Dutch Metal

Within Temptation – Hydra Review

Within Temptation – Hydra Review

“I’ll admit to liking the early Within Temptation output like Mother Earth and The Silent Force. Sure, they were a dime-a-dozen, female-fronted gothic metal act with more gloss and slickness than the complete works of Glee, but the song-writing was consistently sharp and catchy without sounding too commercialized or fake and Sharon den Adel had big, captivating… vocals. Things started to drift for me by the time The Heart of Everything came along and though it had some good songs, it also felt more forced and AOR. I paid scant attention to 2011s The Unforgiven and didn’t really want to review this one, but hey, somebody had to do it and I wanna be somebody!” Steel Druhm reviewing goth rock is always a scary ride on a rough road. Tempted yet?

Gnaw Their Tongues and Alkerdeel – Dyodyo Asema Review

Gnaw Their Tongues and Alkerdeel – Dyodyo Asema Review

“Extreme metal is a brutish, ugly and wholly negative style of musical expression almost by default, but Dyodyo Asema – a collaboration piece between Gnaw Their Tongues and Alkerdeel – resides squarely in the filthiest fringes of the genre.” Brutish, ugly and wholly negative is our stock-in-trade, but even we think this stuff is way out there. JF Williams got dirty on this one so we could stay (relatively) clean.

Legion of the Damned – Ravenous Plague Review

Legion of the Damned – Ravenous Plague Review

“2014 is here and it’s time for the Metal Show to begin anew! And what better way to raise the curtain on the sixth year of AMG than with… retread thrash! Yes, yes, you’ve all had your fill of thrash, re-thrash, retro-thrash and frash, but as long as bands keep spitting this stuff out, we in the reviewing biz have a duty to review it… and it’s a BIG duty!” When the call of duty is heard, Steel Druhm jumps in the skull tank and reviews thrash metal from the Netherlands. Thank him for his service.

Ayreon – The Theory of Everything Review

Ayreon – The Theory of Everything Review

“Of all of Arjen Lucassen’s projects, Ayreon is his best known and my least favorite. Having previously given both The Human Equation and 01011001 a shot, Ayreon really was a nut I couldn’t crack. Partially this is because I think the rock opera genre of power/prog metal bands à la Avantasia or Timo Tolkki’s Horrible, Terrible, No Good, Very Bad Avalon tend to lack vision; but the writers also lack the kind of talent necessary that make undertakings like Jesus Christ Superstar or Little Shop of Horrors fun and interesting.” One does not simply write a 600 word review for a 90 minute concept record from Arjen Lucassen. Click to see the epic of The Theory of Everything.

Exivious – Liminal Review

Exivious – Liminal Review

“Guitarist Tymon Kruidenier and bassist Robin Zielhost were introduced to the metal masses as the new members of reactivated prog/death gods Cynic back in 2007, with Zielhost replacing bassist/Chapman wizard Sean Malone for live purposes, and Kruidenier handling both guitar and growling duties both live and on Cynic’s incredible comeback album, Traced in Air. Both members would end up departing after the subsequent tours for Traced in Air, instead working on their own muse, the all-instrumental Exivious.” Anytime someone mentions Cynic, metaldom gets all agog. Grymm boldly mentions them here in relation to an all instrumental, prog-metal monster. What comes after agog?

Pestilence – Obsideo Review

Pestilence – Obsideo Review

“Nothing burns with the same intensity as hate born of a once great love. While I worshipped early Pestilence albums like Consuming Impulse and Testimony of the Ancients, I hated their Doctrine release with the white-hot passion of a scorned fanboy. The dramatic back story to this epic tale of spurned love is a simple one. Pestilence began life as a primitive, old school death outfit and really had a lot going for them, but they rapidly evolved into a weird, proggy entity, freely dabbling in jazz-fusion. I didn’t care for the paradigm shift and neither did many of their original fans. When the band reformed after 16 years in the ground, I hoped they would return to their roots…” Who doesn’t dig a good story about love turned to hate? But can that hate turn back to love? How about love peppered with hate?

Hail of Bullets – III The Rommel Chronicles Review

Hail of Bullets – III The Rommel Chronicles Review

“While the mighty Bolt Thrower lies in their house at R’lyeh, dead but dreaming, Dutch super group Hail of Bullets have become the undisputed champions of war-themed death metal. Featuring the likes of Ed Warby (The 11th Hour, Demiurg) and the immortal Martin van Drunen (Asphyx, ex-Pestilence, ex-Bolt Thrower), these grizzled veterans have made a name for themselves by adopting a winning Bolt Thrower meets Asphyx meets more Bolt Thrower schtik and they’ve churned out some truly tank-busting, old school death over their short but nasty career. Their albums always feature a fantastic mix of classic death grooves and monstrously oppressive doom riffs (especially on On Divine Winds) and they remind me of long forgotten Winter and the dirgey glory of vintage Celtic Frost and Hellhammer. III The Rommel Chronicles doesn’t upset the ammunition cart and the band delivers another broootal, throwback album with little in the way of finesse.” Old school death metal about war and battle. That shit just sells itself, don’t it? Yes it does!