I Voidhanger Records

Esoctrilihum – Dy’th Requiem for the Serpent Telepath Review

Esoctrilihum – Dy’th Requiem for the Serpent Telepath Review

“Another year, another 78 minute monster of an album by Esoctrilihum landing in my promo box with a bowel shaking thud. It seems the musical reproductive cycle of the elusive Asthâghul, native to France, is on an approximate 9-10 month cycle, wherein no sooner than one shrieking, multi-limbed abomination is calved writhing onto the unsuspecting earth, a pan-dimensional demon god plants its seed into Asthâghul’s gaping mind womb to begin the gestation process anew. To be in such a constant state of creative estrus must be absolutely exhausting. I know as a reviewer who has squatter’s rights to all Esoctrilihum output on this site, I’m tired just thinking, listening and writing about it.” Pregnant pause.

Acausal Intrusion – Nulitas Review

Acausal Intrusion – Nulitas Review

“If I’m being truly honest, I have a difficult time with death metal. It feels unfair, as these acts rear their guttural heads on my AOTY’s yearly, but they’re often adjacent strains: black/death, dissonant tech-death, Lovecraftian, or other pretentiously experimental concoctions. But old school and Swedeath? Gimme somethin’ else, because I overthink the hell out of it: at the risk of sounding like my parents, it all sounds the same to me. However, a new weird death metal release from the label behind groups like Prometheus and ThecodontionAcausal Intrusion, sign me the fuck up.” Ruptured Nulitas.

Neptunian Maximalism – Solar Drone Ceremony Review

Neptunian Maximalism – Solar Drone Ceremony Review

Neptunian Maximalism took the metal world by storm last year. Éons was an absolute monument of an album, fusing drone, jazz, and psychedelia into one of the most evocative listens in recent memory. It spoke to something primal, something ancient that lived at the bottom of a listener’s subconscious, and snuck its way into my year-end list at number 2. Conjuring the likes of Sunn O))), Sun Ra, Swans, and Miles Davis, it was a concept album regarding the fate of Earth and its inhabitants, resulting in mass extinction and planetary destruction. Only nine months later, we’re treated with a new offering; can Solar Drone Ceremony continue where its predecessor left off?” Maximal effort.

Spectral Lore – Ετερόφωτος Review

Spectral Lore – Ετερόφωτος Review

“It’s no secret that I was a huge admirer of the 2020 Spectral Lore / Mare Cognitum split, Wanderers: Astrology of the Nine. Like an elaborate dance, the ethereal material from Spectral Lore waltzed perfectly with the more grounded, riff-driven focus of Mare Cognitum. I was fascinated to see how each band would follow this with their respective solo albums. Mare Cognitum clearly incorporated the introspective, mournful influence of Spectral Lore to great effect on Solar Paroxysm. The question was how Spectral Lore mastermind, the Greek Ayloss, would approach his latest collection, Ετερόφωτος.” Tales from the basement (sub-floor lore).

Midnight Odyssey – Biolume Part 2: The Golden Orb Review

Midnight Odyssey – Biolume Part 2: The Golden Orb Review

“In November 2019, I picked up the Midnight Odyssey-reviewing baton from a tired and broken Dr A.N.Grier, who had aged a number of cat years during his time with the 160-minute beast, Shards of Silver Fade. By contrast, I was able to listen to its successor, and first episode in a planned trilogy, Biolume Part 1: In Tartarean Chains, twice through and still have time for a 15-minute power nap, in the time it took poor Grier to labor his way through Shards. For anyone who thought this was a sign that Australian gloomster and one-man Odyssey, Dis Pater, had learned to curb his more expansive tendencies, however, Pater has all 102 minutes of Biolume Part 2: The Golden Orb to tell you otherwise.” Maximum adventures.

Onirik – The Fire Cult Beyond Eternity Review

Onirik – The Fire Cult Beyond Eternity Review

“In 2015, I had the opportunity to review Casket Dream Veneration; an album I had much love for. But something happened. As I revisit it again, I find myself in love with it even more. It’s a unique experience—spinning an album loved and forgotten, only to cherish it more than ever. As one would expect, this had me excited for follow-up The Fire Cult Beyond Eternity. Not only does G. Rex remain the mastermind behind Onirik but he invited Dirge Rep (drums; The Konsortium, ex-Orcustus, ex-Emperor, ex-Gehenna, and the list goes on forever) and Semjaza (mixing, mastering, and ambient vox; Thy Darkened Shade) to contribute. This is a dream team of underground black metal proportions!” Burning cults.

Mystras – Castles Conquered and Reclaimed Review

Mystras – Castles Conquered and Reclaimed Review

Castles Conquered and Reclaimed is the first release from Mystras, another outing from Ayloss of Spectral Lore fame. Following the epic Spectral Lore and Mare Cognitum split, which only dropped in March, I for one did not expect to see anything else from Ayloss in 2020, and certainly nothing of the scope and scale of this latest project.” Siege the day.

Creature – Ex Cathedra Review

Creature – Ex Cathedra Review

“A mere six months ago I wrote a TYMHM piece on the second Creature album Contes Funèbres, noting that while that album had a black metal base and clear elements of 70s prog, it also contained an anachronistic theatricality, like a corpse-painted staging of Les Misérables. If Contes Funèbres was broadway, Ex Cathedra is opera.” Shock me, Amadeus.

Esoctrilihum – Eternity of Shaog Review

Esoctrilihum – Eternity of Shaog Review

“Anyone familiar with France’s one man black/death weirdo project Esoctrilihum knows that primary member Asthâghul is the kind of singularly driven musician who can’t help but vomit out an hour-plus album of eccentric, labyrinthine darkness every 12 months or less. While some in the underground metalverse have praised his output since day one, our own coverage has been a bit more tepid. Does fifth full-length Eternity of Shaog change that trend?” Elder Gods Drinking Crew.