Reviews

Record reviews

Ihsahn – After Review

Ihsahn – After Review

Easily one of the most anticipated records of 2010 for me has been Ihsahn’s new offering. While I was a passing Emperor fan, really just a fan of In the Nightside Eclipse and Anthems to the Welkin at Dusk-era, I was taken by Ihsahn’s solo stuff. The Adversary felt fresh, progressive enough, a step away from the later Emperor material of which I wasn’t a fan, and it captured the sonic styles and textures that he was never quite allowed to explore while in Emperor. The record didn’t stick with me as I had hoped, while I listened to it occasionally it didn’t hold a steadfast position in my discography. On the other hand, angL blew me away. Probably the finest record of 2008, angL has maintained a steady place in the rotation and is a record that I’ve showed to dozens of people. Perfectly produced, perfectly composed and smartly written, angL contained everything that I wanted out of a new progressive metal record. So, of course, when I heard that Ihsahn would be releasing a new record in 2010, I became justifiably excited.

Annotations of an Autopsy – The Reign of Darkness Review

Annotations of an Autopsy – The Reign of Darkness Review

Every once in a while a record just jumps out at you and kicks your ass every which way. The originality, the brutality, everything that you want from death metal just hits you right in the face and leaves you dazed, but pleased. The Reign of Darkness, the sophomore release of UK death metallers (or deathcorers if you read the interwebs, though I’m inclined to just call this death metal) is not one of those records. And while it can be very difficult to write about just how good a band is or how bad a band is, I find the most difficult reviews to write the ones where you have to say “I don’t like it, but you might if this is your thing.”

Orphaned Land – The Never Ending Way of ORwarriOR Review

Orphaned Land – The Never Ending Way of ORwarriOR Review

Few bands will ever make their own mark on a genre of music. it’s just a statistical rarity. Someone once told me that there are something like 5 million bands on MySpace, if that gives you an idea of the breadth which exists when one is thinking in terms of how many musicians there are out there. Of those, most of them probably last longer than a year, never produce much of a demo much less get signed to a real label, and how many ever produce a real step forward into a new decade with a statement of great things to come? The chances of becoming a professional musician are basically NIL and then of the number that do, how many ever produce something that will be remembered and affect enough listeners to ever influence any? That number is even smaller. Orphaned Land is one of the few bands that will ever exact change in metal and they are doing so now with their new record The Never Ending Way of ORwarriOR.

Mnemic – Sons of the System Review

Mnemic – Sons of the System Review

Mnemic has been around in the ether for a while but I’ve never given them a proper listen until now. The band has good promo, they’ve toured Europe twice with metal giants (like ’em or not) Metallica, they look like real metal dudes and they’ve got cred because a couple people I know compared them to Meshuggah back when they first came out. Unfortunately, Sons of the System sounds a lot less like Meshuggah and a lot more like Sonic Syndicate. This record is another convergence point for things that I’m not really keen on in the world of metal and I’ll give you a short run-down.

Things You May Have Missed: Kalisia – Cybion

Things You May Have Missed: Kalisia – Cybion

One of the most surprising records of this year for me and one that I’d sort of forgotten about until recently was Kalisia’s epic concept album Cybion. Sold online as a single track for very cheap, this is one long-ass amazing progressive soundscape that probably shouldn’t be missed. These guys come from France which puts […]

Be’lakor – Stone’s Reach Review

Be’lakor – Stone’s Reach Review

Be’lakor is an Australian melodic death metal band that has been getting some serious attention in the underground despite the fact that much melodic death metal has pretty much been declared by the scene to be dead on arrival. I’d been reading about them for some time so I just wrote them a message on MySpace and the guys were cool enough to send me a copy to review. And I can see why they’re so eager to get their music out to the masses, it’s a bit like ear heroin.

The Chasm – Farseeing the Paranormal Abysm

The Chasm – Farseeing the Paranormal Abysm

In a lot of ways one has to feel a bit bad for The Chasm these days. They have worked as hard, or harder, than almost any band in the underground and fought for ground the whole time. They finally managed to fight their way to a good record deal with a good label that subsequently collapsed and now they’re back at at ground zero. Well, not really ground zero, think Point A. But not even really Point A, because honestly Point A is “write good music,” which they’ve got down. However, as opposed to breaking up after getting knocked down, The Chasm have instead produced a record: 2009’s opus Farseeing the Paranormal Abysm, which doesn’t have the same kind of support that it should have despite its fantastic quality.

Blaze Bayley: At the End of the Day – Lawrence Paterson (Book Review)

Blaze Bayley: At the End of the Day – Lawrence Paterson (Book Review)

A few of you might have noticed that I have taken to reporting a lot on Blaze Bayley (the man and the band), and this is partially due to the fact that I have long been a fan of his solo stuff (and his tenure in Iron Maiden). As I’ve stated before, I think that X Factor is a classic album and I will continue to defend that to this day (though, I will definitely also point out that it is poorly produced, as was Virtual XI, which in my book was also poorly conceived). In any case, I, like others who gravitated to the Blaze-era Iron Maiden, continued to follow him afterwords and were happily surprised by the quality of the material that his newly formed band BLAZE had produced. Since then, I have paid attention, with a heavy heart often times, to an ongoing saga of an excellent underground band getting ignored, fucked repeatedly by labels, management and finally crumbling under the weight of outside and inside pressures. For me, the collapse of BLAZE and the rise of Blaze’s current self-titled incarnation was shrouded in mystery as I was just a fan witnessing it from the outside, but much of what I did not know is now available in a book written by current Blaze Bayley drummer Lawrence Paterson entitled At the End of the Day (and conveniently available for Christmas!).