Lingua Mortis Orchestra – LMO Review

Lingua Mortis Orchestra – LMO Review

“I have a weakness for Rage. They’re a band that, while sometimes inconsistent, has long been a standard for cheesy German power metal. They manage to make music like it’s 1988 without blinking an eye, and while that cheese might not endear them to everyone, it certainly has endeared them to me. Twenty-twelve’s 21 was a concerning affair, however. The record contained none of the orchestral flourishes and progressive tendencies that I had been hoping to hear. Instead, 21 was a largely banal affair, with straight rock tracks and a tad more cheese that I could handle at times. Good; not great.” So, is LMO the solution we’ve all been waiting for? The Rage record we didn’t get last time around? Angry Metal Guy fills you in on the details…

We Butter the Bread with Butter – Goldkinder Review

We Butter the Bread with Butter – Goldkinder Review

“They may butter the bread with butter, but Nutella-ing the bread with Nutella gives it a sweeter and richer (albeit more sinful) taste. It’s more fattening too, which is what these skinny German kids seem to be in need of.” HMG explains why We Stupid the Stupid with Stupid is the band that signals the electronicapolypse. Gird your loins, metal elitists, the shitstorm is coming!

Front Beast – Demon Ways of Sorcery Review

Front Beast – Demon Ways of Sorcery Review

“When a band intimates that their album has the charm and atmosphere of a dark, damp dungeon and that it’s packed with bone-dry, ardent, miserable vocals reminiscent of Aske era Burzum it’s begging to get picked off the promo pile. German band Front Beast, signed to Hells Headbangers and led by sole member Evil Avenger, whetted my appetite with just such an oath on their second full length release Demon Ways of Sorcery. It looks like the Evil Avenger has been stumbling along spreading misery and Satan’s message over 24 split releases, EPs and demos, 1 compilation and 1 previous album released back in 2006 and judging by this back-history he’s not giving up on his mission any time soon…” Madam X takes on the supposedly dungeon-ready black metal rattle of Front Beast. Remember, a beast in the front is better than two behind. No…wait.

Lustre – Wonder Review

Lustre – Wonder Review

“It was about five years ago that I heard Lustre’s very first EP, Serenity, and it wasn’t awful I suppose. It was incredibly soft as black metal goes, to the point where I wouldn’t even call it black metal any more. It had a very prominent keyboard melody over the top of the “black metal” and just went on and on, but since the melody was good it didn’t feel too overlong. Where I didn’t really enjoy the EP all that much, I did see some kind of potential if the dude actually worked towards evolving his songwriting past the *cough* “hypnotic” structure, in which he steals Burzum’s flair for repetition and forgets everything that makes repetition actually work. Five years later I check out his latest recording and it’s pretty much as dreadful as it possibly could be. What on earth happened?” Noctus unleashed a vicious indictment againt the lack of progression by a black metal act and in related news, water is still wet.

Retro-spective Review: Wicked Maraya – Cycles

Retro-spective Review: Wicked Maraya – Cycles

“When I do these little retro-reviews, I try to find albums that really had a lot to offer, but somehow never caught the public’s attention. Be it bad marketing, poor timing or short band life, there’s always a reason why a high-quality album slips through the cracks into oblivion. Perhaps no better example exists than Wicked Maraya and their debut album Cycles. Steel Druhm’s clinical diagnosis here is one of terminally poor timing. While Cycles sported a winning and catchy-as-fuck traditional heavy metal sound that strikes me as a darker, edgier, more proggy Queensryche mixed with Crimson Glory and Nevermore, it arrived at the very height of the Seattle grudge explosion where everything metal was forced back underground after a decade of prominence and popularity.” More goodies from the vault? Steel Druhm is in a giving mode to be sure. Ignore the terrible band name and awful album cover and let’s all focus on what counts: the music!

All Pigs Must Die – Nothing Violates This Nature Review

All Pigs Must Die – Nothing Violates This Nature Review

“I suppose incorporating sludge and black metal into hardcore punk is the logical way to bring it to even more intense heights, all the while making it delectably filthy to those who like their metal abrasive, raw and covered in grit. Of all the bands to catch wind of this style, All Pigs Must Die have been in the forefront with a couple of really great releases under their belt – their short and sweet self-titled EP along with their more ambitious and equally impressive debut album, God is War. Both releases are absolutely furious, pummeling you with the huge, fast riffs reminiscent of grindcore and hardcore punk in one of the most in-your-face and take-no-prisoners approaches in recent memory.” How does the latest piece of filth from All Pigs Must Die hold up against their earlier works? Join Noctus and find out!

Parasite Inc – Time Tears Down Review

Parasite Inc – Time Tears Down Review

“Sheesh the Reaper’s working overtime this year! Every which way you turn there’s another corpse stinking up the joint. German melo death band Parasite Inc captured my eye (or maybe it was my ear) a few weeks back with their video for “The Pulse Of The Dead” off their sophomore release Time Tears Down. The video isn’t particularly flashy, there’s no blood and guts and no fancy scene set or story being told. Basically it’s just four musicians against a pretty stark background furiously slaughtering their instruments, catchy melodies challenging heavy grooves, creating no holds barred, modern, melodic death magic.” Melo death seems to be making a comeback in 2013 and Madam X is here to tell you if Parasite Inc. can help the revival.

Newsted – Heavy Metal Music Review

Newsted – Heavy Metal Music Review

“By now most of you are familiar with the dysfunctional soap opera that led Jason Newsted to jump ship from Metallica prior to their execrable St. Anger album. Anyone who watched the shockumentary Some Kind of Monster can see why he bailed and most probably wonder why he didn’t beat copious amounts of Danish ass and kick over the Hetfield Table™ on his way out the door. Since his exodus, Jason has shown himself to be a productive and versatile musician’s musician, recording with Voivod, playing with Ozzy Osbourne, keeping his Echobrain project running and finding time to launch his eponymous solo project Newsted.” Jason Newsted has this solo thing going on and finally released the debut album. Steel Druhm gives you the lowdown as Lars and James download it illegally out of spite.

Obsidian Tongue – A Nest of Ravens in the Throat of Time Review

Obsidian Tongue – A Nest of Ravens in the Throat of Time Review

“Say what you like about the U.S. black metal scene, they know how to make so much out of so little. The number of American bands taking black metal in its arguably most minimalistic form and taking it in much more ambitious directions with long and winding song structures is quite staggering. But when you consider the roots of the black metal scene in the US, and the opus that made arguably the biggest impact on it, it doesn’t seem so surprising that so many bands follow almost directly in the footsteps of Weakling’s widely acclaimed album, Dead as Dreams. Noctus traces the family tree of USBM and gives a little insight on how it influences the new opus from Obsidian Tongue. BTW, that name sounds like a fruity tropical drink that comes with a tiny umbrella.

Ultra-Violence – Privilege to Overcome Review

Ultra-Violence – Privilege to Overcome Review

“Re-thrashers just keep coming through the floorboards and as with roaches, for every one you see, hundreds more lurk just out of sight. Ultra-Violence is a new bug and they hail from Italy of all places. Their Privilege to Overcome debut doesn’t completely reinvent the thrash wheel, but it does offer a dizzyingly schizoid blend of modern thrash, second wave Bay Area style thrash like Defiance and Faith or Fear, Germanic thrash, crossover hardcore like D.R.I. and modern stuff like Machine Head.” If that doesn’t sound like a thick re-thrash stew, nothing does! Join Steel Druhm as he examines if Ultra-Violence has what it takes to kick the requisite amount of buttcheek.