El Cuervo and Diabolus in Muzaka want in on this whole Top Ten(ish) thing that’s going around. Let them have a turn.
Hellripper
Holdeneye and Cherd of Doom’s Top Ten(ish) of 2020
Holdeneye and Cherd of Doom made these long-winded lists and now they’re your problem. No trade backsies!
Hellripper – The Affair of the Poisons Review
“Despite enjoying metal my whole life, I used to struggle with thrash beyond the biggest names. I found it bland, chugging and neanderthalic. 2017 was a watershed time for my enjoyment of the thrashing style, and part of that watershed was Coagulating Darkness by Hellripper. Bridging black, speed and thrash, James McBain’s solo project did what so many others (including the ‘classics’) previously had not and opened the doors to the genre. Though I never got round to a write-up, it’s one of the premium speedy albums of the 2010s and Hellripper shot up my list of favorite bands.” Return of the Ripper.
Blackevil – Forever Baptised in Eternal Fire Review
“Something wicked this way comes. What is that thing? It’s Germany’s Blackevil — and their sophomore record Forever Baptised in Eternal Fire follows with them. These maniacal monsters play a potent mixture of blackened thrash, speed metal, and pure heavy metal — the kind that Iron Maiden would have played if they’d been nearly as satanic and evil as the PMRC thought they were back in the 80s.” Z-evil never dies.
Devastator – Baptised in Blasphemy Review
“Earlier this year Midnight showed us a Rebirth by Blasphemy, now Devastator keep the party going by showing us what it means to be Baptised in Blasphemy. Spoiler alert: there’s a lot of goats, Satan, and fukkin headbangin’ involved.” Goat show.
The EP, Split, and Single Post Part I [Things You Might Have Missed 2019]
Did you miss some crucial EPs, splits and singles in 2019? We’ve got you covered, chumbo.
Speedclaw – Beast in the Mist
“I enjoy Hellripper to a fairly significant extent. Last year’s full-length release tore up its thrash competition and took home fifth place in my top ten records of 2017, leading to my deeper exploration of his repertoire of splits and EPs. It’s fair to say that the little Scottish bundle of energy is one of my favorite discoveries from the past few years of metal. Where before I would have avoided promos tagged with speed metal, I now take note with the intention of unveiling the next underground speed gem.” Speed is a lifestyle choice.
El Cuervo and Diabolus in Muzaka’s Top Ten(ish) of 2017
“Making a successful and popular Top Ten list involves a series of complex calculations, comprised of, but not limited to the following: a tallying of recorded scores, estimated scene cred, a precise proportion of big and underground bands, a spot for that one record universally praised during the year, and a pathological need to seem like one has not missed anything.” Making a list, checking it thrice.
Dr Wvrm and Eldritch Elitist’s Top Ten(ish) of 2017
“Ladies and gentlemen, boys and girls, children of all ages: Jørn proudly brings to you the hall door swingin’, poser metal slingin’, the not brvtal enough, not even once, the Great Old Weenie, Eldritch Elitist, the Basic Bitch, Dr. Wvrm, the Shame of Angry Metal Guy.” Yeah, that’s about right.
Cripper – Follow Me: Kill! Review
“Kill! is most largely occupied by thrash influences but splices in death growls, hardcore sneers and the occasional slower, dirgier riff. The staccato style of djent also features, particularly in the introductory riffs to a number of tracks. The two bands I hear most are Kreator and Meshuggah, rendering it established in the modern day but definitely facing backwards.” Crippers and blood.