“The Raleigh-based power trio of Suppressive Fire plays a brand of fun and slightly blackened thrash that skips the pizza entirely. Culling mainly from the “devil metal” of Nunslaughter, Nocturnal Breed’s Fields of Rot, and producer Joel Grind’s main outfit Toxic Holocaust, this is a modern take on thrash, infused with more extreme elements but still being rooted in the ethos of the harsher end of the classics spectrum.” So, can this debut differentiate itself in the early days of 2016?
“Ever a purveyor of mild understatement, Encyclopaedia Metallum describes Venomous Concept as the “side project of several notable metal musicians.” Their lineup reads like a fucking who’s who of grindcore royalty and it’s one of Shane Embury’s fifteen gazillion side-projects.” Grind Royalty would be good band name too.
“Yeah, I’m pretty peeved about that title, too. In a Car Bomb-esque display of eccentricism, the experimental metal group that Dr. Fisting calls “the loudest band I’ve ever heard in a club” have offered unto the world a palindromically-titled album that’s a darling of search engine optimization but a demon for memorability.” Kronos drops some scientific knowledge on all y’all. Is 1010II0101 more memorable than its title?
“As 2016 draws its very first breaths, it’s clear retro metal is here to stay. With throwback acts like Night Flight Orchestra appearing in various AMG year end lists and the utter debacle of White Wizzard scoring a coveted 5.0, the battle is all but over and we must accept our olde timey overlords’ authoritah.” Submit to your fate and get in the Cauldron.
“The arrival of 2016 finds the tides turning for Varg, now signed to Napalm Records. Das Ende aller Lügen (The End of All Lies) is here and with it Varg presents their latest direction—one encouraging impulsivity, unpredictability, revelry and brute force. All packaged in nice bright red war paint.” Madam X is here to tell you about the creepy German dogs she dragged home. Who’s not interested in that?
“Well, 2015 is over and… it was terrible. But rather than bore you with the details, I’ll sum it up like so: rah, rah, rah, I hate my job, I hate my life, I hate everyone and just want to listen to Abstracter in an air-conditioned room while some guy in a Chester the Cheetah costume gives me a back massage. Fortunately, St. Louis black-sludge trio The Lion’s Daughter have produced the perfect soundtrack to my slacker misanthropy with their sophomore LP, Existence Is Horror.” Muppet Cheetah back rubs are overrated.
“Thirty years past its prime, Gravewürm’s songwriting and musical delivery continues to leave a lot to be desired, and after twenty-five years of existence and ten full-lengths, I ask myself the same question before every Gravewürm release: does Gravewürm have anything new—anything at all—to offer in their newest output?” That’s a really good question.
“Danish five-piece Cold Night For Alligators are described by their press kit as “progressive death metal with brutal technical hardcore, layered with tremendous atmospheric ambient sounds.” Doesn’t that sound great? I salivated at my luck, dreaming of this great new band that sounds like Cynic, Gaza and Hope Drone.” That’s our Kronos – forever drooling and droning.
“In recent months, I’ve been noticing a disturbing trend of bands putting out hours worth of new music as one album. While Iron Maiden has already been notorious for giving you your money’s worth since the creation of the compact disc, other acts are taking that idea and running wild with it. I’ve always been a proponent of the idea that less is more [How can that be? – Yngwie]. Apparently, Brazil’s Bode Preto (or “Black Goat” in Portuguese) believes in the same philosophy. Mystic Massacre, their second album, is a hair shy of thirty minutes long. A little goes a long way… or is Mr. Malmsteen right?”
![Lychgate – An Antidote for the Glass Pill [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2015/12/Lychgate_an-Antidote-for-the-Glass-Pill-768x768.jpg)
“I vividly remember my first encounter with black metal (Burzum), a music so dissonant and evil-sounding that it left twelve-year-old me completely bewildered and flabbergasted. In metal, it was rare and legendary extremes like Gorguts that came close. Until recently, that is, when my ears were graced by the insanity that is Lychgate’s An Antidote for the Glass Pill.” The weirdness is strong with this year’s TYMHM selections.
