Danish Metal

Vomit Angel – Imprint of Extinction Review

Vomit Angel – Imprint of Extinction Review

“There are two types of bad art in the world, just like there are two types of turds. The first type is embodied by the movie The Room. It’s a massive turd. It’s a turd that you look at and marvel over how it was produced by a human being, a turd that you immediately want to share and laugh about with your friends. And then, there is the fouler type. This is the turd that is spoken of in hushed tones, the pungent semi-diarrhea laced with the partially digested remnants of yesterday’s corn, the turd with a stench so foul it would wrinkle the nose of Beezlebub himself. This is the turd you immediately want to flush and never want to speak of again. This turd is Vomit Angel’s Imprint of Extinction debut.” Up the creek without an angel.

Heathe – On the Tombstones, the Symbols Engraved Review

Heathe – On the Tombstones, the Symbols Engraved Review

“Heathe’s On the Tombstone, the Symbols Engraved won’t be receiving radio airplay. As a continuous 37-minute track that loosely splits into three discernible sections, close attention is required to reveal the intricacies and technicalities. But it’s important that a band know how to develop intricacies and technicalities in an organic fashion for us, the dearest listeners, to stay focused and intrigued. It’s a hard task and usually, for me, this sort of recording technique can go either way.” Etched in sound.

Altar of Oblivion – The Seven Spirits Review

Altar of Oblivion – The Seven Spirits Review

“At the turn of the year between 2016 and 2017, I was going through a rather rough patch. Even music, one of the steady forces in my life, was largely ringing hollow and failing to elevate my mood. But those releases which broke through my personal quagmire have endured for me all the more and one of those was Altar of Oblivion’s EP called Barren Grounds. Though it only ran for 4 tracks through 19 minutes, its singular, dusty, atmospheric approach to doom metal captured my imagination and has stayed with me. I was therefore excited to note a 2019 full-length, their first in seven years, appropriately entitled The Seven Spirits. Excitement all too often ultimately reaches disappointment but I had faith in these Danish doom-mongers.” Strong spirits,

Pectora – Untaken Review

Pectora – Untaken Review

“As the undisputed Lord of Bench Press Stats at AMG’s Skull Pit Ironworks[1. Ferrous’ feeble disputes are hereby disallowed.], I simply could not pass up reviewing a band called Pectora. Any act brave enough to name themselves thusly deserved to come under the piercing gaze of Steel, and I admittedly grabbed it with an eye toward the endless weight lifting jokes it would afford me. But something happened on the way to the Power Rack and lo and behold, this Danish act’s debut is a righteous dose of traditional dumbbell metal highly suitable for serious gym time.” No Pectora, no gain.

Sinnrs – Profound Review

Sinnrs – Profound Review

“I still remember the first time that I heard King by Fleshgod Apocalypse. The mixture of over-the-top symphonic arrangements with death metal hit me hard, and it remains one of my favorite albums of the last five years (or more). I had heard the style before, but King was the first album that showed me what can truly be accomplished when a band nails the perfect ratio of these ingredients. I eagerly await the follow-up to that great album with hype and trembling, but I thought I’d distract myself by picking up Profound, the debut from Danish duo Sinnrs, in the meantime.” Fleshgod for filthy sinnrs.

Dawn of Demise – Into the Depths of Veracity Review

Dawn of Demise – Into the Depths of Veracity Review

“Dawn of Demise are the death metal equivalent of comfort food; they’re high in calories, addictive and provide an unhealthy dose of tasty goodness that proves difficult to resist. The Danish veterans have been plugging away with their beefy, groove-laced brutal death formula for well over a decade. And while they may struggle to hit truly great heights, I’m always eager to dive into the thick, gooey depths of their simple and bludgeoning formula. Fifth album Into the Depths of Veracity largely offers more of the same as a follow-up to 2016’s solid The Suffering LP.” Brutal buffet.

Iron Fire – Beyond the Void Review

Iron Fire – Beyond the Void Review

Iron Fire have been hitting the pavement for a long time with dogged persistence. Despite a three-year hiatus, they’ve knocked out their ninth album this year since their 2000 debut, which is a staggering pace of release to keep up for so long. Yet their most recent work, Among the Dead, was not up to snuff with their preceding release, according to our own Jean-Luc Ricard. With Ricard in absentia, it falls to me to judge whether Beyond the Void fares better than its immediate predecessor.” Dull and void.

Vanir – Allfather Review

Vanir – Allfather Review

“What got you here won’t be what gets you there. Vanir know a bit about that. After three doots on the folk metal flute, the Danes bulked up with 2016’s Aldar Rök, adding another axe to the ever-growing Viking metal hordes. I always applaud a pivot; if you’re not improving, you’re dying. But with Vanir’s first attempt not exactly summoning my Bifrost, my expectations for Allfather are tempered.” Northern haze.

Lifesick – Swept in Black Review

Lifesick – Swept in Black Review

“Sometimes, I hear a band and wonder if anybody actually listens to them. Don’t get me wrong, I’m sure plenty of people blast The Acacia Strain while working on their trucks or whatever, but are those people actually listening to the riffs and paying attention to the songwriting, or do they just want something br00tal blasting in the background? I suspect the answer is the latter, and such is my distaste for bands who build their songs solely from breakdowns. By its very nature, a breakdown is supposed to ‘break down’ the song.” Sack beatings and breakdowns.