It’s becoming apparent that our filtering systems work quite well! The crew has done a fine job pulling filth from the workings and releasing the pressure to the system. A second too late and the toilets would have backed up.
Aether
Midgard – Tales of Kreia Review
“Tales of Kreia continues the direction of travel from Wolf Clan through Book of Fate and sees Midgard build their Viking power-folk-meets-thrash-metal sound. Heavier than its predecessors, Tales is the first all-out fantasy record from Midgard.” You just got Loki.
The Moon and the Nightspirit – Aether Review
“I love receiving distinctly non-metal promos. I mean, it’s the name of the site, right? Angry ‘Metal’ Guy. Receiving folk, neo-folk, ambient, and similar musical styles feels like a statement from their artists: “no, it isn’t literally metal, but it’s metal in enough ways for you, ‘Guy.’” And I’m not complaining; from Winterfylleth’s The Hallowing of Heirdom to October Falls’s Kaarna to Forndom’s Faþir, some of my favorite musical discoveries have been metal “in all the right ways but one,” and all featured on this site. Since 2005, The Moon and the Nightspirit, a Hungarian duo featuring multi-instrumentalists Ágnes Tóth and Mihály Szabó, have been making traditional folk music; Aether is their seventh full-length album, and it feels like it belongs in all three of the above fields.” Aether realms?
Aether – In Embers [Things You Might Have Missed 2019]
“Wintersun has long been a favorite of mine. Sure, it’s a band with a whole bunch of frustrations, but Jari Mänepää is a strong composer, and he’s got a cool sound that I can’t help but like. His wild blend of melodeath, power metal, black-tinged folk, and symphonic over-the-top wizardry appeals to me. It’s always a good Time T(w)o listen to well-composed symphonic heavy metal, and this is where the Polish group Aether come in.” Less spa, more metal.
Stormlord – Far Review
“Every once a while we at AMG hack and slash each other for promos. In this case, I slice-and-diced one Very Messy Individual™ (Holdeneye) in the name of a symphonic death metal band by the name of Stormlord. You see, symphonic death and symphonic black metal seem to be on the upswing this year.” Storming with malice.
T.O.M.B. – Fury Nocturnus Review
“Makers of what they have referred to as “shadowy,” “blackened,” and “industrial” noise, T.O.M.B. ask in their own language of exploding synthesizers what would happen if, instead of making music haunted and cinematic, someone collected everything haunted and cinematic about metal and made it musical. Literally, this is a group that has crafted an entire album from samples recorded at famous insane asylums, and here on their newest release, Fury Nocturnus, they do their best to convince listeners they have found an even spookier space.” An experiment in terror?
Hemelbestormer – Aether Review
“A great and wise man once said, “Let the music do the talking.” Okay, that was Steven Tyler, but it’s still true. There are times when a lot can be said with just your instruments, without the need for a voice, especially when those bands with voices want said voice to just shut up. In recent years, we’ve been bombarded by a slew of instrumental acts with varying degrees of success and talent. Belgian quartet Hemelbestormer (loosely translated to “idealist” in Dutch), is the newest to join the InstruMetal ranks with their debut album, Aether.” Be like Steven Tyler.