Thrash Metal

The Haunted – Unseen Review

The Haunted – Unseen Review

I’m sure most know the history of The Haunted and how they formed from the ashes of the legendary At The Gates. Despite my love for At The Gates, I never fully understood the stellar press and support The Haunted received and always felt they were one of the most overrated bands on the planet. Eventually they started to drift toward a more metalcore style and I lost the limited interest I had in them. Now they’re back with album seven Unseen and they’ve left their thrash days in the dust, probably for good. Instead, they deliver a strange, directionless mess of experimentation, emo angst, nu-metal and alt-rock. It’s clear they’re writing only for themselves and could care less what their fans expect or hope for at this point. While that’s admirable from an artistic perspective, when the results are this tedious and uninspiring, it’s both tragic and cringe-inducing. No matter how brave and creative they want to be, at the end of the day they should still be striving to write good music and they seem to have forgotten that here.

Assaulter – Boundless Review

Assaulter – Boundless Review

An extreme metal super-group from down under? Intriguing eh mates? Assaulter is a slightly blackened thrash band featuring S. Berserker, formerly of Destroyer 666 on guitar, bass and vocals and Peter Hunt, formerly of Razor of Occam on drums. For the Australian extreme metal scene that’s pretty super indeed. Boundless is their second album under this moniker and it’s a hefty slice of good old fashioned thrashing lunacy with enough black metal and Middle Eastern influences to make them stand out from the likes of Legion of the Damned and their modern thrash brethren. After never hearing of these guys before, this impressed me enough that I felt compelled to track down the debut as well and I feel on solid ground saying they’re onto something here sound wise. It’s not reinventing the blackened thrash wheel or doing anything truly revolutionary but this is still some solidly ugly, brutal stuff and well executed at that.

Children of Bodom – Relentless Reckless Forever Review

Children of Bodom – Relentless Reckless Forever Review

Children of Bodom. I think the last time I cared about a Children of Bodom release was when I heard the very disappointing Follow the Reaper which followed what was absolutely in my top 5 for 1999 the venerable Hatebreeder. Oh man, I not only loved the shit out of that record, I even saw them play an amazing show (with the exception of a bored Wirmen being a douche on the keyboards) at Milwauke Metalfest. And I defended the band’s honor against every old, grizzled metal dude on the extreme metal forum I went to at the time. They called them Children of Boredom. Unfortunately, I kinda started to agree with them after a while and the records that followed Follow the Reaper were progressively more and more embarrassing.

Assassin – Breaking the Silence Review

Assassin – Breaking the Silence Review

It’s old folks week at the Angry Metal Guy offices. That’s because I, Steel Druhm, am officially old and I’ve been tossed assignments for Tankard, Jag Panzer and now, Assassin, the long running, though unproductive German thrash troupe. Along with the aforementioned Tankard, Assassin was part of the German wave of thrash that hit in the mid 80s. Also like Tankard, these guys were in the back of the pack, far behind luminaries like Sodom, Kreator and Destruction. Their 86′ debut The Upcoming Terror was solid, reminded me of a poor man’s version of Artillery (who were amazing on their first two albums by the way) and some even considered it a cult classic. Their 88′ follow up Interstellar Experience was actually less than stellar and passed without much fanfare. After that there was a long period of inactivity due to equipment theft and they didn’t resurface until 2005’s The Club which was uninspiring to say the least (flaming coyote poo to say the most). Now they’re back with album four, Breaking the Silence and a nifty looking cover featuring the return of those bad ass tanks from their debut. So, did these gents fare better than those booze-hounds in Tankard whose album I only just defiled via review? Has the worm turned for these stoic thrashers or was their reformation as unfortunate an idea as wasabi flavored gummy bears? All these questions and more shall be answered so read on intrepid metal fans.

Tankard – Vol(l)ume 14 Review

Tankard – Vol(l)ume 14 Review

Wow, back in the day when the first few Tankard albums stumbled into the light like a wino from a dark alley, I never imagined these guys would be around very long. While amusing, they were the essence of a third tier act and didn’t stand out all that much even in the heyday of thrash. Well, since I now find myself reviewing album fourteen by these alcohol fueled Germanic thrashers, I would say I was pretty wrong about my initial impressions. While these guys were never in the same league as Sodom, Kreator or Destruction they still managed to become an enduring and productive minor league team. Unlike their bigger peers in the German thrash scene, Tankard was always silly, tongue-in-cheek and largely wrote on the few topics they knew best: drinking, partying and alcohol. Since I myself was a hard partying youth, I casually enjoyed their Chemical Invasion and The Morning After releases for their good humor and frantic pace. After that they dropped off my radar and only in the past week did I start getting to know the Tankard again. Although the goofy, “anything goes” feel is still there, the music and writing doesn’t hold up like I remember it. Once the nostalgia factor wore off, things started tasting a little skunky.

