Profound Lore Records

Altar of Plagues – Teethed Glory and Injury Review

Altar of Plagues – Teethed Glory and Injury Review

“I may as well skip describing anything and just post a video of me attempting to eat my own hat. Yes, I was 100% convinced this album would be awful. When the album cover was released and the music video with a black metal interpretive dance was revealed, all I could think about was that they were trying too hard to be “artsy.” Not that I was against the idea of a departure from old themes, mind you — because I was one of the few who couldn’t understand why everyone liked Mammal so much.” While we all wait anxiously for Noctus to record his hat eating videos, he’ll explain why the new Altar of Plagues is much better than their last outing. Did I mention Noctus usually sports a sombrero? Yeah, this is gonna be fun!

Pallbearer – Sorrow and Extinction Review

Pallbearer – Sorrow and Extinction Review

My oh my, doom is getting more and more epic (read as long-winded) and it seems the genre is increasingly stricken with chronic Metallica-itis (inability to edit or cull songs). With bands such as Pilgrim and Swallow the Sun releasing albums loaded down with mega-long, droning numbers, attention spans everywhere are being tested and found wanting.

Loss – Despond Review

Loss – Despond Review

Ever felt the need to sit amidst the shadows and brood darkly over lost loves, personal failures, lack of objectivity in music reviews and other existential mumbo jumbo? If so, I may have the perfect musical accompaniment for your days of shoegaze. Despond, the debut from Tennessee’s Loss, is one mammoth slab of remorseful, gloomy funeral doom/death that will harsh anyone’s mellow and kill any and all buzz. It’s snail paced, ponderous and crushingly heavy in that way only real doom can be. On the highway of metal music, this thing has its hazard lights flashing and moves slower than a senior citizen with cataracts and a bum hip. Now, I’m well aware that funeral doom isn’t for everyone. I myself rarely find the style compelling enough to sit through an album’s worth regardless of how well the band executes. For that very reason I was surprised by the impact Despond had on me. Not only did I enjoy listening to the entirety of Loss’s mortuary muzak, but I kept going back for more and ultimately, it left me blown away. That either means they have something truly special going on or I have a brain tumor pressing on my music appreciation lobe. Either way, this is an weirdly addictive album full of gloom and despair with some unbelievably powerful emotions and atmosphere to it.

Subrosa – No Help for the Mighty Ones Review

Subrosa – No Help for the Mighty Ones Review

I consider myself a pretty open-minded guy. Sure, I’m angry and a tad dogmatic at times, but I’m certainly not unwilling to engage in new ideas or to follow along with people when they do innovative things. But one trend, or musical movement if I’m going to be polite about it, in the metal underground that I just have never been able to get on board with is sludge or funeral doom. As I’ve said before, I just get bored. My attention span isn’t up for this stuff. There is a mind-numbing simplicity that I think you can only appreciate if you’re really stoned and I, frankly, don’t touch the stuff.

Grayceon – All We Destroy Review

Grayceon – All We Destroy Review

Grayceon is a three-piece progressive metal band from San Francisco that was formed in 2005 and that is releasing their third full-length All We Destroy via Profound Lore (which is being distroed by Sound Pollution in Sweden, by the way). Since their 2007 debut, the band has been hailed as something totally unique on the metal landscape, and in 2011 this is still very true. In fact, I would go so far as to argue that they are a singular voice in the area in such a way that there is very little functional comparison to a reader understand what it is that they do, and more specifically why it’s so damn successful. However, as a music reviewer that’s my job (or in this case, ridiculously time consuming habit), so I shall wade fearlessly into the fray and hope that you, angry reader, are left with a sense of why you should head over to Profound Lore’s website and purchase the record.

Dawnbringer – Nucleus Review

Dawnbringer – Nucleus Review

Interesting release we have right here folks. For those unaware, Dawnbringer is a project band of sorts for Chris Black (Pharaoh, Nachtmystium, Superchrist) and his guitar playing buddies and together they create something like a mix of NWOBHM, straight up American metal, black metal, thrash and doom (there’s even moments of quasi-southern rock). Tell me that doesn’t sound intriguing, I dare you! Nucleus is their fourth full-length and yep, it’s one humdinger of a rickety metal contraption. At times sounding like a weird mash-up of Iron Maiden, Slough Feg, Motorhead and Black Sabbath, this thing rumbles and rambles all over the place and always seems ready to come unhinged but it just screams METAL! From the production, riffs and vocals, there’s an ever present rough and tough vibe and despite the myriad of styles and influences Dawnbringer tries to squish together, they somehow managed to craft some great metal songs that will stick in your head for a long time.