Power Metal

Lingua Mortis Orchestra – LMO Review

By Angry Metal Guy on August 9, 2013 in 2.0, 2013, German Metal, Nuclear Blast, Power Metal, Reviews, Power Metal, 7 comments

“I have a weakness for Rage. They’re a band that, while sometimes inconsistent, has long been a standard for cheesy German power metal. They manage to make music like it’s 1988 without blinking an eye, and while that cheese might not endear them to everyone, it certainly has endeared them to me. Twenty-twelve’s 21 was a concerning affair, however. The record contained none of the orchestral flourishes and progressive tendencies that I had been hoping to hear. Instead, 21 was a largely banal affair, with straight rock tracks and a tad more cheese that I could handle at times. Good; not great.” So, is LMO the solution we’ve all been waiting for? The Rage record we didn’t get last time around? Angry Metal Guy fills you in on the details…

Powerwolf – Preachers of the Night Review

By Madam X on July 24, 2013 in 2013, 4.0, German Metal, Heavy Metal, Napalm Records, Power Metal, Reviews, Heavy Metal, Power Metal, 20 comments

“Who’s up for a wolfnado? Hit play, go on I dare you… The wolf-pack’s back and as luck would have it I freed up just in time to safely prise Preachers of the Night from Mr Druhm’s steely, far too cynical grip! For those of you that don’t already know and love Powerwolf’s brand of heavy or power metal they go for your throat with canines bared. Locking on with the speed and catchiness of HammerFall (Glory to the Brave era), with uncomplicated melodies, simple riffing and hugely delivered, shout-along choruses similar to those of Sabaton all the while capturing some of the atmosphere of King Diamond.” Madam X made damn sure Steel Druhm didn’t review this because he has a Powerwolf hunting permit. But can even she stomach all the theatrics and silliness that comes with a release from these overacting hurricanines?

Edenbridge – The Bonding Review

By Steel Druhm on July 4, 2013 in 2013, Austrian Metal, Gothic Metal, Heavy Metal, Power Metal, Reviews, SPV, Gothic Metal, Heavy Metal, Power Metal, 13 comments

“When I reviewed Edenbridge’s Solitaire album a few years back, I suggested their sound was only metal if you use the most generous and inclusive definition of the word. Their (slightly) evolving approach makes them sound like Nightwish’s prettier, quieter sister and many of their songs are so light, ephemeral and gauzy, they seem more akin to New Age meditation soundscapes than anything heavy or hard. While that may seem like some kind of indictment on the pages of Angry Metal Guy Dot Com, I mean it in no such way. In fact, I’ve enjoyed almost all their output because they’re so good at crafting soothing, sugar-coated odes to tranquility and I’m utterly at a loss to resist the charms of Sabine Edelsbacher’s beautiful and enchanting voice.” Lush and gorgeous music is in short supply in metaldom. Does Edenbridge’s ambitious new opus help reduce the deficit or is it just so much empty fluffery?

Retro Reviews: Adagio – Sanctus Ignís

By Angry Metal Guy on June 30, 2013 in Blog Posts, Retro Reviews, Power Metal, 4 comments

Back in 2001, when I was just a new pup, I got a promo for a band I’d never heard of from Al Kikuras—my boss at the venerable (and NSFW) Unchain the Underground; one of the best webzines in existence. Being a young punk, I didn’t have much reference to cope what I heard at the time, but I loved it. The album was a clear progressive power record in the veins of Yngwie Malmsteen or Symphony X and it hit every single right button. It’s been a long time since I’ve even listened to it, though, what with the pace of reviewing. So I thought I’d break it out again.

Masterplan – Novum Initium Review

By Steel Druhm on June 18, 2013 in 2013, 3.5, AFM Records, German Metal, Heavy Metal, Power Metal, Reviews, Heavy Metal, Power Metal, 0 comments

“Originally conceived as a super group-ish side project for Helloween’s Uli Kusch and Roland Grapow, Masterplan soon became the duo’s main gig after their ignominious firing by those silly Germanic Pumpkin rockers. Although they planned to have the Lordly Russel Allen as the singer, they instead released two solid albums of melodic power metal helmed by the mighty Jorn Lande (yes AMG, we know you don’t think he’s that mighty). While Jorn left, then rejoined to record the less than stirring Time to Be King opus, it appears he left yet again, as Novum Initium features the talents of the well-travelled Rick Altzi (ex-At Vance, ex-Thunderstone, Herman Frank).” Are you sick of hearing about how awesome Jorn is? Apparently Masterplan is too, since they seem determined to beat him at his own hard rocking game. But can they bring as much heavy rock to the land as Jorn can?

