“Though The Vision Bleak’s newest opus, The Unknown, was late in getting to the AMG offices, no review is too late for one of my favorite bands. Since discovering them in 2006, the band’s entire discography must be spun and loved in order to become a new member of the Grier household. It is law and bound by contract. Yes, animals included.” For some the saw is the law, but with the good doctor, The Vision is the mission.
“I’m not going to lie, I have the biggest fucking headache right now. And who is to blame for this ailment? Bon-fucking-Jovi. Why in hell would I be listening to Bon Jovi, you might be asking? Because Jaded Heart’s back-catalog resurfaced my hard-helmet, classic-rock listening, construction-work nightmares. Yep, you read right. I said Jaded Heart. Why would I dare review such a thing, you may also be asking? Well, curiosity killed the cat.” Paul Baloff actually killed that cat because it was a poser!
“I feel ashamed to admit it, but I had never heard Germany’s Assassin before grabbing their new release, Combat Cathedral. Which is sad considering they have been in the scene for some thirty years. This, however, is understandable if one looks at the band’s sporadic release schedule (which is nonexistent between 1988 and 2005).” German thrashers will even fight on holy ground!
“Nothing clings quite so tenaciously to life as a Germanic metal band. Think about it for a moment – all the big names in 80s Kraut thrash are still active, along with nearly all of their 80s power and traditional acts. In essence, Teutonic metal is harder to kill than nail fungus and just as unsightly. Though Iron Savior didn’t come into existence until 97, they’ve proven typically resilient and hard to eradicate.” German metal can’t be stopped, German metal can’t be topped.
“As pointed out by our highly esteemed El Cuervo, Suidakra is perhaps one of the most productive bands on the planet. Including this year’s Realms of Odoric, the band has dished out twelve albums in nearly twenty years (including an early-career period where the band was releasing an album a year).” With so much productivity, are these guys the anti-Necrophagist?
“It’s comforting to know Law and Order will always be in syndication on some channel somwhere and that a Big Mac will taste the same no matter where you buy it. Likewise it’s reassuring to see the big thrash acts of the 80s steadfastly refusing to go quietly into that good night. Under Attack is Destruction’s 14th full-length of Germanic thrash and as someone who was there at their humble beginnings, it’s pretty cool to see the Mad Butchers still alive and thrashing so late into their bullet-belted old age.” Nothing’s quite as infernal as infernal overkill.
“Sometimes the way you first experience an album is everything. Back in 2013, after finally returning from an extended work trip where I had limited internet access (and thus, no ability to hear new metal releases), Thränenkind’s The Elk took my deprived ears by storm with its Agallochian mix of weepy post-rock and crusty post-black metal. After months of only listening to whatever -core was stored on my iPod at the time, I was captivated, and the German quintet’s debut ended up being one of my favorite albums that year. Three years later sees me in an entirely different set of circumstances.” Stop the presses!
“German duo Mantar stormed the underground, cracking skulls and galloping to glory with their scorching debut album, Death by Burning in 2014. Fusing raucous black metal with spiteful sludge and doomy slogs, Mantar’s punked-up energy, fuck-the-world attitude and an abundance of primal riffs and gnarly hooks kept me gripped and hungry for more. On the back of the album Mantar deservedly scored a deal with Nuclear Blast for the anticipated release of the all important sophomore album. So with the big wigs behind them, can Mantar deliver on the considerable promise they displayed first time round?” So much buzz!
“The reigning kings of techno/industrial/party death are back once again to pump up the volume and rock your boots n’ pants, boots n’ pants. On their 13th full length, Monument, Crematory sees some major line up changes but the kraut rockers pick right up where 2014s Antiserum left off. That means more poppy techno-death tailor-made for metallized strip clubs and sketchy back alley discos.” Boots n’ pants and boots n’ pants….
“Desaster is fuckin’ coconuts. There, I said it and I stand by it. The reigning overlords of overkill are back for an eighth album full of lunatic blackened speed/thrash loaded with nods to the deep roots of metal and NWoBHM. They’ve always been unhinged, unpredictable and at times almost a parody of metal itself, but they’ve churned out some righteously amusing and trve moments of molten goodness over their leather and spike studded career.” Feel the foam!
