Alex reviews Italian sludgey black metal act The Secret and their new opus of pain entitled Agnus Dei.
Sludge
Svölk – Nights under the Round Table Review
Norwegian Svölk continues to show that the boundaries of Norwegian metal is expanding and for the better, at that. Lord Doom tells you more!
Clinging to the Trees of a Forest Fire – Visceral EP Review
Sludge is not what it used to be. In the 90s, bands would swarm like filthy locusts from New Orleans to bring the density of the bayou, its mud, and its endless drapes of sticky moss to a world living in denial and feasting its way to the end of the century. Happy days. In the meantime, a lot has changed: a new era has dawned on us and things have gone wrong in every possible way, but that strain of extreme music is still there to remind us that, well, things could get even worse. And when they do, it’s bands like Clinging to the Trees of a Forest Fire who provide the soundtrack.
Baroness – Yellow & Green Review
Metal band tries to write actual songs?! Has no one learned ANYTHING here?!
Corrosion of Conformity – Corrosion of Conformity Review
Corrosion of Conformity fans can generally be divided up into two teams: aging hardcore guys who only enjoyed the band’s first few records from the early ’80s, and metal dudes who prefer the band’s more recent incarnation with Pepper Keenan on vocals. These two teams don’t like each other, and Team Hardcore really doesn’t like latter-day COC. This conflict has been going on for decades, but the battle lines shifted recently when the three founding members of COC decided to reunite, sans Keenan, to record new music as a trio for the first time since 1986. Would the band finally deliver some crossover thrash to satisfy the old-schoolers? Or will they continue along the sludgy path they’ve been traveling since 1994’s Deliverance?
Ulcerate – The Destroyers of All Review
Being a well on the way to aging angry metal nerd, I have a stomach that is not quite as leadbellied as it used to be, and many of my friends and acquaintances are under similar circumstances. There’s only so much beer and whiskey a stomach can handle before it gets a little acidic (although I continually go back to testing the limits every now and then). Hence I’ve been quite amused by the band name Ulcerate since they stormed the realm of heavy music with 2009’s Everything is Fire, which was one of my favorite albums of that year. The title track of that album was very impressive (one of my favorite metal songs of recent memory), as well as the rest of it (that album is nasty!).
Subrosa – No Help for the Mighty Ones Review
I consider myself a pretty open-minded guy. Sure, I’m angry and a tad dogmatic at times, but I’m certainly not unwilling to engage in new ideas or to follow along with people when they do innovative things. But one trend, or musical movement if I’m going to be polite about it, in the metal underground that I just have never been able to get on board with is sludge or funeral doom. As I’ve said before, I just get bored. My attention span isn’t up for this stuff. There is a mind-numbing simplicity that I think you can only appreciate if you’re really stoned and I, frankly, don’t touch the stuff.
Rabbits – Lower Forms Review
OK. So. Let me preface this by saying that I’m not a huge fan of anything Rabbits is defined as. I don’t really like hardcore and haven’t liked it since I was in high school. And even then I only flirted with the genre and never really got into it. Second, I listen to a lot of music. I get new music every day and I hear new shit all the time. I try to be pretty open minded, but sometimes I just don’t like shit. And I really, really, really don’t like Rabbits – Lower Forms. I’m sure these guys are OK with that, though, because that’s the point of being counter cultural.
Crowbar – Sever the Wicked Hand Review
So I’m super unqualified to review this record because I a) don’t like sludge and b) have never listened to Crowbar before this moment. Sure, I’m sure I should have heard them, but I gotta be honest with you, I’ve been sort of busy. There are plenty of scenes that have developed since the 1990s and the slow, southern rock post-thrash stuff has never been my thing. Name bands from south of the Mason-Dixie line and I probably don’t like them unless they’re Kris Kristofferson. Always hated Down, didn’t think Corrosion of Conformity was terribly special (and this one’ll really burn your ass), I never liked Pantera or its postbellum incarnations. (Oh and I don’t like Black Label Society because they want to be a southern band even though Zakk Wylde is from fucking NEW JERSEY.) Given all of that, then, I was pretty fucking stoked that listening to this record wasn’t torture! In fact, it was really enjoyable. Let me regale you with the tale.
The Ocean – Anthropocentric Review
gotta say up front that I am not a big fan of sludge, I mean, you should be forewarned of this. So when I first heard The Ocean’s controversial (and apparently much hated) opus Heliocentric I was really happy about it. It was way more shoegaze or post-hardcore than it was sludge or anything really coming near to it. Short on the hardcore and tall on the clean vocals, I was impressed. I gave it a 4.5/5.0 and I stand by that (in spite of the incessant whining of jilted fans). So I was pretty interested to take a listen to the follow-up Anthropocentric. And my worst fears were confirmed: they pulled an Opeth. Soft record. Heavy record. Blech. Anyone else ever notice that this never works?