Battle Beast – Battle Beast Review

By Steel Druhm on May 14, 2013 in 2.5, 2013, Finnish Metal, Nuclear Blast, Power Metal, Reviews, Power Metal, 8 comments

“Sweet mother of Jesusabub, is there no relief from 2013’s merciless crusade against bands I like? One by one I’ve watched them fall to some diabolical curse of ungoodness and all I can do is stare at the release schedule with unease and wonder…who’s next? The answer is Finland’s bullet-belted cheese mongers, Battle Beast. As you may or may not care to remember, I made quite a fuss over their Steel debut due to it’s infectious brand of Euro-power tinged with thrash and traditional metal. It was ridiculously cheese-tastic, but it had more balls than a gym teacher’s storage closet and every song was an earworm Paul Atreides himself would be proud to ride. A huge part of the band’s charm came from the leather lunged power and presence of front woman Nitte Valo. She was part banshee, part rock star, all metal and her pipes were impossible to resist. Naturally, she bailed and now the Beast is fronted by new femme fatale Noora Louhimo and though she’s good, she’s no Nitte.” So how does a Nitte-less Battle Beast fare in the cold, cruel world of 2013? Steel Druhm says some words and points some fingers.

Kaledon – Altor: The King’s Blacksmith Review

By Steel Druhm on April 14, 2013 in 1.5, 2013, Italian Metal, Power Metal, Reviews, Scarlet Records, Heavy Metal, Power Metal, 10 comments

“This album has been giving me fits. I initially confused the band with a power-prog outfit and volunteered to review it. Well, it’s about as far from power prog as Earth is from the Sun. No, Kaledon is a super mega cheesy symphonic power metal ensemble from Italy and they desperately want to be the next Rhaposdy of Fire. To that end, they pile on the swords, sandals, Spartacus and silliness (and they even roped Fabio Lione into guest vocals somehow). Though this is their seventh album (most being part of concept series called Legends of the Forgotten Realm), I had somehow missed them all, which is fortuitous, because from my investigations, they aren’t very good. In fact, they assault the listener with some of the most generic, uninteresting power metal in recent memory. Altor: The King’s Blacksmith is a heaping helping of cheese coated fruit, unfit for consumption by all but the most ardent LARPer.” Steel Druhm doesn’t like LARPing, but he does like power metal, even cheesy power metal. Doesn’t seem as if he’s liking this slice of spoiled Rhapsody pie though….

Avantasia – The Mystery of Time Review

By Steel Druhm on March 26, 2013 in 2013, 3.5, German Metal, Heavy Metal, Nuclear Blast, Power Metal, Reviews, Heavy Metal, Power Metal, 23 comments

“You have to give Tobias Sammet his steely props. He doesn’t do things half-assed. Nope, he goes big, bold and lets the Metal Gods sort shit out. His Edguy material is plenty pretentious and overblown, but it can’t hold a magic candle to the sheer pretentious pomposity and bombast of his Avantasia project. Taking cues from Arjen Luccasen’s Ayreon outings, Sammet drags in every singer, guitarist and hanger-on he can and it seems he’s playing a metallic version of Pokemon (gotta catch em all). His last feat was the impressive double release of the Angel of Babylon and The Wicked Symphony albums (my fanboyish reviews of which, landed me a spot at AMG Industries, Ltd. for some reason), and I was very curious how he could top those massive platters of symphonic excess.” So how exactly does Mr. Sammet top his prior output? Steel Druhm is here to unravel the mysteries of time.

Serenity – War of Ages Review

By Steel Druhm on March 18, 2013 in 2013, 4.0, Austrian Metal, Heavy Metal, Napalm Records, Power Metal, Reviews, Heavy Metal, Power Metal, 17 comments

“Serenity have been releasing solid power metal albums for a while now, but so far they seem to be fairly underrated. I really enjoyed their older releases, especially Fallen Sanctuary (“The Heartblood Symphony” is a great fucking song). No small part of their appeal comes from the fact that singer Georg Neuhauser sounds a lot like Sonata Arctica’s Tony Kakko, but Serenity’s music is heavier and more ballsy than anything Sonata has attempted in ages. War of Ages sees the band right the flagship and find the proper balance between their increasing symphonic leanings and their prior metal edge. The result is a good approximation of what Kamelot would sound like if they replaced Roy Kahn with Mr. Kakko and continued on their merry, pirate-shirted way. ” Do you like Sonata Arctica? Do you like Kamelot? Well according to Steel Druhm, this is so deep in your wheelhouse, you’ll never get it out!

Eternal Tears of Sorrow – Saivon Lapsi Review

By Steel Druhm on February 21, 2013 in 2013, 3.0, Black Metal, Death Metal, Finnish Metal, Gothic Metal, Massacre Records, Melodic Death Metal, Power Metal, Reviews, Black Metal, Heavy Metal, Melodic Death Metal, Power Metal, 6 comments

“Eternal Tears of Sorrow is an exceptionally fruity band name. The mere mention of it conjures images of a self-serious, black-garbed goth band (see photos) with a sultry, pouty femme fatale as front woman. If the name was keeping you away, you missed out on a quality band that blended black metal with melodic death, goth rock and symphonic power metal with good to great results. While I enjoyed all their albums, their crowning achievement was 2009’s Children of the Dark Water, which hit on the perfect combination of bombast, dark atmosphere, extremity, beauty and song writing that was shockingly good from stem to stern. At times it sounded like Cradle of Filth at their most symphonic mixed with early Cemetery, with traces of Kalmah, Insomnium and Amorphis added for good measure. After waiting over three years for a follow-up, we finally get Saivon Lapsi and with the long wait after such a great album, expectations were unavoidably high.” So… does this live up to those great expectations, or is it more of a bleak house? Get it? [YOU’RE FIRED! – AMG]