Oct17

Night Viper – Exterminator Review

Night Viper – Exterminator Review

“Somewhere in an alternate universe exists a blog dubbed “Happy Metal Guy” which exclusively runs reviews of throwback traditional metal albums. This must be true, because enough records of this sort make their way into our promo bay – where the majority are subsequently ignored – to make such a website a reality. I think so many of these records are glossed over by AMG staff because, by their very nature, innovation is the least of their priorities, and most aren’t solid enough to make up for the lack of originality.” Escape from Dimension HMG.

The Hate Colony – Ascending Review

The Hate Colony – Ascending Review

“When my first exposure to The Hate Colony’s debut Dead or Victorious elicited thoughts of a Lamb of God-turned-metalcore, the title of their new album made much more sense. Ascending? “Descending?” Right? Wrong. The Norwegians dropped that shit the second they got their hands on a Soilwork CD. With grooves suddenly sporting melodic textures, 2014’s Navigate offered an alternate take on metalcore, one with some halfway decent ideas buried under all the bleeding knuckles and douchey band pictures.” Post-colonial bad blood.

Evertale – The Great Brotherwar Review

Evertale – The Great Brotherwar Review

“In 2013, a young German band by the unassuming name of Evertale took the power metal world by storm with an independently-released firestorm of a fantasy power metal debut in Of Dragons And Elves. The band was hurriedly signed to NoiseArt Records and the album re-released, much to the relief of international fans. It’s been nearly a four-year wait, but a follow-up in the German’s signature power metal style is finally here.” Roll out the Orc barrel.

I Klatus – Nagual Sun Review

I Klatus – Nagual Sun Review

“Never judge a book by its cover – unless that book is Nagual Sun, by outre Chicago band I Klatus. Because this album cover perfectly matches the oddities within. The brainchild of visual artist/guitarist/growler Tom Denney, at its best the music on Nagual Sun borders on sludgy, hard-charging post-metal like Neurosis on acid: at worst, it’s a cacophonous mess of fragmented ideas (just like that artwork, which honestly looks like Denney spent about two minutes in Photoshop. Some of our loyal readers do better copy/paste work than that, and I certainly hope to see some variations on the cover in the comments below).” Photoshop-core.

Sicarius – Serenade of Slitting Throats Review

Sicarius – Serenade of Slitting Throats Review

“One of my top modern bands is Anaal Nathrakh, and seeing that instrumentalist Mick Kenney produced the debut of Californian black metal band Sicarius’, charmingly called Serenade of Slitting Throats, got me intrigued. When I started listening, that rush of excitement hit once again; now this is a band worth watching.” Benicio del Toro approved.

GWAR – The Blood of Gods Review

GWAR – The Blood of Gods Review

“I’d be a liar if I said I wasn’t a pathetic, GWAR-loving metalhead. I love their gimmick, their style, and the plethora of absurd characters and butt/cock jokes. That said, I wouldn’t label GWAR as musical revolutionists. They may be pioneers in costume design, satirical album concepts, and over-the-top stage shows, but I wouldn’t go as far as giving any of their material a 4.0/5.0. But, they’re fucking fun. Never taken seriously but never taken lightly, GWAR has not only amused me for years but has taught me the value in hating the world. And, when I thought this world couldn’t get any shittier, Oderus Urungus (Dave Brockie) died.” Win one for Urungus.

Communic – Where Echoes Gather Review

Communic – Where Echoes Gather Review

Communic sits comfortably in the subgroup of metal acts that don’t get the attention they deserve. With 4 albums of pretty consistently sharp, heavy prog metal under their belts, they’ve essentially filled the gap left when Nevermore folded shop. Albums like Conspiracy in Mind and Waves of Visual Decay mixed a satisfying crunch with soaring vocal harmonies, slick progressive sensibilities and a dark edge that draws me back often.” Dark minds plot darkly.

Serenity – Lionheart Review

Serenity – Lionheart Review

Serenity is an Austrian symphonic power metal band that has met my standards with 2016’s Codex Atlanticus. That record was solid, yes, but I was surprised by the band’s newest record landing in my inbox a year after its release. More concerning than surprising, however, is that the record is a concept album about Richard the Lion-Hearted. A solid record a year later is an ask for most bands, but do-able. A solid concept album in the same time is simply a reach. So, is Serenity’s Lionheart a good album? And, more importantly, is it a good concept album?” Lions, hearts and crusades, oh my!

Exhumed – Death Revenge Review

Exhumed – Death Revenge Review

“Like a fine wine, the mighty Exhumed keep getting better with age. The career parallels with their idols Carcass are obvious but not debilitating, manipulating their worship into their own finely honed death metal machine. From the grimy days of their fun and gruesome 1998 debut Gore Metal, through to 2013’s excellent Necrocracy, Exhumed’s career has been on a constant upward trajectory of consistency, refinement and dependable quality. With the focus of Matt Harvey and co on various other projects in recent years, the band finally dusted themselves off and returned to the studio to record a goddamn concept album!” Feeling offal? Try more gore!