Swedish Metal

Umeå Rock City

Umeå Rock City

There’s a new group up on Facebook called UmeÃ¥ Rock City which is totally fascinating for those of you who are into the history of metal or are fascinated by what your favorite musicians were doing before they were in the biggest and/or best Swedish heavy metal bands, or working on Drumkit from Hell, for […]

Valkyrja – Contamination Review

Valkyrja – Contamination Review

Early in my tenure in 2009 I received a record that was being re-released by Metal Blade: Valkyrja’s Invocation of Demise, which was a release of an earlier record that was initially released in 2007 on Northern Silence Productions. There were several substantive complaints that I had about the record, which can be summed up as follows: there is nothing new and/or interesting here; it is repetitive and boring; the songs are hyper simplistic and despite being fast, don’t feel terribly heavy. The challenge, then, for Valkyrja to produce a record that I review better is to improve on these things (and since Valkyrja is out to prove themselves to me and me alone, they certainly will try… *cough*) with their new release Contamination.

In Mourning – Monolith Review

In Mourning – Monolith Review

In 2008 the underground was taken by storm by a little-known Swedish progressive death metal band called In Mourning that released a tour de force entitled Shrouded Divine. A powerful combination of melodic death metal, Opeth-y style progressive bits and death metal with just a touch of core (trust me, just a touch), they were ranked highly on many year end lists and, frankly, left a bit of an impression on this Angry Metal Guy. See, there is life past Opeth in Swedish progressive metal, something that I had been coming to doubt. In Mourning managed to put out a record that had all of the great heaviness and thickness that one wants in a death metal record, while still managing to keep the haunting progressive parts fresh and interesting. The question is can they keep it up? Is it possible that they’re able to follow up such a lauded record with something even better?

Sonic Syndicate – Rebellion EP Review

Sonic Syndicate – Rebellion EP Review

Sonic Syndicate // Rebellion EP Rating: 1.0/5.0 – This is everything that is wrong with modern metal Label: Nuclear Blast (EU | US) Websites: sonicsyndicate.com | myspace.com/sonicsyndicate Release Date: Nov. 6th, 2009 Sonic Syndicate are a pop rock band that somehow got signed to Nuclear Blast. Apparently they’re from Sweden, but I wonder if other […]

Marionette – Enemies Review

Marionette – Enemies Review

Marionette may well be Sweden’s very first deathcore band! Well, I guess there could be others, but i’ve not been exposed to them (and frankly, I’m pretty OK with that). Some trends miss Sweden, like nu-metal did for the most part, but unfortunately this one didn’t. So there are a couple of things that I need to say up front, for people not familiar with the context with which Marionette will be dealt. First, the biggest thing in the Swedish underground right now is Japanese stuff. Kids are running off and learning Japanese; everyone and their dog is listening to bands like Dir En Grey and girls decked out in lolita garb are running around in parks playing with dolls and having picnics with every piece of pink they can gather together. This is a trend, and it is a matter of conforming to specific things that are very specific to individuals in that scene. In fact, people from that scene are, in my experience, highly judgmental, obsessed with outward appearance, cliquey and lame. So something in my brain breaks when I have 5 over-dressed glam kids with too much hairspray and neckties screaming “YOU CONFORM!” at me, while playing music that sounds like a blend of In Flames and good ol’ American deathcore. That is to say: ugh.

Scar Symmetry – Dark Matter Dimensions Review

Scar Symmetry – Dark Matter Dimensions Review

I remember the first time I heard Scar Symmetry very clearly. I was checking out some stuff on MySpace when I saw that they were going to be playing the House of Metal festival and I was blown away. Not blown away with how good they are, though talented one cannot deny they are, but how sickly sweet their melodic stuff is. I sat their and listened to it with my mouth agape thinking “really? Does this pass for death metal these days? How are these guys not a Top 40 band?” The answer to that is actually quite obvious: instead of dropping the death metal vocals, these guys have blended death metal vocals in with what I think is probably the most pop sensible writing I’ve ever heard in a metal band.