Flotsam and Jetsam – The Cold Review

Flotsam and Jetsam – The Cold Review

OK, I’m gonna be brutally honest here. Flotsam and Jetsam hasn’t been good for a long long time. Although they get huge points for durability, perseverance and stick- to- it- ness, their last truly good record was Cuatro which came out way back in 1992. Few bands demonstrate the Angry Metal Guy’s Law of Diminishing Recordings in such a stark fashion. Their debut, graced with the presence of the soon to be long gone Jason Newsted, was great and considered a classic in some circles. The follow up was angry, thrashy and showed a young, hungry band with scads of potential and a limitless future. Sadly, after that the Flots hit the fan and album three was a directionless, amorphous (not in the good way) blob. Although Cuatro righted the ship, it was also their qualitative high water mark. Since then these Arizona based gluttons for punishment have soldiered on, releasing five albums worth of sub-par metal to ever dwindling patronage. With that tale of metallic tragedy behind us, welcome to album number ten, The Cold. Long ago I learned to approach new Flotsam records with low and/or no expectations so as not to be pummeled by disappointment most cruel. Usually, there were a few respectable tracks per album with the rest being throw aways. Naturally I approached The Cold armed with my standard Flots protocol and to my surprise, the thing ain’t half bad (or 2/3rds bad as they’ve generally been). Do we call it a comeback for the Flotsmeisters? Let’s not get ahead of ourselves just yet huh.

Destruction – Day of Reckoning Review

Destruction – Day of Reckoning Review

Some bands age like fine wine, some like sushi. It’s a fact of life and we see it demonstrated time and time again. Today we examine the shelf life of Destruction. These gents have been around forever and started life as one of the big three of the Germanic thrash invasion of the early 80’s along with Sodom and Kreator. Their early releases were classics and seminal reference points within the genre. After being dead for the better part of the 90’s, they reformed in 2000 and started life anew as part of the reawakened thrash scene. Since then, Destruction proved themselves to be firmly on the wine side of the aging formula and the reunion albums ranged from good to great with none better than 2008’s D.E.V.O.L.U.T.I.O.N. Here on Day of Reckoning, their eleventh platter, Destruction once again prove they’re seasoned elder statesmen of thrash with no sushi in sight. This is yet another slab of righteous, riotous thrash with tons of hooks and it demands the horns be raised high in homage.

Eradication – Dreams of Reality Review

Eradication – Dreams of Reality Review

This will be a pretty short review and here’s why. I just can’t find all that much to say about these blokes from England. Dreams of Reality is the debut full length by Eradication and they traffic in slick, thrashy melodic death metal with some metalcore elements stirred in (mainly the vocals) and of course, they co-opt the Gothenburg melo-death metal sound and style for all its worth. We’ve all heard this style done about a gazillion times already by any number of good, bad and really shitty bands. Since these guys, although talented, bring nothing new to the long running Gothenburg party, this isn’t the type review that cries out for extended and thoughtful prose.

Lazarus A.D. – Black Rivers Flow Review

Lazarus A.D. – Black Rivers Flow Review

There are plenty of myths that sane folks know to be false like Bigfoot, the Loch Ness Monster and honest politicians. However, one should never count the sophomore slump among those fairy tales and urban legends, for it is very real and very painful to behold. Exhibit A for 2011 is Lazarus A.D. who had a decent if not remarkable debut with 2009’s The Onslaught. Many seemed to lump them in with the retro-thrash revival and while there was some Exodus aping to be sure, they always sounded more metalcore-ish to my ears. Although I hate metalcore like I hate taxes, there was enough aggression, energy and nods to the old school throughout The Onslaught to make it semi-palatable and I didn’t totally hate it. Well, there is simply no digesting their second platter Black Rivers Flow, as Lazarus A.D. have firmly embraced their inner mall kid and all things Shadow’s Fall and the result is a veritable black river of crappy, overused grooves, tough guy posturing and general mediocrity.

Legion of the Damned – Descent Into Chaos Review

Legion of the Damned – Descent Into Chaos Review

Steel Druhm is a famously soft touch for a mean and angry thrash album. Because of this well know thrash predilection, I’ve celebrated the entire catalogue of Dutch death thrashers Legion of the Damned because these guys can really bring the pain. Over four albums, LOTD (formerly known as Occult) have consistently crafted intense, punishing thrash in the vein of old Slayer and Sodom mixed with the more modern death metal approach of bands like The Crown. They certainly aren’t reinventing the thrash metal genre in any way but they always produced quality material. Happily for thrash mavens, after a three year hiatus they manage to keep the spiked ball rolling with Descent Into Chaos and give yet another lesson in violence and aggressive thrashality.