Tool

Obsidian Tide – Pillars of Creation [Things You Might Have Missed 2019]

By Huck N Roll on December 12, 2019 in 2019, Death Metal, Israeli Metal, Progressive Metal, Reviews, Self-released, Things You Might Have Missed, Things You Might Have Missed 2019, Death Metal, Progressive Metal, 50 comments

“I love TheKenWord, but the problem is, if you skip an hour on the AMG Slack channel, you’ll probably miss one of his 1462 album recommendations. Lucky for me, at the precise day and time when Kenny waxed on about Obsidian Tide’s new album I just happened to be lurking on the forums, and I caught the link. The young fella did himself proud with this recommendation. Obsidian Tide are an Israeli progressive metal trio, and Pillars of Creation is the band’s debut album, a seven-song, 55-minute concept album detailing a man’s journey to enlightenment.” Tides and tidings.

Blame Zeus – Seethe Review

By GardensTale on November 23, 2019 in 2019, Alt-Metal, Portuguese Metal, Progressive Metal, Reviews, Rockshots Records, Alternative Metal, Hard Rock, Heavy Metal, 17 comments

“But if we disregard the stains of the posturing rap machismo, there’s nothing inherently bad about alternative metal. Generally speaking, it’s often got muscly, infectious riffs, vocal hooks for days, and a bass presence other genres could learn from. It’s the opposite of trve and kvlt, but elitism had always been a dead end. The only thing that often irritates me greatly about alternative metal is the high levels of either emo or tough-guy bluster. So what if we replace that with a fantastic set of bronzed female vocals and a subtle dusting of prog? That’s when we get Blame Zeus.” Commence the Zeusical.

Via Vengeance – Diestractions from the Truth Review

By Dr. A.N. Grier on November 14, 2019 in 2019, American Metal, Doom Metal, Reviews, Salt of the Earth Records, Sludge, Doom Metal, Sludge Metal, 19 comments

“He’s a happy dude that makes everyone around him happy. Case in point: at a Neurosis show in Phoenix, I became so enamored with opening act Amenra that nothing existed around me but dark, depressive death. Then I felt the nudge and looked over at the smiling face of Mr. Ocell. One second, I wanted to die. The next, I wanted to give the little guy a noogie. But how can a guy as happy as Shane write music as dark and heavy as that of Via Vengeance? I haven’t a clue, but that’s what he does.” Beware the smiling man.

Orodruin – Ruins of Eternity Review

By GardensTale on November 3, 2019 in 2019, American Metal, Cruz Del Sur, Doom Metal, NWOBHM, Reviews, Doom Metal, NWOBHM, 11 comments

“In Sindarin, Tolkien’s fictional language of the Elves, the volcano has two nicknames. One of them is Amon Amarth, “mountain of fate.” That band, of course, didn’t write about dragons or dwarves or rings, but vikings and Norse mythology. The subject of today’s investigation bears the other nickname for Mount Doom: Orodruin, “fiery mountain.” And the subject of their Candlemassian doom metal? Death and the human condition.” Doom as a destination.

Rimfrost – Expedition: Darkness Review

By Dr. A.N. Grier on October 19, 2019 in 2019, Black Metal, Ferocious Records, Reviews, Swedish Metal, Black Metal, 110 comments

“Though every one of the band’s records is a pleasure to listen to, Rimfrost is the result of years of honing one’s sound to achieve near-perfection. It is, without a doubt, the high-water mark of the band’s career. It’s I, it’s Bathory, and it’s Immortal at their best. It’s big, it’s full, and it’s goddamn epic. There’re incredible riffs, blazing solos, melodic passages, and so many memorable moments. Which spells doom for Expedition: Darkness. How can one ever top their pinnacle release? The answer is: most can’t. But Rimfrost did.” Here be the gushing.

Messora – The Door Review

By Dear Hollow on October 17, 2019 in 2019, Canadian Metal, Groove Metal, Melodic Death Metal, Metalcore, Progressive Metal, Reviews, Self-released, Technical Death Metal, Groove Metal, Melodic Death Metal, Metalcore, Progressive Rock, 24 comments

“I don’t know what makes something “avant-garde.” I remember going to an avant-garde art museum in Santa Fe, NM, where there was a movie exhibit of a haircut. Literally, two men and one woman get an identical buzzed haircut in the shade of a gazebo in the mountains of China. There’s new age music plucking around back there, walls are lined with identical shots of their new haircuts, and shadow boxes of locks of hair covered the floor. It was weird and challenging and difficult to understand, but I think about it a lot. So, if that’s what’s avant-garde, Messora ain’t it.” Hammer, don’t hurt ’em.

Disillusion – The Liberation Review

By Saunders on September 6, 2019 in 2019, German Metal, Melodic Death Metal, Progressive Metal, Prophecy Productions, Reviews, Progressive Metal, 48 comments

“I’ve gushed about the astonishing debut album from Germany’s Disillusion before, and consider 2004’s Back to Times of Splendor to be one of melodic death metal’s finest post millennium offerings. Following-up their phenomenal masterwork was always going to be difficult, so rather than repeat themselves Disillusion took a significant and questionable stylistic detour on 2006’s ambitious but underwhelming Gloria. Now, following a Tool-length break from the studio, Disillusion make their long-awaited and highly anticipated return via their third LP, entitled The Liberation.” Under no illusions.

Dead Frog – Burning Bridges Review

By Dear Hollow on July 29, 2019 in 2019, Progressive Metal, Progressive Rock, Reviews, Serbian Metal, Sliptrick Records, Uncategorized, Progressive Metal, Progressive Rock, 17 comments

With its (albeit impressive) focus on sprawling song structures and meandering songwriting, progressive metal just never tickled me pink in a way that’s really stuck. Serbian five-piece Dead Frog, who I can only assume repeatedly lost at Frogger, offers their own contribution, channeling in equal measure the progressive metal giants, the alternative rock of Linkin Park, the classic heavy metal feel of Iron Maiden.” Splat.

Wheel – Moving Backwards Review

By GardensTale on April 14, 2019 in 2019, British Metal, Finnish Metal, Odyssey Music Network, Progressive Metal, Reviews, Progressive Metal, 67 comments

“The astute reader may have noticed this review is, as the youngsters say, hella late. But to err is human, and even the lords who guard the jail cells above the skull pit are of our own kind, they may begrudgingly admit. So when I saw the spectacular Wheel open for Soen and immediately sought an explanation for why we hadn’t reviewed them, the voice through the trapdoor thundered in its brazen might: ‘Whoops.'” Mistakes were made.

Final Coil – The World We Left Behind for Others Review

By Steel Druhm on April 10, 2019 in 2019, Alt-Metal, British Metal, Post-Rock, Reviews, WormHoleDeath Records, Alt-Metal, 59 comments

“I’ve never been much of a post and/or alt-rock guy, but the expertly crafted promo blurb for unsung U.K. act Final Coil captured my interest enough to review their 2017 debut, Persistence of Memory. It was an engaging little album too, mixing post-rock, restrained prog and grunge for a fairly unique sound. The album had its flaws, but I sensed a band that could go on to bigger things. Now a mere year and a half later, their sophomore effort The World We Left Behind for Others arrives with little fanfare, but that same sense of potential and promise.” What we leave and what we keep.