Brutal Death Metal

Origin – Omnipresent Review

By Kronos on July 2, 2014 in 2014, Agonia Records, American Metal, Death Metal, Nuclear Blast, Reviews, Technical Death Metal, 17 comments

“It’s entirely reasonable to say that Origin are the most important thing in the entire state of Kansas, but for anyone who has been to Kansas, the declaration isn’t all that that impressive. Their work, however, speaks for itself. Three years ago, Entity absolutely wiped the floor with some of the most abrasive, technical, and impressive music the group has ever produced, and expectations for Omnipresent are naturally quite high.” Does Origin deliver that punishing blow worthy of so much expectation? Read on and find out what Kronos has to say.

Wormed – Exodromos Review

By Alex Franquelli on March 21, 2013 in 2013, 4.0, Death Metal, Hammerheart Records, Reviews, Willowtip, Technical Death Metal, 3 comments

“It is brutal, rather technical and it has its roots in death metal. But is Exodromos a pure brutal technical death metal album? A lazy, complacent answer would be: yes. A more elaborate response – and one you would expect to read on these respected pages – is: not quite.” Alex Franquelli reviews the new Wormed record, in all its brutal, technical glory and asks “What next?”

Suffocation – Pinnacle of Bedlam Review

By Happy Metal Guy on February 7, 2013 in 2013, 3.5, American Metal, Death Metal, Nuclear Blast, Reviews, 9 comments

New York brutal death metal pioneers, Suffocation, have never sounded better. Even though their seventh studio album, Pinnacle of Bedlam, is the first without longtime drummer Mike Smith, the music’s percussive section has not lost its technical edge. Dave Culross—whose drumming last appeared on Suffocation’s 1998 EP, Despise the Sun—fulfills his role as the band’s blast-beating machine well. From the opening burst of percussive gunfire in opening track, “Cycles of Suffering”; to the sluggish, cymbals-heavy drumming heard in tenth and final track, “Beginning of Sorrow”; Culross displays an aptitude for adjusting the knob on the tempometer as and when appropriate. Still, there is not much creativity when it comes to filling in the aural blanks between both tracks, as Culross predictably serves up a plethora of blast beats. But hey, this is Suffocation. Expecting their drummer to do anything else but that is like expecting Crucio Siege Tanks to remain in tank mode while defending Terran bases [It’s like he’s speaking Klingon — Steel Druhm].

Defeated Sanity – Passages into Deformity Review

By Angry Metal Guy on February 2, 2013 in 2.5, 2013, Death Metal, German Metal, Reviews, Willowtip, Death Metal, 5 comments

Brutal death metal and I have never really seen eye to eye. This could either be blamed on the fact that far too many bands in the genre sound like The Pukey Cookie Monster playing to the soundtrack of a dishwasher; or I simply just don’t know enough about the music itself [Here at Angry Metal Guy, our Modus Operandi is to blame everyone else. Therefore, it’s the genre, not you. You’ll figure it out with time. – AMG]. German death metallers Defeated Sanity, however, have showcased some technicality in their previous sonic assaults, which I appreciate.

Things You Might Have Missed 2011: Immolation – Providence

By Rusty on January 8, 2012 in 2011, American Metal, Death Metal, Things You Might Have Missed 2011, Death Metal, 3 comments

Immolation has always been a band with a distinct sound. When you think about it, being all that authentic in a scene that is widely considered as the “standard” of death metal is quite a tricky feat. Given the necessary technical ability, any group of musicians can shell out a collection of highly down-tuned riffs, a procession of guttural shouts topped off with infinite double bass drumming, but that doesn’t sound too authentic now, does it? But when I think of Immolation, the word “punishing” always comes to mind. These guys have consistently delivered some of the most punishing down-tuned riffs, guttural vocals and pounding drums in the business and this is why they have been highly revered ever since their debut full-length Dawn of Possession came out 20 years ago.

Vile – Metamorphosis Review

By Rusty on January 6, 2012 in 2012, 3.0, American Metal, Death Metal, Reviews, Willowtip, Death Metal, 1 comment

How far from reality would it be to argue that death metal has become a saturated genre with no room for improvement? I suddenly imagine a short chubby skinhead with a 50 cm long goatee screaming at my invalid premise which makes my argument seem quite farfetched. So we have now at our hands Metamorphosis which is the fourth full-length album by California’s Vile and it comes six years after 2005’s well received The New Age of Chaos, and that my fellow metal heads is a long time to put out a death metal album. Makes you wonder how the new one sounds like, doesn’t it? Well if you are familiar with their older works and the current worldwide vitals of death metal, you wouldn’t be really surprised by this record. This is an album that sounds quite contemporary as far as death metal goes and carries some obvious influences than can be traced to Deicide, Suffocation and 20th century Morbid Angel. Another thing I realized as soon as I saw the artwork is how much it reminded me of Atheist’s Jupiter, but I guess it would be impossible to scan the entire metal spectrum for cover art just to make sure what the artist you’re paying may or may not have copied.

Vomitory – Opus Mortis VIII Review

By Angry Metal Guy on April 20, 2011 in 2011, 4.5, Death Metal, Metal Blade, Record o' the Month, Swedish Metal, Death Metal, 18 comments

I’ve actually been having a bit of a problem this year. While this is supposed to be the big year for all the big-named metal bands that I love, I can’t help but get the feeling that no one is putting out records that are even nearly as good as they should be. OK, I really got into the new Vintersorg, but I thought Septic Flesh was a letdown, as was the new Amon Amarth. There are others that I can’t mention yet, but let me just say, I’m disappointed with pretty much all of my favorite bands this year. So when I got Vomitory’s Opus Mortis VIII and popped it in, I can’t say that I was expecting much more than that same ol’ same ol’ feeling of apathy. I was beginning to think, frankly, that this was my problem. But Vomitory helped me realize something, this is their problem, not mine.

Defiled – In Crisis Review

By Angry Metal Guy on January 18, 2011 in 2011, 4.0, Death Metal, Japanese Metal, Reviews, Season of Mist, Death Metal, Technical Death Metal, 0 comments

I’ll admit it, I’m a biased motherfucker. When I think of Japan, I think of anime and J Pop and bands like over-the-top shit like X Japan and the crazy clown lookin’ girls, not brutal death metal bands like Defiled. I guess I should have learned this lesson already from bands like Gore Beyond Necropsy and Sigh and others who break against this stereotype in their own way, but no, my bias remains. Though I guess you can really say that Defiled is over-the-top, as they are an excellent, but also very brutal and pretty technical death metal band that is releasing their fourth full length. However, I can say that I was right surprised to get this record since I had no idea it was coming out and it has been 8 years since their Season of Mist debut Divination. But whether or not I had warning, Defiled has put out another ball breaking slab of death metal crushingness.

Severe Torture – Slaughtered Review

By Steel Druhm on July 1, 2010 in 2010, 3.0, Death Metal, Reviews, Season of Mist, Death Metal, 2 comments

I have to admit right up front that I wasn’t overly familiar with Severe Torture and their cadaver of work prior to getting tasked with this review. I had heard bits and pieces of previous albums but nothing about them ever really grabbed my attention or made me feel the need to track down their material. So as I got familiar with Slaughtered, this Dutch death metal band’s fifth platter (or should I say splatter), I was pretty shocked by the quality of the material on display. Maybe I simply missed the boat on their earlier stuff but this is a solid enough release that I plan to go back to investigate much more carefully in the near future.