Century Media Records

Asphyx – Necroceros Review

Asphyx – Necroceros Review

“I warned you all this would be a year of Steel on a mean death bender and here we are. Let’s kick it off in grand fashion with the brand new offering from death metal royalty, Asphyx. After shamefully overlooking 2016 release Incoming Death, I found myself needing to get my phyx of new material from a band I’ve enjoyed since my college days. Necroceros is the Dutch devils’ tenth album and the first written and recorded during a global pandemic.” Necro-Destructo.

Soulburn – Noa’s D’ark Review

Soulburn – Noa’s D’ark Review

Originally formed by two members of Asphyx when their band went on hiatus, Soulburn resurfaced under their original moniker in 2014, after a hiatus of their own and a stint carrying the name To The Gallows during which Rogga Johanssen briefly joined the line-up. Nowadays, the cast still includes founding member Eric Daniels, as well as Legion of the Damned guitarist Twan van Geel and Graceless members Remco Kreft and Marc Verhaar. On paper, a team like this should be able to make a pretty killer record.” Death reclamation.

Dark Tranquillity – Moment Review

Dark Tranquillity – Moment Review

“I’ve always thought Dark Tranquillity was the band that best represented the Gothenburg sound that took hold of metaldom in the early 90s. It’s indisputable that they’re the act that’s aged the most gracefully in the quarter century since the style took hold, as fellow countrymen In Flames and Arch Enemy wandered off into career oblivion. That’s not to say there haven’t been ups and downs in the Dark Tranquillity catalog. That brings us to Moment, their 12th platter of moody melodeath.” Dark moments.

Spirit Adrift – Enlightened in Eternity Review

Spirit Adrift – Enlightened in Eternity Review

“Look up “prolific” in the dictionary, and there’s a good chance you’ll see Nate Garrett’s name somewhere in there. Besides spending time in doom/death merchants Gatecreeper, Garrett’s also tirelessly spent energy and time with his main project, Spirit Adrift, having released three acclaimed albums in the span of four years. However, with 2020 being the year that it is, Garrett felt the need to do some massive soul-searching, choosing to focus on the more positive aspects in ourselves, and decided a massive upheaval was necessary in order to survive, let alone succeed. In doing so, he’s stepped down from the ‘creeper and put all of his energy back into his main gig. With renewed focus and a change of attitude, Enlightened in Eternity, the fourth album in five years, is upon us.” Enlighten the dark.

Necrophobic – Dawn of the Damned Review

Necrophobic – Dawn of the Damned Review

“I’m not exactly sure how responsibility for this review survived its fall down the AMG Seniority Ladder™ to find its way to little old me, but I’m certainly glad it did. Necrophobic holds a special place in my heart. Not only did my enjoyment of the band’s previous release Mark of the Necrogram begin my quest to discover and love black metal, but I still remember reading Al Kikuras‘ incredible review of said album. It was the first time that I seriously considered how cool it might be to write reviews for AMG.” Necro 4 eva.

Napalm Death – Throes of Joy in the Jaws of Defeatism Review

Napalm Death – Throes of Joy in the Jaws of Defeatism Review

“It’s genuinely hard for me to comprehend someone taking a strong dislike to Napalm Death because, above all else, they represent a seal of quality. At this point in their career the band have managed to command their blast-happy frenzy and deathly breakdowns with the kind of fluidity most acts can only imagine. But experimentation has never been far from their arsenal, and new album Throes of Joy in the Jaws of Defeatism is no exception. In a career that spans excellent to reliable, the only real question is: which category does this sixteenth record belong to?” Death throes.

Finntroll – Vredesvävd Review

Finntroll – Vredesvävd Review

Finntroll‘s role in the development of modern folk metal cannot be understated. Re-visiting classics like Jakens tid and Nattfödd often leads me to wonder how these guys managed to rip off my favorite folk albums before they were written. The unabashed and upfront nature of their folk qualities changed the game. That said, it’s amazing that Finntroll are still relevant. 21 years into the game, the newer blood in the genre reasonably should have surpassed them by now.” Troll down memory lane.