 in 2013, American Metal, Relapse, Reviews, Thrash Metal, Thrash Metal, 9 comments

“Well slap my ass and call me Skippy, the premier name in super-mega, old school, retro, throwback thrash (rethrash for short) is back to teach another post-grad lesson in violence. For those not in the know, that means a new album from Joel Grind’s Toxic Holocaust. Yes folks, things don’t get more painfully stuck in the 80s than the speed churned out by Mr. Grind and if there was ever a man born too late, it’s him. You see, Joel was meant to exist during that original wave of thrash, releasing revolutionary new music to shock the world alongside the likes of Slayer and Exodus. Alas, the Fates turned a mean skein and he was cast forward to this cruel future, where all his best thrashing and bashing is considered tired, recycled and irrelevant by many. Tis quite the shame too, since the man has a true gift for penning genuine 80s thrash and his stuff always has an aura of authenticity that’s lacking in most rethrash.” When I say rethrash, you say Grind!! That was fun, right? But is this album fun? Steel Druhm, a veteran of the rethrash wars, will chime in.

Atlantean Kodex – The White Goddess Review

By Steel Druhm on September 12, 2013 in 2013, Cruz Del Sur, Doom Metal, German Metal, Heavy Metal, Reviews, Doom Metal, Heavy Metal, 22 comments

“As a fanboy extraordinaire of classy, epic doom, I’m clearly the target demographic for larger-than-life regressive metallers Atlantean Kodex. Their massive debut The Golden Bough was an intoxicating mixture of While Heaven Wept, Solstice and Solitude Aeturnus with a healthy dose of Bathory’s Hammerheart added for Viking flair.” Steel Druhm has been chomping at the bit for this release and nobody likes being chomped. Does The White Goddess live up to his unreasonable expectations or will the remainder of 2013 be a rabid chomp-fest?

Mael Mórdha – Damned When Dead Review

By Madam X on September 5, 2013 in 2013, Candlelight, Doom Metal, Folk Metal, Irish Metal, Reviews, Doom Metal, Folk Metal, 5 comments

“Not only do lesser known Dublin based Mael Mórdha have some serious Primordial-worship going on, but members of the Mael Mórdha horde also act as session musicians for their touring big brothers. At any rate, knowing their close affiliation to Primordial (whom I hold in pretty high regard) and that Mael Mórdha boast a recent signing to Candlelight Records offering them a wider distribution base, I was a tad keen to hear their fourth full-length release. Damned When Dead is an infusion of traditional Irish laments and dirges on a sturdy back-bone of folk metal with some doom and gloom for added good measure, much like that on offer by Primordial and in part by Waylander. ” Join Madam X as she takes you on a guided tour of Irish folklore, piles of bodies stacked high to the sky and her own barbaric bloodlust. Be afraid.

Watain – The Wild Hunt Review

By Madam X on August 31, 2013 in 2013, 3.0, Black Metal, Century Media, Reviews, Swedish Metal, 6 comments

“Alright, so unless you live under a rock, by now you MUST have an inkling that Watain have carved another notch to their bullet belts with their fifth studio release — The Wild Hunt. This attractively adorned album (depicting the spoils of a lengthy musical journey) hit the shelves a few days back with all the usual hype and aggrandizement one would expect of a Watain album, released through their own label His Master’s Noise (under the umbrella of Century Media Records). Following on from their well received opus of 2010 (check out how Angry Metal Guy weighed in on Lawless Darkness here), The Wild Hunt sees Watain beefing up their orthodox brand of black metal, showing the middle finger to the dictators of the world and borrowing from a feast of decidedly odd influences. So what of it, have these gents from Sweden’s Uppsala, who cite the influence of Bathory and Dissection among others, delivered the goods.” Madam X breaks down the new Watain record The Wild Hunt. What does she think? The world may never know!