Wolves in the Throne Room

Woman Is the Earth – Depths Review

By Noctus on April 7, 2014 in 2014, American Metal, Black Metal, Reviews, Black Metal, 8 comments

“It’s as if a new black metal band emerges from America every day, always with long song lengths and minimalistic ideas. Before I know it, a band is in their third album cycle before I’ve given them the time of day, and it’s becoming increasingly difficult for me to care about every other Ash Borer clone that pops out of the wilderness. But this band deserves attention because they’re one of the few to really get what music like this should be about – energy and atmosphere.” Noctus wants you to pay attention to this band, so you best do so.

Sabbath Assembly – Quaternity Review

By Steel Druhm on March 26, 2014 in 2014, American Metal, Avante Garde, Gothic Metal, Progressive Metal, Reviews, Svart Records, Progressive Metal, 9 comments

“In the mood for something really different? Sabbath Assembly certainly qualifies. As explained in my review of their Ye Are Gods opus, this is a bizarre project based on the teachings of the mega-obscure Process Church of the Final Judgment; a strange apocalyptic hippie cult from the 60s that believed in a union of Christ and Satan that triggers armageddon. Led by Jamie Myers (Hammers of Misfortune, Wolves in the Throne Room) and Dave “Xtian” Nuss (ex-Angkor Wat), they craft an unusual hybrid of 60s hippie folk rock and religious hymnal music.” Need religion in your life? Feel the urge to join a Satanic cult? Here’s the one album that meets all your needs! Now with added scripture reading.

Obsidian Tongue – A Nest of Ravens in the Throat of Time Review

By Noctus on August 1, 2013 in 2013, 3.5, American Metal, Black Metal, Hypnotic Dirge Records, Reviews, Black Metal, 1 comment

“Say what you like about the U.S. black metal scene, they know how to make so much out of so little. The number of American bands taking black metal in its arguably most minimalistic form and taking it in much more ambitious directions with long and winding song structures is quite staggering. But when you consider the roots of the black metal scene in the US, and the opus that made arguably the biggest impact on it, it doesn’t seem so surprising that so many bands follow almost directly in the footsteps of Weakling’s widely acclaimed album, Dead as Dreams. Noctus traces the family tree of USBM and gives a little insight on how it influences the new opus from Obsidian Tongue. BTW, that name sounds like a fruity tropical drink that comes with a tiny umbrella.

Sabbath Assembly – Ye Are Gods Review

By Steel Druhm on September 19, 2012 in 2012, 3.0, American Metal, Gothic Metal, Progressive Metal, Reviews, Svart Records, Progressive Metal, 6 comments

Steel Druhm keeps getting the weirdo hippie albums and nobody knows why! Sabbath Assembly is the strangest yet and featured members of Hammers of Misfortune performing eerie, psychedelic church music designed to raise Satan and bring about the apocalypse. And you thought church was boring!

Anathema – Weather Systems Review

By Angry Metal Guy on March 30, 2012 in 2012, 4.5, English Metal, Kscope, Not Metal, Progressive Metal, Releases, Reviews, Not Metal, 45 comments

You can take the dirty hippy out of metal, but you can’t take the metal out of the dirty hippy.

Abigail Williams – Becoming Review

By Steel Druhm on January 23, 2012 in 2012, 3.5, American Metal, Black Metal, Candlelight, Reviews, Black Metal, 7 comments

I’ve never been an Abigail Williams fan. Their debut was lackluster and derailed by metalcore underpinnings. In the Absence of Light had some actual potential but was far too generic. Needless to say, I had modest expectations as I sat down to examine their new album. Well, Steel Druhm was nearly knocked from his stately Chair of Metal Judgment [Metal Chair of Judgement? – AMG] by what he heard on Becoming. Gone are the tepid attempts to recycle left-over Dimmu Borgir and Cradle of Filth riffs and horror movie symphonics. In their place is raw, shoegazey, post-rocky, contemplative blackness, loaded with doomy atmosphere, close in spirit to Wolves in the Throne Room and Agalloch, with elements of Aurvandil and Emperor mixed in. It’s a startlingly major change to be sure (even more so than their previous shift from black-core to Dimmu-worship), and proves there’s no wagon they won’t gleefully hop onto. Surprisingly though, their newest disingenuous switch works well and they may have found the style they can excel at. That is, if they can stop pursuing every new fad and trend (the technical term is “chasing their own fail”).

Altar of Plagues – Mammal Review

By Steel Druhm on May 5, 2011 in 2.5, 2011, Avante Garde, Black Metal, Candlelight, Irish Metal, Reviews, Black Metal, 1 comment

I respect when a band creates something unique, challenging and hard for the listener to initially absorb. However, I only respect it when there’s a real payoff once the listener DOES absorb it. I think most readers can recall some album in their past that proved difficult to grasp but all of a sudden, you got it and the album opened up and became great. That’s the root of the problem with Mammal, the new Altar of Plagues platter. An avant garde post-black metal band coming out of Ireland of all places, Altar of Plagues released a very impressive debut with White Tomb back in 2009. Follow up EP Tides was good but nowhere near as impactful. Now their second full length fails to live up to the enormous potential heard on their debut. Is that potential in danger of going up in post-smoke? Read on metal warriors, read on.

Shroud of Despondency – Dark Meditations in Monastic Seclusion Review

By Angry Metal Guy on February 10, 2011 in 2011, 4.0, American Metal, Black Metal, Reviews, Unsigned Bands, 0 comments

Some say that the album is dead. And no, by this I don’t mean vinyl, because for all but the biggest audiophiles vinyl really is dead. I mean the album; a set of interconnected songs that form a whole, that induce you to sit and listen to them all and enjoy. Every truly monumental record is one of those kinds of records, one that should make you want to sit down and listen and just feel that swelling in the chest, or whatever you feel when you find something that really hits home. Few live up to this these days and I think there are several reasons for this, though, I’ll save those for another time. But Shroud of Despondency’s Dark Meditations in Monastic Seclusion is one such record, a cohesive whole and a supremely honest offering which, for all its warts, is a tremendous piece of work.

Heathens – Oh, Mock the Heavens and Let the Heathens Sing Review

By Angry Metal Guy on August 17, 2010 in 2010, 4.0, Black Metal, Reviews, Unsigned Bands, Black Metal, 1 comment

The bread and butter of a heavy metal is the unsigned band. If you are patient enough to dig through piles and piles and piles and piles and piles and piles and piles and piles of shit, you will find the prototypes of up and coming bands. Bands in their infancy, but who are producing something that is heretofore unheard of. Or maybe they’ll just be doing something old remarkably well. Or maybe it’s a blending of the two, successfully putting together a sound that few have heard and being super kick ass at the derivative stuff. In any case, what I’m trying to say here is this; you’re bound to find a band that stands out after enough time reviewing underground stuff. However, knowing where to look is a bitch. So when I was directed to the South African black metal band Heathens by Lord Doom, I wasn’t sure whether I was going to like the material or not. Fortunately, Lord Doom is a man of impeccable taste.

Lord of the Logos

By Angry Metal Guy on January 20, 2010 in 2010, Blog Posts, Black Metal, 2 comments

Apparently Christophe Szpajdel has released a book that spans his career and the amazing logos that he’s produced. For those of you who don’t know, he’s the gentleman who has produced some of the most recognizable logos in metal and, specifically black metal, ever. He did Emperor, Old Man’s Child, Wolves in the Throne Room […]