“Bolt Thrower are an important band to me. They were the group that I’d turn to, to motivate a wrathful rush of endorphins when I first started working out and a consummate musical aperitif to beer consumption. In short, I grew up with their atom-smashing death metal and I was close to openly weeping when I realized that 2005’s Those Once Loyal would be their last album to worry my ears.” From the grave comes war metal.
“Slagmaur have created this album from the outside in, focusing on eccentricities before addressing foundation and structure. When you exist on a higher plain of existence, who needs structure and stability!” No war without a floor.
“Diĝir Gidim, a relatively new two-piece hailing from parts unknown and featuring vocalist Lalartu of Titaan, want to test your patience with their debut, the wordy I Thought There Was The Sun Awaiting My Awakening.” Words are free and all, but still….
“Riding in the sizable wake of retro thrash darling Havok’s new album comes Warbringer, delivering Woe to the Vanquished, their fifth album of Bay Area inspired thrash. Over the course of their speedy career, Warbringer have been careful to conform their sound to what is considerable acceptable for the style, cleaving close to the Exodus, and Death Angel playbooks and eschewing pretty much every other influence.” Old thrash in a black coat.
“Known for its short summers and long, drawn out winters, New England is not the worst starting point for a winter-themed album. Fueled by isolation and frigid temperatures, 1476 hail from the infamous Salem, Massachusetts and their specialty is a mixture of art and stripped-down dark, atmospheric rock.” We didn’t land on 1476’s rock, it landed on us!
“I was raised on classic rock. My three favorite albums as a 7 year old were To You by Dutch blues rockers Brainbox, Aqualung by Jethro Tull and In Rock by Deep Purple. I heard the phrase “Aren’t you a little young for that?” so often in conversation, hearing it on the street didn’t even surprise me when someone caught me whistling “Stairway to Heaven” or wearing a Deep Purple shirt. That love laid the foundations for where I am in music today, and it never went away. But while a lot of bands these days harken back to the age of hippies and vinyl, not many of them manage to truly nail the sound. Swedish rockers Saturn are among the minority.” Rock in an old place.
“No matter the genre, it’s always the same story: the vocals are good, the drums are good, but there’s only one thing we’re really listening for. “The riffs! The riffs!” we squeal, like starving kittens begging for milk, scrambling over each other for a chance to suckle from the Iommi teat. I admit that I, too, often find myself craving the Almighty Riff, desperately scouring the blogosphere in search of the satisfying crunch of a particularly well-crafted set of power chords. But there’s the occasional black day when I want something more. Something abusive. Bludgeoning. Something that will yank me into a dark room and beat me up, Hellraiser-style, until all I want is a Shamrock Shake and some Blood Command to ease me back into reality.” That’s gonna leave a mark.
“In the 14th century, the Black Death shaved roughly 20% of the world’s population off the map and your average medico della peste watched it happen. These plague doctors treated the disease when possible, but all the while bolstered their grim understanding of its contraction, its progression, and its corpses. Medico Peste tapped this horrific lineage with א: Tremendum et Fascinatio. Terrifying and entrancing indeed, the debut opened a festering wound in the hearts of listeners. With follow-up EP Herzogian Darkness, the Poles convincingly bolster a black-hearted résumé that is quickly becoming one to watch.” Bring out your EPs!
“Gun to my head, I’d have to say that no metal sub-genre tickles my fancy as much as progressive metal. It’s hardly a fully independent genre, though, because how often do you call a band straight-up progressive metal? Well, sometimes, but usually it’s progressive death metal, or progressive power metal, or any of the other combinations. This is because while other sub-genres are more about a certain sound or atmosphere, progressive is almost exclusively about the structure of the songs, freeing the band from their verse-chorus shackles. This allows for longer songs with more room to explore, and the pull of a narrative structure leads to concept albums more than any other genre.” Is this a dream in a theater?
“One of my favorite bands is Tool, and for the love of all that’s good and pure put an album out already, boys! Okay, we know it isn’t happening soon, so we must clutch and grab at every band that shows up flying the Tool flag. Last year Source surprised us with a great record, loved by our own Zephyrus. Vangough strides forth this month with similar aspirations. Warpaint is the trio’s fourth studio album, and third overall to feature a rabbit on the cover. I mention that only because rabbit covers are weird. I mean, what normal band uses rabbits?” Watership Goughn.
