Century Media Records

Bewitcher – Cursed Be Thy Kingdom Review

Bewitcher – Cursed Be Thy Kingdom Review

“I’ve given out a 4.0 or twenty-one in my time, but this is the first time that one of 4.0ldeneye‘s highly 4.0nored 4.0nies returns 4.0me for yet another s4.0t at glory. Just under two years ago, Portland, Oregon’s Bewitcher released Under the Witching Cross, their sinister sophomore platter of blackened speed metal tunes, and I still haven’t been able to locate my socks after the resulting off-blowing. That record was oozing with attitude, and every track was a killer. I was stoked to hear that the band had been picked up by Century Media for follow-up effort Cursed Be Thy Kingdom.” Cursed by great expectations.

Sanguisugabogg – Tortured Whole Review

Sanguisugabogg – Tortured Whole Review

“Unlike what appeared to be three-quarters of death metal internet, I wasn’t truly amazed by Sanguisugabogg’s debut EP Pornographic Seizures. It sounded like brutal death metal with a penchant for thuggish “caveman riffs,” which is contemporary shorthand for “riffs which show an appreciation for Mortician.” Nevertheless, I’m a sucker for pageantry; when the ‘bogg premiered a music video produced by Troma I was firmly committed to hearing their debut full-length Tortured Whole.” Ecelectic Boggaloo.

Cryptosis – Bionic Swarm Review

Cryptosis – Bionic Swarm Review

“Wow. Thrash is kind of having a year, folks. There are large swaths of the metal community who feel that the fires that heated the furnace in which all great thrash was forged went out decades ago, while others feel that those flames still sputter and cough and produce a great record every now and again. Well, something about a worldwide shutdown secondary to a pandemic seems to have stoked whatever embers remained within that furnace into a raging inferno, because the first quarter of 2021 is basically littered with quality thrash releases of a variety of styles. Therefore, I didn’t hesitate to pick up Bionic Swarm, the debut record from Dutch thrashers Cryptosis, a band who’d like to throw their hat into the progressive cyber-thrash ring with Paranorm.” 4 Swarm to wengeance.

Enforced – Kill Grid Review

Enforced – Kill Grid Review

“Oh man, have I been excited to get my hands on this one. In 2019, I happened upon the promo for At the Walls, the debut record from Richmond, Virginia crossover thrash act Enforced. The album was a combination of previously-released demo and EP tracks with some newer material, and while this may have resulted in some minor consistency issues, that thing riffed hard, riffed often, and barely missed my 2019 year-end list. The thought of a follow-up record written in one, cohesive go was tantalizing, and my excitement only grew when I heard that Enforced was picked up by Century Media last year. But at the same time, when a raw, passionate band moves to a bigger label, I always get a bit nervous.” Dying on the grid.

Eyehategod – A History of Nomadic Behavior Review

Eyehategod – A History of Nomadic Behavior Review

“Legendary sludge metallers Eyehategod is another high profile and revered NOLA band from the wrong side of the tracks, carving out a punishing career of ugly, hateful, feedback drenched sludge, including genre classics, Take as Needed for Pain and Dopesick. Built upon foundations of immense hardship, personal pain, resilience, and rocky turbulence, particularly those of troubled frontman Mike IX Williams, Eyehategod returned with a self-titled comeback album in 2014, their first LP since 2000’s Confederacy of Ruined Lives. It was a solid return, staying true to the band’s gnarled roots. The passage of time and age shall not weary Eyehategod.” Transient ugliness.

Witherfall – Curse of Autumn Review

Witherfall – Curse of Autumn Review

“In the grand talent lottery, Witherfall hit bigly and muchly. They possess such a vast wealth of ability that it could be redistributed among any 10 lesser acts with copious chops leftover. On third album, Curse of Autumn all this talent is on vivid display as the band rips through wild, adventurous prog-power anthems tailor-made for fans of Symphony X and Nevermore. At every turn you’re regaled by the stunning shreddery of Jake Dreyer (ex-Iced Earth, ex-White Wizzard), the soaring vocal heroics of Joseph Michael (Sanctuary, ex-White Wizzard), the powerhouse technical drumming of Marco Minnemann (Steve Wilson, ex-Necrophagist), and the slick bass-work of Anthony Crawford. The sheer magnitude of what the band is capable of hangs heavy in the air every second the album plays. With so much raw potential and mega-competence however, comes a higher base level of expectation.” Curse of potential.

Asphyx – Necroceros Review

Asphyx – Necroceros Review

“I warned you all this would be a year of Steel on a mean death bender and here we are. Let’s kick it off in grand fashion with the brand new offering from death metal royalty, Asphyx. After shamefully overlooking 2016 release Incoming Death, I found myself needing to get my phyx of new material from a band I’ve enjoyed since my college days. Necroceros is the Dutch devils’ tenth album and the first written and recorded during a global pandemic.” Necro-Destructo.

Soulburn – Noa’s D’ark Review

Soulburn – Noa’s D’ark Review

Originally formed by two members of Asphyx when their band went on hiatus, Soulburn resurfaced under their original moniker in 2014, after a hiatus of their own and a stint carrying the name To The Gallows during which Rogga Johanssen briefly joined the line-up. Nowadays, the cast still includes founding member Eric Daniels, as well as Legion of the Damned guitarist Twan van Geel and Graceless members Remco Kreft and Marc Verhaar. On paper, a team like this should be able to make a pretty killer record.” Death reclamation.