Tech Death

Exocrine – Maelstrom Review

Exocrine – Maelstrom Review

“Are you ready for a hot take? I enjoy deeply of Exocrine‘s Molten Giant. Regardless of the criticisms it received in the linked review, I return to that record still, twenty-two months after it’s initial release. Tight, jagged and delightfully choppy, Exocrine delivered a big sleeper with Molten Giant. It looked like stock tech-death, sounded like stock tech-death, and stepped on just about every mine littering the tech-death field. Yet, it put a big, stupid grin on my big, stupid face.” Squid pro quo.

Killitorous – The Afterparty Review

Killitorous – The Afterparty Review

“Yep. That’s a band name. Killitorous. Say it a couple times and soon you’ll see what they did there. Tasteful, right? I’ll be honest, it took me way too long to find it (ayyyy), but by that point I was already four listens into the Canadian supergroup’s sophomore record The Afterparty and was having too much fun to care about the silly double-entendre anymore. After all, we did give high marks to bands with such respectable names as Fvneral Fvkk and Shitfucker, right? So who am I to judge?” Tech-deathicus for the rest of us.

Gorod – Æthra Review

Gorod – Æthra Review

Æthra, which is being released from the band’s new home at the French label Overpowered Records, is Gorod‘s sixth slab of techy goodness. Through all of it, Gorod has yet to release a bad album. Therefore, the question I wanted the answer to when I finally got a chance to pop the album on was ‘will Æthra be good or, like, really good?'” Fanboy ahoy?

Abhorrent – Intransigence [Things You Might Have Missed 2015]

Abhorrent – Intransigence [Things You Might Have Missed 2015]

“Generally speaking, brutal and slam death are tough pills for me to swallow. It’s not that my ears are hyper sensitive to the trademark extremity of the style, but rather the cartoonish brutality, often amateurish musicianship and lack of song-writing smarts results in many bands dissolving into a forgettable slop of unrefined mediocrity. Inevitably there are exceptions, particularly when the slam grooves and relentless brutality are attached to memorable, catchy songs and top-notch musicianship.” It’s never too late to realize you missed something.

Foul Body Autopsy – Perpetuated by Greed EP Review

Foul Body Autopsy – Perpetuated by Greed EP Review

“It doesn’t take an encyclopedic knowledge of heavy metal to figure out where Foul Body Autopsy draw their name from. Which is good, because I certainly don’t have one. In fact, I didn’t even remember “Foul Body Autopsy” was a Necrophagist song until conducting research for this review, and the first time I actually sat down and listened to Muhammed Suicmez’s legendary tech death project was a few days ago when I found myself stuck in an airport terminal for five hours with a dead Kindle. Still, it only took a cursory listen of Onset of Putrefaction to reveal that FBA is far from mere Suicmez worship.” Does the apple fall far from the rotten tree?

Obscura – Omnivium Review

Obscura – Omnivium Review

March has really been one hell of a month, hasn’t it? To think after Amon Amarth and Vintersorg we get to follow it all up with Obscura’s Omnivium. If any record counts as the most-anticipated of the year, Obscura is probably getting pretty close to that level. Having released in 2009, what was really a hell of a surprise for most listeners (including people who’d purchased their previous record) in Cosmogenesis, these technical death metallers built on their Necrophagist cred (and sound) and on the legacy of the mighty Death with their technical, progressive death metal, complete with awesome fretless bass attack. So, while this isn’t really a record that can fall victim of the sophomore slump (being the band’s third record), it certainly is an album that could fall victim to overly heightened expectations. And, I must admit, this Angry Metal Guy certainly had heightened expectations