Norwegian Metal

Nidingr – Wolf Father Review

By Angry Metal Guy on January 24, 2011 in 2010, 2011, 3.5, Black Metal, Norwegian Metal, Reviews, The End Records, Black Metal, 0 comments

When I got this disc last year via Jester Records I missed it. I don’t know why it got shuffled off to the side, or what happened exactly, but for some reason it just didn’t get done in time. In any case, I just recently got wind that they’re readying for the US release so I figured I’d break out the Internet-pen and have at a review of this super group’s (Line-up: bass and guitars: Teloch [1349, Gorgoroth, Ov Hell, Orcustus, Umoral, Konsortium]; bass and guitars (again): Blargh [Gravferd, DÃ¸dheimsgard]; vocals: Cpt. Estrella Grasa [Kort Prosess]; and drums: Hellhammer [Immortal, Shining, Thorns, Umoral, Mayhem, Winds, Arcturus]) stab at reclaiming Norwegian black metal glory.

Things You Might Have Missed 2010: Byfrost – Black Earth

By Steel Druhm on December 2, 2010 in 2010, Black Metal, Norwegian Metal, Things You Might have Missed 2010, Thrash Metal, Black Metal, 4 comments

Ahhh, my Immortal. Yeah, I love Immortal and I’m not afraid to admit it. Be it old Immortal, new Immortal, I love it all! I’m plenty keen on Abbath’s solo project I as well. Since Immortal and I can only record so much material and I always want more, I was happily surprised by the debut full length Black Earth from Norway’s own Byfrost (available on Painkiller Records). Hailing from the very same town as the mighty Immortal, Byfrost plays a style of blackened thrash so remarkably similar, that fans of the frigid ones can’t help but smile and thrash along. The vocal style of Heavy Harms (winning name) is nearly identical to that of Abbath and the overall song structures and riffing stylesÂwill remind you of Immortal and I equally.

Things You May Have Missed 2010: Triosphere – The Road Less Travelled

By Angry Metal Guy on November 25, 2010 in 2010, AFM Records, Heavy Metal, Power Metal, Progressive Metal, Reviews, Things You Might have Missed 2010, Power Metal, Progressive Metal, 2 comments

Triosphere is a Norwegian progressive/power metal band that has gotten a little bit of play among fans of the genre, but isn’t actually super well known or discussed widely. Released on AFM, the band’s second full length The Road Less Travelled is a surprisingly interesting and fresh sounding power metal record in a genre filled with tired, tired, tired bands playing tired, tired, tired music. Instead, the band seems to have carved out a fairly unique place, partially due to the androgynous vocals of Ida Haukland. This isn’t an insult to her by any means, it’s just that I couldn’t tell if this was a male vocalist or a female vocalist and she’s one of the few female vocalists in power metal that I’ve ever heard that really do metal voice convincingly, instead of donning a dress and pretending she’s a diva. To the contrary, with solid backing from a band that can go between Dream Theater-flavored solos and Dragonforce-flavored blasts, she nails the presence the album needs to be convincing and unique at the same time.

Vulture Industries – The Malefactor’s Bloody Register Review

By Angry Metal Guy on November 9, 2010 in 2010, 3.5, Avante Garde, Black Metal, Dark Essence Records, Progressive Metal, Reviews, 3 comments

Another one of those bands that has floated in and out of my ‘sphere of knowledge’, I’d never really given Vulture Industries a fair chance. Part of this was probably just laziness on my part, but also the undeniable fact that the band had been pigeonholed as an Arcturus rip-off certainly didn’t make me want to check them out very much. As I’ve been pretty consistent about, I think that rip-off bands are usually boring, unimaginative and frustrating. And with a band like Arcturus that is easily one of the most unique bands to ever show up from the black metal scene, I couldn’t see how it could possibly be even remotely good. Certainly a band cannot re-imagine the most imaginative band from the first wave of Norwegian black metal.

Solefald – Norrøn Livskunst Review

By Angry Metal Guy on November 4, 2010 in 2010, 5.0, Avante Garde, Black Metal, Folk Metal, Indie Recordings, Progressive Metal, Record o' the Month, Reviews, Progressive Metal, 13 comments

Solefald is just a cool band and they have been for a long time. I first got into their stuff with the epic Red for Fire: An Icelandic Odyssey which came out in 2005 and that record has maintained a standard place in my discography because of its amazing blending of black metal, progressive metal and rock and unique Norse sounds. While I was not equally as impressed with Black for Death and I’ve been a bit hit or miss on some of the band’s older material, I’ve always appreciated the band’s unique approach to the music they produce and their intensely creative outputs. Nothing they have put out has really disappointed me, it’s just a matter of being more or less into it.

