“The ocean acts as a metaphor for the the mind’s transition from light to dark, knowing to unknowing, reality to irreality. For Novarupta’s songwriter and leader Alex Stjernfeldt, former bassist for The Moth Gatherer, the ocean is reflects a dismal acceptance of a depressed state of mind.” Deep waters run deep.
Cult of Luna
Ba’al – Ellipsism Review
“Post-black and blackened post metal. The same thing, surely? I would argue no. Post-black metal tends to rely on lengthy, brooding atmospheric passages, interspersed with blasts of black metal fury. Blackened post metal, on the other hand, should be towering, mesmerizing riffs with that vicious black metal edge to proceedings. Sheffield, UK’s Ba’al have been knocking around since 2016, putting out EPs in their first year and then in 2019 also, but the absolute shitshow that is 2020 sees this four piece dropping their debut full-length, Ellipsism.” Post-Post.
Neànder – eremit Review
“Any old fool can say, “The sea is beautiful.” Using music to evoke the feelings inspired by that beauty is far, far harder. To some extent, that’s something all instrumental bands have to do: since there are no lyrics to tell you what to feel or think, the music has to inspire emotion and sensation all on its own. Instrumental music is both brave and dangerous In this respect – there is simply nowhere to hide. Berlin’s Neànder aims to achieve this lofty goal by combining the density of doom, the introspective melancholy of post-rock, and the fury of black metal, all with the focus solely on their instruments.” eremit the fog.
Yer Metal is Olde: ISIS – Celestial
“ISIS were a gateway band for me and they, along with a handful of others, are largely responsible for shaping my musical ‘tastes’ as they exist today. Originally introduced to ISIS by way of their unfuckable-with sophomore album, Oceanic, I then discovered that the fundamentals of ISIS’ iconic, oft-copied-but-never-bettered sound were already fully formed on their debut LP, 2000’s Celestial.” Star breakers.
DDENT – Couvre-sang Review
“DDENT is a French post-metal group from Paris, formed in 2013 and having released two full-lengths and an EP. Sporting a Pelican or Omega Massif vocal-less style, complete with post-rock dynamics, pummeling sludgy riffs, and a stunning sense of beauty within its uncompromising sound.” Post posts.
In the Company of Serpents – Lux Review
“In the Company of Serpents’ fourth full-length is an unholy concoction of sludge, doom and cowboys, and frankly things don’t get any Cherdier than that.” Snakes deLux.
Nero Di Marte – Immoto Review
“I am a big post-metal fan. I have admitted to this before without shame, despite the unkind words that are thrown around about the genre, including in the skull pit by my fellow word slaves scribes. And, as a fan of the genre, I firmly believe that The Ocean, Cult of Luna and others have shown it can be so much more than ten-minute, riff-less songs that feature sudden eruptions of heaviness. Despite this categorical proof, a number of ‘post-metal’ bands appear not to have got the message.” Post-memo.
Huck N’ Roll’s and Eldritch Elitist’s Top Ten(ish) of 2019
Huck N’ Roll and Eldritch Elitist weigh in with their own Top Ten(ish) of 2019 lists, and they have a lot to say.
Daxma – Ruins upon Ruins [Things You Might Have Missed 2019]
“I felt a certain pressure when choosing something, particularly my first thing, to write up as a TYMHM. When I write reviews, ok, I choose them from the promo pit but I’m choosing from the limited pickings left for me by the faster, more nimble AMG scribes. When picking a TYMHM, it’s all on me to pick from the shit ton of music not covered on this most veritable of blogs. So, it may perhaps strike some of you as odd that I have chosen to cover an endearingly small album with only 2 tracks and clocking in at just over 25 minutes.” Everything’s ruined.
Nocturnalia – III Winter Review
“Self-proclaimed dark rock quintet Nocturnalia hail from Sweden and are in consequence largely inspired by the eerie and cold yet peacefully quiet atmosphere of harsh Scandinavian winters. The band claims to draw influences from both classic rock acts such as Rainbow and Black Widow and traditional folk music.” Cold and olde?