German Metal

Tankard – Vol(l)ume 14 Review

Tankard – Vol(l)ume 14 Review

Wow, back in the day when the first few Tankard albums stumbled into the light like a wino from a dark alley, I never imagined these guys would be around very long. While amusing, they were the essence of a third tier act and didn’t stand out all that much even in the heyday of thrash. Well, since I now find myself reviewing album fourteen by these alcohol fueled Germanic thrashers, I would say I was pretty wrong about my initial impressions. While these guys were never in the same league as Sodom, Kreator or Destruction they still managed to become an enduring and productive minor league team. Unlike their bigger peers in the German thrash scene, Tankard was always silly, tongue-in-cheek and largely wrote on the few topics they knew best: drinking, partying and alcohol. Since I myself was a hard partying youth, I casually enjoyed their Chemical Invasion and The Morning After releases for their good humor and frantic pace. After that they dropped off my radar and only in the past week did I start getting to know the Tankard again. Although the goofy, “anything goes” feel is still there, the music and writing doesn’t hold up like I remember it. Once the nostalgia factor wore off, things started tasting a little skunky.

Deadlock – Bizarro World Review

Deadlock – Bizarro World Review

Heavy metal was once the most popular music in the world. Sure, it was glam rock, but bands that were genuinely cool were doing really well even if they weren’t getting radio play. Think about the success of Metallica pre-black album, or Iron Maiden selling out the Long Beach Arena 4 nights running on the tour for Powerslave. The music was technical, but it was still accessible and the mass appeal was still synonymous with good bands. But since the 1980s the quality of pop music has declined dramatically, and popular rock with it. We have now landed in a bizarro world, where bad, fundamentally not very catchy or interesting bands that lack all content are popular, and where innovators and interesting bands have trouble getting any recognition. But there’s an even more terrible place, and that’s the ill-advised attempts of people to try to blend these two things. No good can come of this.

Destruction – Day of Reckoning Review

Destruction – Day of Reckoning Review

Some bands age like fine wine, some like sushi. It’s a fact of life and we see it demonstrated time and time again. Today we examine the shelf life of Destruction. These gents have been around forever and started life as one of the big three of the Germanic thrash invasion of the early 80’s along with Sodom and Kreator. Their early releases were classics and seminal reference points within the genre. After being dead for the better part of the 90’s, they reformed in 2000 and started life anew as part of the reawakened thrash scene. Since then, Destruction proved themselves to be firmly on the wine side of the aging formula and the reunion albums ranged from good to great with none better than 2008’s D.E.V.O.L.U.T.I.O.N. Here on Day of Reckoning, their eleventh platter, Destruction once again prove they’re seasoned elder statesmen of thrash with no sushi in sight. This is yet another slab of righteous, riotous thrash with tons of hooks and it demands the horns be raised high in homage.

Falkenbach – Tiurida Review

Falkenbach – Tiurida Review

The new year sees cult hero Markus Tummers aka (Vratyas Vakyas) and his one man project Falkenbach rise from a long wintry slumber to release Tiurida, album number five. Those familiar with Falkenbach will know they/he specialize in sometimes epic, folk-heavy viking metal influenced primarily by Bathory and likely Ulver as well. Being that their last release, Heralding – the Fireblade, was a re-recording of the old demo material, they haven’t released new material since 2003’s excellent Ok Nefna Tysvar Ty. That’s a mighty long time to keep fans waiting for some new stuff! So has the time away changed the style or vision? Has the endless wait by long suffering and loyal fans been amply rewarded with musical treasure? Well, gather all ye around the merry campfire and let me tell you the tale of my review whilst playing yea old mandolin. Please don your hoods and chant along appropriately.

