Technical Death Metal

Symbolik – Emergence Review

By Twelve on April 10, 2020 in 2020, American Metal, Reviews, Symphonic Metal, Technical Death Metal, The Artisan Era, Uncategorized, Symphonic Metal, Technical Death Metal, 29 comments

“I’ve always preferred melodic death metal to plain death metal. While I appreciate the skill involved in well-crafted brutality, I generally insist on having some kind of melody to follow along with or atmosphere to get lost in. I remember when Archspire hit the Angry Metal world through Relentless Mutation, and I could not understand the appeal. One day, not too long ago, it just… clicked. The technical skill, the expert neoclassical weavings, the sheer unmatched power of the thing — I’ve loved the album ever since. And ever since, I’ve been hungry for more. Symbolik are the next tech-death group to take a shot at winning my heart with Emergence, their debut full-length.” Heart clicks.

Aronious – Perspicacity Review

By Kronos on March 17, 2020 in 2020, American Metal, Death Metal, Progressive Death, Reviews, Technical Death Metal, The Artisan Era, Death Metal, Progressive Metal, Technical Death Metal, 20 comments

“Before the podium this week is the debut from Wisconsin’s Aronious, a prog/tech death outfit with impressive chops and no lack of ambition. Across Perspicacity, Aronious can’t relax, and nor can they yield, relent, or… uh… Anyway, they’ve heard every tech death band and will pretend to be all of them.” Pretensions to the throne.

Isle of the Cross – Excelsis Review

By El Cuervo on February 18, 2020 in 2020, Progressive Metal, Reviews, Rockshots Records, Symphonic Metal, Technical Death Metal, Symphonic Metal, Technical Death Metal, 33 comments

“I admire bands who chance their arm at cracking into peoples’ music rotation, especially where their intent is to chart a new path or weave existing genres in dynamic ways. Enter Jo Schneider and the band he leads called Isle of the Cross. Excelsis is their debut release and promised to be an “enigmatic journey of sonic power.” Enigmatic is the key word as I have been unsuccessful in my efforts to learn more about the band, including the country of origin. Further promoting itself as for fans of Opeth and Symphony X is a bold strategy indeed, so I turned to my first listen with great interest.” Excelsisore!

Xenobiotic – Mordrake Review

By GardensTale on February 17, 2020 in 2020, Australian Metal, Deathcore, Progressive Metal, Reviews, Technical Death Metal, Unique Leader, Deathcore, Progressive Metal, Technical Death Metal, 130 comments

“Recently a new rule was established in the AMG offices: no more claiming promos more than a month out. Giving everyone equal opportunity makes for more entertaining gladiatorial combat in the Skull Pit, you see. But now it’s become a game for the clever, so I decided to scout the waters ahead in case I needed to be ready to pounce. When I came across a promo by Australian prog-tech-deathcore outfit Xenobiotic, stared at the gorgeous Lewandowski cover and listened to its advance track, I actually set an alarm for the day I could lay claim to it, before Kronos or Ferrous could get their claws into my precious. Because if the rest of Mordrake was as good as the single I sampled, I knew we were dealing with potential Album of the Year material.” Throw it into the fire!

Krosis – A Memoir of Free Will Review

By Dear Hollow on February 6, 2020 in 2020, Ambient, Ambient Metal, American Metal, Deathcore, Djent, Progressive Death, Progressive Metal, Technical Death Metal, Unique Leader, Deathcore, Djent, Technical Death Metal, 46 comments

‘Krosis is a progressive deathcore band from North Carolina, A Memoir of Free Will being their second full-length. I’m not sure what progressive really entails, as the label has been used to describe anything from the djenty chuggaboundabounboundaluggs of Structures or Volumes, to the transcendental offerings of Slice the Cake or Kardashev.” Jawbreakers.

Odious Mortem – Synesthesia Review

By Kronos on January 14, 2020 in 2020, American Metal, Death Metal, Reviews, Technical Death Metal, Willowtip, Death Metal, Technical Death Metal, 32 comments

“Yeah baby, a new decade! Everything we did wrong last decade, we’re gonna fix that, you know what I mean? Flannel — it’s gone. Outta here, goodbye. Washington, you’re done. We’re basing the Zeitgeist outside of the Pacific Northwest. New people, new places. It’s gonna be sick! We’re gonna have war in the Middle East predicated on total fabrications! Let’s hear it for world inaction on climate change! Every tech-death band will be from California for some reason! Let’s go, baby, I’m ready to start the 2000s off right! I… Oh.” Mortem and pestilence.

Wormhole – The Weakest Among Us Review

By Kenstrosity on January 12, 2020 in 2020, American Metal, Death Metal, Lacerated Enemy Records, Reviews, Slam, Technical Death Metal, Slam, Technical Death Metal, 45 comments

“Karen, Plankton’s computer wife, defines ‘seaweed’ as, and I quote, ‘50% sea, 50% weed.’ I define Wormhole as ‘50% worm, 50% hole,’ where ‘worm’ represents tech-death and ‘hole’ represents slam. I rarely encounter genre-blending bands who can evenly balance the weight each constituent style bears upon their respective sounds, but Wormhole might be the first to find a perfect 50/50 distribution.” Numbers, worms and holes.

The EP, Split, and Single Post Part II [Things You Might Have Missed 2019]

By El Cuervo on December 24, 2019 in Ambient, American Metal, Black Metal, Canadian Metal, Death Metal, Deathcore, Doom Metal, English Metal, Heavy Metal, International Metal, Italian Metal, Scottish Metal, Spanish Metal, Synthwave, Technical Death Metal, Things You Might Have Missed 2019, Thrash Metal, Ambient, Black Metal, Death Metal, Doom Metal, Heavy Metal, Post-Metal, Progressive Metal, Progressive Rock, Speed Metal, Synthwave, Technical Death Metal, Thrash Metal, 29 comments

Did you miss all the rest of the crucial EPs, splits and singles in 2019? We’ve got you covered again, broheim.

The EP, Split, and Single Post Part I [Things You Might Have Missed 2019]

By El Cuervo on December 23, 2019 in 2019, Ambient, American Metal, Belarusian Metal, Black Metal, Canadian Metal, Death Metal, Doom Metal, English Metal, Heavy Metal, Icelandic Metal, Polish Metal, Post-metal, Scottish Metal, Speed Metal, Synthwave, Technical Death Metal, Things You Might Have Missed, Things You Might Have Missed 2019, Thrash Metal, Ambient, Black Metal, Death Metal, Doom Metal, Heavy Metal, Post-Metal, Progressive Metal, Progressive Rock, Speed Metal, Synthwave, Technical Death Metal, Thrash Metal, 41 comments

Did you miss some crucial EPs, splits and singles in 2019? We’ve got you covered, chumbo.

Unfathomable Ruination – Enraged and Unbound Review

By Kronos on November 19, 2019 in 2019, British Metal, Death Metal, Reviews, Technical Death Metal, Willowtip, Death Metal, Technical Death Metal, 66 comments

“Death metal is not a subtle art. Brutal death metal doubly so. Brutal, technical… well you get the point. Unfathomable Ruination exemplify this dearth of subtlety in name but belie it in their music. Their sophomore effort, Finitude, stands as one of the decade’s most punishing yet memorable death metal albums, punctuating each of its songs with a constricting riff or winding lead that seared it instantly into the mind. A great deal of the album’s success came from the band’s shrewd dispensation of show-stoppers, always releasing just enough brilliance to keep the listener wanting more. Apparently unwilling to rest on their laurels, Enraged and Unbound lives up to its predecessor’s unpredictable brutality.” Ruination as hobby.