“Splits are great ways to expand your musical repertoire when familiar with one of the bands collaborating. A level of mutual respect is presumed between the two: surely a favored artist will have good tastes themselves? And surely the twinned groups will offer something similar but sufficiently distanced for a neatly conjoined listening experience? Such conclusions seem logical.” Slashed by Occam’s razor.
“Such is the dearth of my trveness, humility, and years, I’ve recently realized that I tend towards double-adjective metal. That is, types of metal with an additional adjective in their genre tag. Progressive death metal? Check. Post black metal? For sure. Symphonic power metal? Come at me. I could therefore scarcely avoid swiping at the tantalizing fruits surely offered by the three adjectives in the ‘depressive symphonic black metal’ labeled on our promo sheet.” A three metal combo, now with a side of cold saw.
“The solo works of Steven Wilson were in ascendancy by 2012’s accomplished The Raven that Refused to Sing, a musically morose but sonically warm homage to 70s prog rock which drew me in with its Fripp-isms and ensnared me in its powerfully emotive web. 2015 saw the decidedly harsher tone of Hand. Cannot. Erase., which similarly impressed me with its engrossing tale of obliteration with more modern tools. The prospect of a sequel named To the Bone surely had a number of AMG writers all hot and bothered. His production has always been top-notch while his music is constantly developing, promising at least that it would stand apart from prior albums to offer something fresh.” Reinvent, refresh.
“Artery Recordings. We meet again. Your last release featured on this website was one of the great crimes against humanity in recent times. And now you have the cheek to submit another promo to us?! Us with our objective opinions and devout obstinacy towards all forms of metalcore?! And them with those hipster haircuts?! Someone get these guys a tombstone, I’m about to shred them.” Trouble’s abrewin’.
“You may not have thought it but Beherit brings people together, much like Christmas and accounts of drunken excess. A mutual affinity for the Finnish blackened barbarians drew Neill Jameson of Krieg and Jenks Miller of Horseback into collaborating on a new project called Poison Blood. Tales of the occult are spun through the medium of black metal but Miller, particularly, draws from a repertoire far beyond that which is typical for the genre.” Punk up the blackness.
“The life of the unpaid, overworked metal reviewer is not an easy one. Cascading promos, unreasonable deadlines, draconian editors and the unwashed metal mobs – it makes for a swirling maelstrom of music and madness. In all that tumult, errors are bound to happen and sometimes our initial impression of an album may not be completely accurate. With time and distance comes wisdom, and so we’ve decided to pull back the confessional curtain and reveal our biggest blunders, missteps, oversights and ratings face-plants. Consider this our sincere AMGea culpa. Redemption is retroactive, forgiveness is mandatory.” El Cuervo has something he needs to get off his chest.
“If there’s one criminally underrated band whose discography I implore you to investigate, it’s surely California’s Cormorant. I sincerely rate their opening records, Metazoa and Dwellings, as among my favorites since the beginning of the new millennium. They’re unremittingly progressive, drawing influences from all manner of music since the ’70s, but tie it together delicately and emotively, all the while never ignoring the immense power of the riff.” Prog in a hard place.
“Vancouver’s Seer entered my life at the start of 2016 with their consolidated release of 2 EPs: Vol. 1 & 2. It was a charming, if heavily flawed, release which showed glimmers of talent. Vol. III & IV: Cult of the Void represents the speedily recorded and released sequel, still dominated by stoner riffs and heavy atmosphere. I made some substantial criticisms of the former and as such began my time with the latter intrigued to hear if these had been addressed; I must confess that my expectations weren’t set too high.” Cult bait or cut bait?
“Stahlmann are the new decade’s flag-bearers for Neu Deutsche Härte (NDH); a genre hailing from Germany in the 90s, featuring groove, industrial, and electronic influences, and popularized by the likes of Rammstein and Oomph!. While they’re both still active, Stahlmann deemed these big names needed support and so their first record was released in 2010. Bastard is now their fourth and I’m forced to consider its title. Is it a puerile scream against a shitty world or the unwanted child which they’ll ditch upon its release?” Illegitimate.
“Ginger Wildheart has had an interesting career. Achieving mild commercial success with the pop/rock band The Wildhearts, he’s expanded his repertoire to include “power pop” (Hey! Hello!), folk music (,b>Ghost in the Tanglewood) and latterly a noise rock and metal project (Mutation).” Jack of all trades, Wildheart of some.
