Prosthetic Records

Undeath – Lesions of a Different Kind Review

Undeath – Lesions of a Different Kind Review

“Man, I was stoked to cover this record until this very moment. 2020 has been a tremendous year for death metal (if little else), and Undeath‘s Lesions of a Different Kind is one of my most anticipated records in the genre. And much to my surprise, it took only a minimal amount of pleas and poisoning to secure reviewing rights from the established death metal experts on staff. But… now what? How does one even sell a record like this, which so brashly speaks for itself? Not to mention one which has enough hype surrounding it that almost anyone with a reasonable interest in death metal has long since had their eyes on it.” Unbuzz.

Infera Bruo – Rites of the Nameless Review

Infera Bruo – Rites of the Nameless Review

“In 2018 I opened my review of Infera Bruo‘s Cerement by hailing its cover art as a perfect encapsulation of the record’s sound. Examining the artwork for its follow-up, Rites of the Nameless, I feel compelled to establish this practice as a tradition when reviewing Infera Bruo‘s albums. The depiction of roots coiled around a skull is striking; not so much because of the image itself, but rather that Rites of the Nameless feels like a conscious effort to connect more deeply with black metal’s roots.” Roots, nameless roots.

Fires in the Distance – Echoes from Deep November Review

Fires in the Distance – Echoes from Deep November Review

Echoes from Deep November, the debut by unheralded Connecticut melodeath act Fires in the Distance, was originally slated to drop as a self-release way back in May. Then the band managed to get signed by Prosthetic Records and the release was pushed out to this week. When I was spinning the album back in May, I wondered why they weren’t signed, as they clearly posses talent and potential, so it’s nice to see them in the loving embrace of a label deal.” November coming fire.

Exist – Egoiista Review

Exist – Egoiista Review

“It wasn’t until a couple of months ago that I heard of Exist. However, this Baltimore band has been around for over a decade, with their debut EP coming out back in 2010, and Egoiista is the group’s third full-length release. Most of the material here was conceived at the same time as the band’s last album, 2017’s So True, So Bound, and has been honed and refined over the past few years. Max Phelps is the leader here. He had a brief stint as guitarist in Cynic earlier this decade, and one can definitely hear that influence at times on Egoiista. This is a modern progressive metal album in the sense that it makes use of plenty of instrumental dynamics, and plenty of clean/harsh vocal transitions. Plenty of bands do this; not all succeed. So how about Exist?” Leggo my Ego!

Judicator – Let There Be Nothing Review

Judicator – Let There Be Nothing Review

“Thanks entirely to Eldritch Elitist‘s coverage of Judicator‘s last album, The Last Emperor, I discovered one of my favorite new-to-me bands in recent memory. After an initial good impression, The Last Emperor eventually completely won me over, and it landed in my top 10 of 2018. There’s something so pure and magical about the way Judicator combines the influences of Blind Guardian and Iced Earth into a prog/power beast that stands its own. It reminds me of what Demons & Wizards might sound like if their music was actually good.” Nothing is more.

Vile Creature – Glory, Glory! Apathy Took Helm! Review

Vile Creature – Glory, Glory! Apathy Took Helm! Review

“A couple of years ago, I saddled myself with the record Cast of Static and Smoke by Ontarian duo Vile Creature. It turned out to be perhaps the most memorable 3.0 I have reviewed these past 4 years. Despite its flaws, it was an ambitious record that thrived on hideous, grimy textures, hypnotic repetition and glacial progression, rather than hooks or energy. A bit over 2 years hence, and its follow-up graces my inbox, with a disturbing, Midsommar-esque cover and featuring the unwieldy title of Glory, Glory! Apathy Took Helm!.” Helm’s deep.

ACxDC – Satan Is King Review

ACxDC – Satan Is King Review

““First to betray / First to disobey / First to stand up / Against tyranny,” screams Sergio Amalfitano on the title track of ACxDC’s second full-length Satan Is King. Delivered in one breath and against a grindcore wall of seesawing guitars and hammering drum blasts, these first few verses are a distillation of the Los Angeles-based powerviolence quartet.” I’m gonna get you, Satan get you!

Calligram – The Eye Is The First Circle Review

Calligram – The Eye Is The First Circle Review

“How can music communicate the feeling of dread? While all styles are able, metal’s inherent darkness fits like a glove. While it’s easy to provide aural bludgeoning or emphasize excess, the discipline of restraint takes time and effort. From the post-metal dirges of Neurosis, the avant-garde buildups of Eryn Non Dae., the spiraling doom of Swallowed, the blackened payoffs of Cultes des Ghoules, and the death metal environs of Desolate Shrine, it revels in darkness, plays with menace, but most notably, waits patiently.” Waiting in the darkness.