Tristania – Rubicon Review

By Steel Druhm on September 27, 2010 in 2.5, 2010, Doom Metal, Napalm Records, Reviews, Gothic Metal, 1 comment

Norway’s Tristania have been quite the durable and enduring entity, weathering the ebb and flow of musical trends and surviving numerous line-up changes and defections, including that of founder Morten Veland. From their humble doom/death beginnings, the ever changing line-up has increasingly evolved into a standard gothic metal act with less and less emphasis on the metal part of the equation and that process continues for better or worse here on album six, Rubicon. Long gone is the Tristania that delivered the genre classic Beyond the Veil and well regarded follow-up World of Glass. Instead, Rubicon finds them dealing in fairly average, somewhat nondescript, if professionally done gothic music that’s very light in the metal department.

Enslaved – Axioma Ethica Odini Review

By Angry Metal Guy on September 17, 2010 in 2010, 4.0, Black Metal, Indie Recordings, Nuclear Blast, Progressive Metal, Record o' the Month, Reviews, Progressive Metal, 16 comments

It is not hard to accept one fundamental axiom of the post-black metal Norway that I have referred to recently: Enslaved is easily Norway’s finest band. From the beginning the band has always been strong; grown-ups in a room filled with angry teenagers. This sense has not lessened with the passage of time. While certain members of the scene will forever be singing their equivalent of Alice Cooper ridiculous teen hits as 45 year olds (or older, like the man himself), Enslaved will continue to push the boundaries of black metal with a mature and progressive sound. Starting with the release of Below the Lights in 2003, Enslaved has produced four modern classics of “progressive, psychedelic black metal.” The fourth of this string of amazing albums was Vertebrae, which was released in 2008 and landed the band a tour with Opeth as well as more recognition than they had ever received worldwide. And with good reason: it was the best record the band had written to date.

Sahg – III Review

By Angry Metal Guy on September 13, 2010 in 2010, 4.0, Black Metal, Doom Metal, Indie Recordings, Reviews, Black Metal, Heavy Metal, 5 comments

Retro is the new new, apparently. Everyone and their dog is doing retro bands doing old school things with better (or at least louder) production and with the sensibilities of generations who have listened to a lot of music and decided that it’s time to come back to the thing that really seems to unite them: the 1970s. I, myself, have been listening to a lot of stuff from the 1970s lately, and especially the progressive rock movement that influenced many of the musicians from Scandinavia seems to be rearing its head in an interesting combination of traditional hard rock, heavy metal sensibilities and dudes who used to play black metal. Sahg’s III embodies this movement sonically, and does it very, very well.

Galar – Til Alle Heimsens Endar Review

By Angry Metal Guy on June 30, 2010 in 2010, 3.0, Black Metal, Dark Essence Records, Folk Metal, Reviews, Folk Metal, 0 comments

It would seem that Angry Metal Guy is actually forming review themes, like some sort of ongoing process wherein I discuss the ups and downs of the metal scene while reviewing records, and even debate them with some of the other reviewers. Because reviewing is an ongoing process here, often times things get lumped into groups in my head that others might not see. But what’s interesting is how during this big debate about whether or not bands should really be striving for an original and unique sound I am basically reviewing NÃ ttsol’s new record and Galar’s new albums side by side. Like NÃ ttsol, Galar is a young Norwegian band that is working in the footsteps of Ulver. Released by Dark Essence Records, Til Alle Heimsens Endar (“Until the End of All Worlds”) is the second album from the band, whose first record Skogsvad was released in 2006 and I, incidentally, have never heard it. The record itself is based on the work of Snorri Sturluson’s “Heimskringla”.

Ragnarok – Collectors of the King Review

By Noctus on May 18, 2010 in 2010, 4.0, Black Metal, Regain Records, Reviews, Black Metal, 0 comments

It’s about time someone took black metal to some new exciting levels. A music style can only go so far until it becomes somewhat stale, and for every album released, there are ten others that do the same thing – and almost none of the time is it markedly better. Black metal is no exception, and I have a lot of respect for bands that try something new and innovative. But there are some bands that don’t need to. Some bands, no matter how many albums they release of the same style, never grow stale and are always the best of the trade when it comes to the style of music they perform.