“It’s been almost exactly five years since Inter Arma’s last full-length, not counting their album of cover songs, Garbers Days Revisited. Not that the vicious take on Neil Young’s “Southern Man” wasn’t a welcome addition to their catalogue, but after the gut-churning aural ruination that was 2019’s Sulfur English, you could hardly blame fans for hoping the band would follow it up in short order. A global pandemic and personnel turmoil intervened, so here we are in 2024 just getting our ears around the band’s fifth LP, New Heaven.” Large things arrive late.
Pink Floyd
Stuck in the Filter: February 2024’s Angry Misses
The February Filter is all clean and tidy.
Iterum Nata – From The Infinite Light Review
“Another week, another genre mashup for Iceberg, the frozen fringe-dweller. After a disappointing—and apparently controversial—dive into more straightforward waters, I was excited to spy the black/neofolk/prog tag on the newest release from Finnish one-man band Iterum Nata. Jesse Heikkinen spent some time with countrymen and fellow genre-blenders Hexvessel before striking out on his own, and this will mark his fifth solo release.” Moose mania.
Final Coil – The World We Inherited Review
“The U.K.’s Final Coil have once, twice graced these halls under the watchful gaze of our benevolent taskmaster Steel. But his eyes are all denim and leather these days, leaving me to find the band’s latest The World We Inherited languishing in the Dry January promo sump. Blending post and prog metal with a healthy dose of grunge, it’s been four years since they dropped their last LP, The World We Left Behind for Others. Unsurprisingly this 2024 release is connected to its predecessors, the third and final piece in the band’s “Persistence” triptych. Concept-driven albums are natural draws for this reviewer, an excellent choice for ushering in the new year.” Triple Coil points!
Strange New Dawn – New Nights of Euphoria Review
“Once upon a time, there were two brothers, one played bass and the other a guitar. In 2000, these brothers helped create Journey to the End of the Night, Green Carnation’s debut album. From here, they went off to form the mighty In the Woods…, hoping to expand on the sound of yesteryear Green Carnation. After leaving both bands, Green Carnation and In the Woods… remained, drastically morphing their sound and pushing beyond the boundaries of long-winded progressiveness, orchestration, and flowing choirs. Come 2013, the Botteri brothers attempted it again with Strange New Dawn.” Woods, flowers, dawns, oh my!
Green Lung – This Heathen Land Review
“There is something familiar and charming about what Green Lung do and do so well. Blending the likes of Sabbath, Jethro Tull, Boston and more, the band harks back to an earlier time and, on Black Harvest, managed to do that with their own voice. However, there are lots of other things I can reach to for comfort and familiarity, perhaps explaining why I haven’t reached for Black Harvest until thinking about this review. What staying power does This Heathen Land have?” Of Lungs and lands.
Stuck in the Filter – July’s/August’s Angry Misses
When 2 months of Filter crud collects, things get sticky. We got our hands dirty in July and August so you could have nice, fancy fingernails.
Besra – Transitions Review
“Tension and release. This relationship is a core tenet of musical composition (and most other art forms for that matter), and in the wide world of metal few genres rely on it as heavily as those with “post” attached to them. The swell and crash that is so endemic to the style requires precise attention to detail to succeed. One can dwell too long in the simmering buildup and risk losing the listener’s attention, or approach the climax too quickly and cheapen the crushing effect of the arrival. The middle road reveals a maxim of post-metal; simple form yielding complex expression. Finland’s Besra aim to thread this needle with their second full-length, Transitions.” Sound and fury signifying….
The Anchoret – It All Began with Loneliness Review
There are some labels that you just know will deliver something interesting. That doesn’t necessarily mean you’ll like what you get but it will be different. I, Voidhanger is one such label. The Anchoret’s label, Willowtip is another. So, despite knowing nothing about progressive five-piece The Anchoret, or its debut, It All Began with Loneliness, I was ready for a journey.” Strange places, dark spaces.
Anubis Gate – Interference Review
“Now nine albums along a slow and steady career, Anubis Gate returns after six years of radio silence with Interference, teasing a new level of sonic diversity. With great prog, comes great power—or at least that’s what I want! So take your pills and put your helmet on cause Anubis Gate’s cosmic aspirations hope to launch you pleasantly into the great unknown.” Prog in a gated place.