“It is not normal for us to review an album months after its release, but I’ve never been called normal, have I? This album was originally slated to receive the Things You Might Have Missed treatment, but some records simply demand the full-meal deal. This is one of those records.” Brace for Outcry!
“The year of our Angry Metal Overlord 2001 was a “very good year,” to quote the everyone who has ever spoken about wine in a movie. Indeed, the year that produced Opeth’s epic and scene-changing Blackwater Park and Propagandhi’s Today’s Empires, Tomorrow’s Ashes, also gave us Mutter by Rammstein, Awakening the World by Lost Horizon and Laundry Service by Shakira. But is Last Fair Deal Gone Down the best album released in 2001?”
![Eternity’s End – Unyielding [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/10/Eternitys-End-Unyielding-01-768x772.jpg)
“I discovered Eternity’s End with the release of their debut The Fire Within back in 2016, and I was completely blown away by their thrashy brand of neoclassical progressive power metal. That record is certainly in my top 10 of the 2010s, and I was ecstatic when I heard a follow-up was imminent.” Eternity is now!
“In my early days of metal fandom, there was a period of roughly two years – spanning from the time I stumbled upon DragonForce,’s Inhuman Rampage to when I began exploring Darkthrone’s discography – where I listened to nothing except for power metal and thrash. During this period, as I worked on my sloppy renditions of “Eagle Fly Free” and “Battery” on a cheap Yamaha electric guitar my parents picked up at a department store, I had an epiphany: why the fuck hasn’t anyone mashed up the two best genres in the world?” One mash, coming up!
“Look, I get it. Manimal isn’t a great band name. Hell, it isn’t even a good one. But for once, I need you overly judgmental metal hacks to look past that and keep whatever passes for an open mind round these parts. Highly dubious moniker aside, Manimal is a talented Euro-power band with the good sense to graft a ton of traditional metal akin to Judas Priest’s Painkiller to their sound for extra muscle.” From Garanimal to Manimal.
“There are a lot of good bands down there in South America and they always seem to pop up out of nowhere and surprise you. Brazil’s Hibria did just that with their 2004 Defying the Rules debut, which rocked a type of heavy power metal quite similar to Riot’s Thundersteel mixed with classic Euro-power like old Helloween. It was surprisingly mature and polished for a debut and had a number of great songs that earned permanent playlist rotation. Their Skull Collectors follow-up was solid enough, but I didn’t think much of the Blind Ride platter released in 2011. I feared they were in the classic Dimishing Returns Death Spiral and hoped they could find a way back to the glory of that awesome debut.” Nothing is worse than a promising band caught in a creative death spiral! Can Hibria avoid disaster and guide the ship back to the promised land of power metal? Steel Druhm is on scene and it was clearly the wrong week for him to quit sniffing glue.
Well, here’s a release I can easily see falling through the Angry Metal Cracks. One is the first (and maybe last) release by a supergroup of sorts led by Michael Andersson, vocalist for Swedish melodic metallers Cloudscape and featuring members of such renowned acts as Dream Evil, Hammerfall and Yngwie Malmsteen. Now, we all know supergroups can be very iffy propositions and Fullforce is no different. It seems whenever a group of talented musicians get jammed into a room to write and record, disaster is as likely to result as triumph. So where does this one fall? Pretty much exactly in the middle of the two extremes. There’s some top notch, super melodic metal here and some rather generic, boring duds. What makes this album of particular annoyance to Steel Druhm is how good the good stuff is. With some real winners on display, its a total buzz kill to have roughly half the album fizzle out and fail to keep the momentum going Fullforce (yeah, you knew it was gonna happen at some point). OK, it’s time for your slightly bitter host to examine One in a non-bitter fashion.
So there Steel Druhm was, sitting with a promo entitled Steel by the unknown Finns called Battle Beast. A quick perusal of the song titles made it clear they graduated Summa Cum LOUDLY from the Manowar School of Song Namery, as the numerous mentions of “metal,” “steel” and “iron” attest. The cover features a lion man fighting a robot as drawn by a ten year old at metal summer camp. Despite my renowned power metal geekdom, I felt a sense of dread and apprehension as I pressed play. Well damn it all if this thing isn’t full of surprises. Steel is a raging slab of frenetic, over-the-top 80’s metal worship that ladles out heaping helpings of thick cheese sauce and demands that you take seconds. Raging twin guitars, heroic solos, uber dramatic song structures and the vocals, Dear God the vocals!! The singer has a huge set of lungs and an even bigger set of balls which are frequently stuck in a vice! From gravelly, rasping shouts, air raid siren screams and superior singing, he can do it all and its so damn metal it kills my neighbor’s lawn. Imagine my shock to find out there are no balls to put in the vice because the HE is actually a SHE! That’s right, Nitte Valo is a true metal queen and she’s flat out brilliant on this album. However, unless you love the classic sounds of 80’s metal (think Grim Reaper, old Grave Digger, Accept) mixed with a smattering of power metal, this will leave you running for the door but quick. It revels in all the cliches and idiocy of that era and these folks certainly aren’t trying to be the next Opeth. You still with me? OK, stay with me.
Closer and closer we draw to the best heavy metal song of all time, but indeed there is much in between and none of it has been come to lightly. I actually have spent a lot of time mulling over this list since its creation and I am pleased, thus far I can’t think of anything major that I’ve left out, which must mean that they are not indeed ‘top songs’ at all. But let me get to one note of concern that people have raised. They say that one of the reasons that a list like Gibson’s travesty is valid is because “it’s hard to know if these songs can stand the test of time!” I just want to take a minute to call bullshit.
Unleashed is not without their appeal. They’ve been around for a couple decades now, putting out their first record Where No Life Dwells in 1991, and they’ve been pretty consistently well-respected in the scene for being among the first to do the whole Viking Metal thing. But they’re a band that this Angry Metal Guy has never been able to get into on the basis of one thing: Unleashed is the Manowar of death metal. Now, some people are going to say “But Manowar are the Kings of Metal! Should we not be praising Unleashed for translating such kinglyness into the Death Metal genre?” To which there can only be one response: “Absofuckinglutely not.”
