TYMHM

Obsidian Tide – Pillars of Creation [Things You Might Have Missed 2019]

Obsidian Tide – Pillars of Creation [Things You Might Have Missed 2019]

“I love TheKenWord, but the problem is, if you skip an hour on the AMG Slack channel, you’ll probably miss one of his 1462 album recommendations. Lucky for me, at the precise day and time when Kenny waxed on about Obsidian Tide’s new album I just happened to be lurking on the forums, and I caught the link. The young fella did himself proud with this recommendation. Obsidian Tide are an Israeli progressive metal trio, and Pillars of Creation is the band’s debut album, a seven-song, 55-minute concept album detailing a man’s journey to enlightenment.” Tides and tidings.

Palace in Thunderland – The King of the Empty Aeon [Things You Might Have Missed 2019]

Palace in Thunderland – The King of the Empty Aeon [Things You Might Have Missed 2019]

“I don’t read other blogs, but I do follow plenty of people on Twitter, and once in a blue moon one of them makes a good recommendation. In this case that recommendation comes in the form of Palace in Thunderland, a group of fellows out of Massachusetts who ply their trade through an intriguing blend of doom, prog, and stoner rock.” Welcome to the Thunder…Palace.

Palantír – Lost Between Dimensions [Things You Might Have Missed 2017]

Palantír – Lost Between Dimensions [Things You Might Have Missed 2017]

“Stormspell Records has rocketed to the top of my list of favorite labels this year, with a case of such enjoyable and varied heavy/power metal pyrotechnics as Blazon Stone, Grimgotts, Númenor, Ancient Empire, Nocturnal Alliance, Raging Fate, Dream Tröll, and perhaps my favorite of the lot, the subject of this review: Sweden’s Palantír.” Gaze into the orb, and you’ll find AMG gazing back.

Avenged Sevenfold – The Stage [Things You Might Have Missed 2016]

Avenged Sevenfold – The Stage [Things You Might Have Missed 2016]

“If you’re anything like me, you have probably avoided Avenged Sevenfold for a long time after hearing their older work, which was so firmly planted in the land of metalcore it didn’t seem like they would climb out of it at any point. Though they did display some growth on their work past City of Evil, they continued to be a turn-off with juvenile lyrics that tried far too hard to be edgy. So if you’re anything like me, you might be skeptical when I say The Stage is a great progressive metal album. Yet here we are.” Yep, here we are all right.