Bolt Thrower

Moanhand – Present Serpent Review

Moanhand – Present Serpent Review

“Try as I might, it’s hard to break out of patterns that take months, if not years, to craft and make a template out of. I still put actual milk in my coffee and not that oily Coffeemate bullshit. My breakfast omelets will always have cheddar cheese, bacon, and enough garlic to anger vampires. Above all, I like my doom metal to be… doom metal. Heavy. Oppressive. Mournful. That said, sometimes a little deviation can work wonders, and Roman Filatov, chief songwriter and solo proprietor of Moanhand, is seeking to woo the masses over with his creative take on a classic sound using a wide swath of influences.” Snake’s take.

Killing Addiction – Mind of a New God Review

Killing Addiction – Mind of a New God Review

“Don’t judge a book by its cover. Don’t make your mind up too soon. Things aren’t necessarily always what they seem to be. If you’re about my age and used to watch Thomas the Tank Engine, the above has triggered a flashback and you’ve now got the melody of that song stuck in your head wherein it shall remain for at least twenty-four hours. It’s good advice though, because Killing Addiction’s choice of cover for their second LP Mind of a New God looks like the concept art for a rejected Mortal Kombat boss that you can’t play as in multiplayer. Despite the cover, it shouldn’t be overlooked.” Killing business.

Grave Miasma – Abyss of Wrathful Deities Review

Grave Miasma – Abyss of Wrathful Deities Review

“It scares me to say this but it’s been 5 entire years since the last Grave Miasma release. Almost everything in my life has changed since that point and I would like to think (perhaps naively) that I’m better now than I was then. I respected and enjoyed 2016’s Endless Pilgrimage which offered 30 minutes of brutal but atmospheric music across a mini-LP, but with only one prior full-length and a handful of EPs across nearly 20 years, does Abyss of Wrathful Deities find Grave Miasma able to make the same comment about themselves?” Malaise in the grave.

Endseeker – Mount Carcass Review

Endseeker – Mount Carcass Review

“When I pluck a festering slab of death metal from the fetid pit that is our promo sump – a rare enough occurrence for me – the last thing I expect to be presented with is a political message. No doubt those more learned in the ways of death, will point me in the direction of many a OSDM band that deals in heavy politics but my brain does not connect the genre with current affairs. Hamburg, Germany’s Endseeker, however, do just that on their third record, Mount Carcass.” Death in the news.

Insect Inside – The First Shining of New Genus Review

Insect Inside – The First Shining of New Genus Review

“Slam is a style I’ve never understood. Often layered with gory shock novelty and the variety of deathcore, bands like Abominable Putridity and Epicardiectomy have only gotten a head-scratch from me with endless “djunz” and br00tal “eeeeees”. Insect Inside is a young Russian trio from Zlatoust, a demo and single released since their 2017 inception. Debut LP The First Shining of New Genus creates the soundtrack of being eaten alive by the swarm in its beatdown of groovy, thick riffs, and hell-scraping gutturals.” Slam beetles.

Asphyx – Necroceros Review

Asphyx – Necroceros Review

“I warned you all this would be a year of Steel on a mean death bender and here we are. Let’s kick it off in grand fashion with the brand new offering from death metal royalty, Asphyx. After shamefully overlooking 2016 release Incoming Death, I found myself needing to get my phyx of new material from a band I’ve enjoyed since my college days. Necroceros is the Dutch devils’ tenth album and the first written and recorded during a global pandemic.” Necro-Destructo.

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

“When I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but absolutely warrant your attention.” Death Redux.

Of Feather and Bone – Sulfuric Disintegration Review

Of Feather and Bone – Sulfuric Disintegration Review

“I don’t know about the rest of you, but I am extremely ticklish. Even the void where my bloodpump is supposed to be can be tickled with the right stimulus. Death metal is usually the best option to that end, especially when it writhes like a thrashing pit of jacked snakes. After hearing tell of the badassery of Denver’s Of Feather and Bone, I knew that they would deliver that which tickles my most demanding fancy. With their third full-length, Sulfuric Disintegration, these nasty motherfuckers show no mercy. Believe me when I say I lose molecular cohesion every time I play it.” Funny bones.

Undeath – Lesions of a Different Kind Review

Undeath – Lesions of a Different Kind Review

“Man, I was stoked to cover this record until this very moment. 2020 has been a tremendous year for death metal (if little else), and Undeath‘s Lesions of a Different Kind is one of my most anticipated records in the genre. And much to my surprise, it took only a minimal amount of pleas and poisoning to secure reviewing rights from the established death metal experts on staff. But… now what? How does one even sell a record like this, which so brashly speaks for itself? Not to mention one which has enough hype surrounding it that almost anyone with a reasonable interest in death metal has long since had their eyes on it.” Unbuzz.