Helrunar – Sol Review

Helrunar – Sol Review

Well, we’re certainly off to a great start for black metal in this shiny new year. First we get a righteously good release from Belphegor and now the unheralded German unit Helrunar erupts from relative obscurity with a double album of masterfully grim, bleak blackness. Yep, you read that right, a DOUBLE ALBUM of massive black metal clocking in at ninety minutes! So, you might be asking, who do they think they are? How dare they release a double album? Well, the short answer is, they’re Helrunar and a whole lot more people are going to know them REAL soon because Sol is going to stamp them firmly on the black metal map.

Shadows’ Grey – Bonjour Tristesse Review

Shadows’ Grey – Bonjour Tristesse Review

You know, if you read this blog all the time you’d probably be getting the impression that I hate female fronted bands who are doing sort of the gothy thing. But that’s not true. It’s actually something I really enjoy when it’s done right! I have no issues with gothic metal, I don’t find the sort of dramatic, over-the-top stuff to be a turn off really. It just needs to be done well, something that it is serially not. And there are varying levels of ‘not done well,’ but let’s say that Shadows’ Grey, the German band formerly known as Scargod who had one EP in 2007, is one degree of the idea.

Saeculum Obscurum – Into the Depths of Oblivion Review

Saeculum Obscurum – Into the Depths of Oblivion Review

As you can tell, my resolution for 2011 was to review more obscure and underground music that no one has ever heard of. I want you to know that this means that I am reviewing like everything I get, if it’s possible, and really I’ve had some good luck and some really fucking horrendously terrible luck. I’m going to say that Saeculum Obscurum falls on the good side of the luck barrier. I figured with a name that means “The Dark Age” and a logo by the mighty artist and logo magnate Christophe, this one deserved a fair shake at least.

The Ocean – Anthropocentric Review

The Ocean – Anthropocentric Review

gotta say up front that I am not a big fan of sludge, I mean, you should be forewarned of this. So when I first heard The Ocean’s controversial (and apparently much hated) opus Heliocentric I was really happy about it. It was way more shoegaze or post-hardcore than it was sludge or anything really coming near to it. Short on the hardcore and tall on the clean vocals, I was impressed. I gave it a 4.5/5.0 and I stand by that (in spite of the incessant whining of jilted fans). So I was pretty interested to take a listen to the follow-up Anthropocentric. And my worst fears were confirmed: they pulled an Opeth. Soft record. Heavy record. Blech. Anyone else ever notice that this never works?

Sodom – In War and Pieces Review

Sodom – In War and Pieces Review

Sodom, sweet Sodom, ever so reliable and happily predictable. They’re the thrash equivalent of your favorite concert t-shirt. It’s always there for you, it’s comfortable, beer soaked and you go way way back together. Since 1982 these German metal-meisters have given us thrash and more thrash with very little stylistic variation or experimentation and for most long time fans, that’s just how we want it. After all, Sodom always specialized in simple, brutal and dirty thrash metal with punk influences and they were proud to be a thrash band even when thrash wasn’t “cool” anymore. I never had to waste time worrying if they would start exploring jazz fusion, ambient soundscapes or become self important about the message in their music. No sir, Sodom was just Sodom. Thankfully, the comforting non-progression continues on In War and Pieces, their thirteenth platter and they continue to deliver their battle tested (and themed) thrash lunacy.

Atlantean Kodex – The Golden Bough Review

Atlantean Kodex – The Golden Bough Review

Crushing my friends, simply crushing. Like being flattened by some type of heavy industrial smoothing machine, The Golden Bough, the debut full-length from Germany’s Atlantean Kodex will compress you in a major way. However, this crushing may be one of your better listening experience this year if you dig epic/doom metal. Although I was lead to expect good things by their well-regarded Pnakotic Demos EP, I wasn’t prepared for anywhere near this level of asskickery. To put it quite simply, this is one of the most epic and huge sounding metal albums to drop on us in years. With a sound combining Into Glory Ride-era Manowar with the doom of While Heaven Wept and the atmosphere of Bathory’s Hammerheart opus, these guys have birthed a monstrous metal titan that should be essential listening for all fans of doom, epic or just plain old heavy metal.