Century Media Records

Spirit Adrift – Enlightened in Eternity Review

Spirit Adrift – Enlightened in Eternity Review

“Look up “prolific” in the dictionary, and there’s a good chance you’ll see Nate Garrett’s name somewhere in there. Besides spending time in doom/death merchants Gatecreeper, Garrett’s also tirelessly spent energy and time with his main project, Spirit Adrift, having released three acclaimed albums in the span of four years. However, with 2020 being the year that it is, Garrett felt the need to do some massive soul-searching, choosing to focus on the more positive aspects in ourselves, and decided a massive upheaval was necessary in order to survive, let alone succeed. In doing so, he’s stepped down from the ‘creeper and put all of his energy back into his main gig. With renewed focus and a change of attitude, Enlightened in Eternity, the fourth album in five years, is upon us.” Enlighten the dark.

Necrophobic – Dawn of the Damned Review

Necrophobic – Dawn of the Damned Review

“I’m not exactly sure how responsibility for this review survived its fall down the AMG Seniority Ladder™ to find its way to little old me, but I’m certainly glad it did. Necrophobic holds a special place in my heart. Not only did my enjoyment of the band’s previous release Mark of the Necrogram begin my quest to discover and love black metal, but I still remember reading Al Kikuras‘ incredible review of said album. It was the first time that I seriously considered how cool it might be to write reviews for AMG.” Necro 4 eva.

Napalm Death – Throes of Joy in the Jaws of Defeatism Review

Napalm Death – Throes of Joy in the Jaws of Defeatism Review

“It’s genuinely hard for me to comprehend someone taking a strong dislike to Napalm Death because, above all else, they represent a seal of quality. At this point in their career the band have managed to command their blast-happy frenzy and deathly breakdowns with the kind of fluidity most acts can only imagine. But experimentation has never been far from their arsenal, and new album Throes of Joy in the Jaws of Defeatism is no exception. In a career that spans excellent to reliable, the only real question is: which category does this sixteenth record belong to?” Death throes.

Finntroll – Vredesvävd Review

Finntroll – Vredesvävd Review

Finntroll‘s role in the development of modern folk metal cannot be understated. Re-visiting classics like Jakens tid and Nattfödd often leads me to wonder how these guys managed to rip off my favorite folk albums before they were written. The unabashed and upfront nature of their folk qualities changed the game. That said, it’s amazing that Finntroll are still relevant. 21 years into the game, the newer blood in the genre reasonably should have surpassed them by now.” Troll down memory lane.

Black Crown Initiate – Violent Portraits of Doomed Escape Review

Black Crown Initiate – Violent Portraits of Doomed Escape Review

Black Crown Initiate began their career with such promise and explosiveness with the one-two punch of their Song of the Crippled Bull EP and The Wreckage of Stars LP, that the more experimental and progressive 2016 album, Selves We Cannot Forgive, was a minor disappointment. Although a solid album with scattered high points, a lack of cohesion and mixed experimentation found the album falling short of expectations. Nevertheless, Black Crown Initiate remain a talented entity in the modern progressive death landscape. Following a four year period since their sophomore release, the band return with the anticipated Violent Portraits of Doomed Escape.” Progress and devolve.

Imperial Triumphant – Alphaville Review

Imperial Triumphant – Alphaville Review

“No one screams “unique” quite like New York City’s Imperial Triumpant. Over the course of three fantastic albums and a handful of EPs, we’ve seen them morph from French-inspired black metal to the jazzy-yet-brutal, grimy-yet-regal golden-masked monster you see today. However, their signing to Century Media worried a few of us staffers here. With each subsequent single being dropped online, our fears were slowly dissipating as Alphaville approached release.” Big city frights.

Vampire – Rex Review

Vampire – Rex Review

“When we last heard from Swedish vampires, err… Vampire, they impressed me in 2017 with their Castlevania II/80’s inspired With Primeval Force, and although it didn’t crack my Top Ten(ish) that year, it still worms its way into my listening sessions on a continual basis around these parts. I was beginning to worry that the merry (undead) quintet would lay dormant, so imagine my surprise when the higher-ups threw Rex at my lap and told me to get on that shit, pronto.” Rex the necks.

Naglfar – Cerecloth Review

Naglfar – Cerecloth Review

“These Swedes have been around a long time and, I’m sad to admit, I kinda gave up on them after 2007’s Harvest. Yet, here we are, some thirteen years later, with Naglfar‘s newest record plopped in my lap. Upon initial inspection, Cerecloth looks, feels, and smells like Naglfar. Former bassist, Kristoffer W. Olivius, is still at the mic, after replacing the mighty Jens Rydén on 2005’s Pariah. And, as it’s been since ’95’s Vittra, each instrument is as crucial as the next. The result is some of the strongest songwriting in the genre. Never groundbreaking and never meant to be, Naglfar is a true purveyor of that melodic black metal sound.” Olde and still colde.