“Despite trying to sound like Death SS via their humble beginnings as a tribute to those guys, Deathless Legacy comes across more as a soporific Halloween-themed Nightwish, but with worse vocals. There are plenty of keyboards, and the tempos don’t generally get too lively. Sadly, ‘Monster Mash’ may actually make for an apt comparison.” So much for the Transylvanian Twist.
“Have you ever gone camping, and that one friend brings his guitar to play songs around the fire? But the thing is, he can’t really play, he’s a shitty singer, and he only knows Bob Seger songs. You sit there saying to yourself, ‘I wish I was actually camping with rock legend John Garcia. That would be the best camping trip ever.’” Cold breeze, clean air….
“For those paying attention, 2016 was a bit of an American thrash revival with many of the 80s biggest names scoring successful “comeback” albums full of rich, speedy goodness. Hell, even Metallica graced us with something arguably worth hearing, so the pigs have clearly taken flight. Sadly, our beloved European counterparts fared less successfully, with Destruction and Sodom releasing decent but unremarkable platters. That leaves it to the mighty Kreator to right the Germanic thrash battleship and hold the Flag of Hate high as they return from a 4-year hiatus with Gods of Violence.” The elder gods are violent gods.
“What’s black and white and re(a)d all over? A war metal cover made out of newspapers! Stupid joke, but I bet you smiled anyway. Good news for all of you goat/Satan fans out there, Crurifragium are here to ensure you never smile again. Born of an unholy union between members of Demoncy, Astraes Pestis, and Warpvomit, these Seattleites bear all the triple-6 markings of a devil-worshiping crew looking to hail Lucifer in the best(ial) of ways.” Satan.
“As I grow older, I’ve learned that taking time to make sure your creative output is as sparkly, shiny, and impressive as possible is paramount to a healthy creative life. Music is no exception to this rule. Finland’s Diablerie released their sole album, Seraphyde, back in 2001. With only a couple of EPs since, mainman Henri Villberg returns with the long-awaited follow-up, the ambitiously-titled The Catalyst vol. 1: Control, the start of a planned thematic trilogy of albums.” A trilogy, eh?
“I rarely engage with music based on how it “feels” or, for example, bands whose lyrics hit me right in “the feels.” But Pain of Salvation, particularly Road Salt pt. 1, did just that to me in 2010. It sucker punched me right in the feels. In the Passing Light of Day strikes that same chord for me, but in a way that I think will keep me coming back for a long time.” AMG vs. the Feels.
“Some bands plug away releasing record after record of dry, digitized discipline that no one particularly cares to recall. And then there are those acts that manage to seamlessly meld technical proficiency, distinct brutality and that often evasive element of musicality that seasons the broth. Italy’s Hour of Penance have, for me, always been one of those bands.” Seasons in the broth.
“The monkey’s paw is gripped tightly in your hands, a mangy curio purchased on your recent travel abroad. The wizened fakir that sold it to you promised it could fulfill any wish, an absurd statement but here in the stillness of your room curiosity has sunk its claws deep into you and a whispered plea escapes your lips: ;I wish for an album that can recapture the sound of early Machine Head.'” If wishes were Machine Heads, Rob Flynn would abide.
“The disturbing rumble of old school, dark and brooding death metal is a familiar one. Burrowing, buzzing riffs, inhuman growls, and tumultuous drums and bass lines are encased in a constant, over-the-top imagery of torture and dread. But why are we so attracted to this blacker than black despair and sense of suffocation?” Embrace the horrors.
“I’m no wine buff but if I ever feel the urge to get rat-arsed in an upper class, debonair sort of way, I usually plump for a bottle of something French. Why? Well, when it comes to the old grape juice, Pierre just seems to know his stuff. Wine is one of those products that carries with it a particular weight of expectation according to the country or region of the world from which it originates, and in this respect music is not all that different.” Nor-core is a thing?
