Review

Spektr – Cypher Review

Spektr – Cypher Review

“Mechanical dissonance, black metal, experimental tones – all things alluring, no? To a select few individuals with a taste for the twisted, anyway. It wouldn’t be inaccurate to say that the French seem to have an affinity for black metal with a twisted, experimental tinge. With bands like Deathspell Omega and the highly influential Blut aus Nord pioneering the dissonant, mangled tones, it’s no surprise that black metal outfit Spektr also hail from the same shores. They do have one rather unique aspect to the sound that sets them quite apart from such peers; that being the total absence of vocals, which is rather unusual for both black metal and metal as a whole.” Noctus is our resident expert on bleak, experimental black metal, so we called him in to discuss this grim, instrumental black metal opus. Did I mention its an instrumental black metal album?

Skineater – Dermal Harvest Review

Skineater – Dermal Harvest Review

“Dermal Harvest is the horror-drenched debut from Swedish extreme metal outfit Skineater. Though the band was together as early as 2008, it wasn’t until 2011 that they began to seriously court label interest, play live and record demos. They often market themselves as a supergroup of the extreme metal underground, as their members include guitarist and founder Håkan Stuvemark (ex – Wombbath, ex – In Thy Dreams, ex – Vicious), guitarist Kari Kainulainan (ex-Mourning Sign, ex-Amaran), drummer Matte Modin (Raised Fist, ex – Dark Funeral), bassist and backing vocalist Stefan Westerberg (ex-Carnal Forge, ex – In Thy Dreams) and vocalist Jörgen Ström (The Mary Major).” Natalie Zed gives you the lowdown on this Swedish death “supergroup” and tells you if they have enough skin in the game.

Suffocation – Pinnacle of Bedlam Review

Suffocation – Pinnacle of Bedlam Review

New York brutal death metal pioneers, Suffocation, have never sounded better. Even though their seventh studio album, Pinnacle of Bedlam, is the first without longtime drummer Mike Smith, the music’s percussive section has not lost its technical edge. Dave Culross—whose drumming last appeared on Suffocation’s 1998 EP, Despise the Sun—fulfills his role as the band’s blast-beating machine well. From the opening burst of percussive gunfire in opening track, “Cycles of Suffering”; to the sluggish, cymbals-heavy drumming heard in tenth and final track, “Beginning of Sorrow”; Culross displays an aptitude for adjusting the knob on the tempometer as and when appropriate. Still, there is not much creativity when it comes to filling in the aural blanks between both tracks, as Culross predictably serves up a plethora of blast beats. But hey, this is Suffocation. Expecting their drummer to do anything else but that is like expecting Crucio Siege Tanks to remain in tank mode while defending Terran bases [It’s like he’s speaking KlingonSteel Druhm].

Stonewall Noise Orchestra – Salvation Review

Stonewall Noise Orchestra – Salvation Review

“The bio for Salvation, the new record by Sweden’s awesomely-named Stonewall Noise Orchestra, states that they are “influenced by 70’s [sic] groovy rock along with many other sources of inspiration.” More retro/stoner rock? With a vague disclaimer right there in the bio?! I find this troubling, at best.” Join Fisting that Andrew Guy as he reviews this stoner rock album from the land of meatballs, Swedish fish, IKEA, and Angry Metal Guy himself. Chaos ensues. Sort of.

Kongh – Sole Creation Review

Kongh – Sole Creation Review

Quite an epic album. The fuzz is there in all its imperfect majesty, while the pace is as slow as ever, bringing back the doom where it belongs: in the realm of repetitions, through think layers of narcotic sounds. Overall, the final result is a solid evolution from the psychedelic throes of Shadows of the Shapeless, but whoever (well, everyone) says that Kongh sound like Yob is right. And yet they’re wrong at the same time [Oh God! Which is it!? AMG], since the sound these three lost souls from Nässjö and Småland (that’s southern Sweden, for the most curious nerds amongst yourselves) seem to enjoy touching on the likes of Alice in Chains (“Skymning”), Mastodon (“Sole Creation”) and Brooklyn’s own Tombs.

Alpha Tiger – Beneath the Surface Review

Alpha Tiger – Beneath the Surface Review

“Move your skinny asses over, Enforcer, there’s a new sheriff in Retro City and the name is really shitty. I know a pussy cat name like Alpha Tiger won’t inspire much faith amongst the angry metal masses, but trust me, the music more than makes up for the cheese-tastic moniker (which belongs on a third-rate Japanese video game where you brawl through a zoo and up the food chain). This is unapologetically old school, traditional metal taking its cues from early 80s American acts like Agent Steel, Armored Saint, John Arch era-Fates Warning, Sacred Oath and Crimson Glory.” Yes, Steel Druhm is delivering MORE retro metal for your consideration!! Deal with it. ROAR!

Defeated Sanity – Passages into Deformity Review

Defeated Sanity – Passages into Deformity Review

Brutal death metal and I have never really seen eye to eye. This could either be blamed on the fact that far too many bands in the genre sound like The Pukey Cookie Monster playing to the soundtrack of a dishwasher; or I simply just don’t know enough about the music itself [Here at Angry Metal Guy, our Modus Operandi is to blame everyone else. Therefore, it’s the genre, not you. You’ll figure it out with time. AMG]. German death metallers Defeated Sanity, however, have showcased some technicality in their previous sonic assaults, which I appreciate.

Nails – Obscene Humanity 7″ Review

Nails – Obscene Humanity 7″ Review

Nails are known for being an excellent, abrasive metallic hardcore with defiant punk elements. Based in Southern California, Nails are currently on deep-South, boozehound, sludge-loving label Southern Lord. The Obscene Humanity 7” comes to whet their audience’s appetite, filling in a gap between their recent split with Skin Like Iron and their forthcoming full-length, to be titled Abandon All Life, which will also be released on Southern Lord later in 2013.

Helloween – Straight Out of Hell Review

Helloween – Straight Out of Hell Review

Helloween has always been a sticky wicket for yours truly. I worshipped their debut EP and the first two albums, which basically were the Old Testament for how Euro power metal should sound. With Keeper of the Seven Keys Part II came the disturbing trend of incorporating candy-coated, cutesy, tongue-in-cheeks numbers presumably designed to appeal to 12 year old girls and soccer moms. When they titled the follow-up album Pink Bubbles Go Ape, Steel Druhm packed his bags, said his goodbyes to Gorgar and decamped from the Helloween fan club. So how are they faring as a band in 2013, years after I bailed on their cheesy, German melothrash?

Enforcer – Death By Fire Review

Enforcer – Death By Fire Review

Enforcer is an easy band to poke fun at. Though from Sweden, they play a retro style that seeks to hit the sweet spot between NWOBHM and early American speed metal acts like Abattoir, Jag Panzer and Attacker, with the occasional dose of hair metal/cock rock tossed in for shits and giggles. This style calls for a fair amount of skin-tight white jeans, hairspray, bullet belts and overall silliness pasted on a rickety frame of Iron Maiden and Saxon riffs. How that strikes you is a very personal matter and I’m not one to judge (that’s a lie. I’ve been silently judging you all for years).