Insomnium – Across the Dark

Insomnium – Across the Dark

Insomnium is one of those bands that rides on the border of melodic death metal and progressive rock, straddling the fence between good, solid heavy music and the proggy stuff that all the sadboy metal guys listen to. Those guys who secretly love The Cure and Depeche Mode and end up making stuff that sounds like newer Katatonia, Anathema or Amorphis. This isn’t really a critique, but it lets you know right off the bat where these Finnish melodic metallers are standing in reference to the never ending “is melody metal” war that seems to be going on these days.

The Black Dahlia Murder – Deflorate Review

The Black Dahlia Murder – Deflorate Review

The Black Dahlia Murder is becoming a veteran band among this new wave of melodic American death metal/metalcore or whatever the hell you want to call it. To get this out of the way right away: I think that The Black Dahlia Murder has been treated unfairly by a metal community sad to see the disappearance of the old school metal guy anywhere except brutal death metal. Modern American metal has come to be dominated by short-haired, tattooed hardcore lookin’ kids who often have super diverse taste in music and have never donned a leather jacket or a goatee in their lives. These hardcore lookin’ dudes put on shows that have an energy that often times metal dudes lack in their own live performances, and they’re gaining notoriety with their blending of brutal death metal and stupid core breakdowns. The Black Dahlia Murder has been lumped in with these guys because of tattoos and plugs, but they are certainly not akin to these bands. No, The Black Dahlia Murder is easily one of the best melodic death metal bands the United States has ever produced and despite them sounding a lot like At The Gates plus blast beats, I think they do it very, very well and very consistently.

Leaves’ Eyes – Njord Review

Leaves’ Eyes – Njord Review

Fame has its benefits. Getting signed immediately after you leave/get fired from your other band is one of those things. Of course, the inevitable problem with fame is that no matter how far away from what you got famous for, you will always be compared to it. And for me, Liv’s voice will live on forever in Theatre of Tragedy’s classic album Velvet Darkness They Fear. Leaves’ Eyes is not Theatre of Tragedy and Njord is definitely not Velvet Darkness They Fear, and while it doesn’t need to be that album all over again for me to like something she’s done, I know it can be better than this.

Angry Metal Guy’s Playlist August 22nd – August 29th

These last couple weeks have been pretty crazy for this Angry Metal Guy. I’ve moved south from the fair city of UmeÃ¥, to the much bigger (and arguably fairer) city of Uppsala. While I miss Norrland, I do have to say that I’m quite enjoying certain aspects of the student culture in the city of […]

Amon Amarth – The Crusher (Reissue) Review

Amon Amarth – The Crusher (Reissue) Rating: 4.0/5.0 (Record) – 3.0/5.0 (Reissue) 4.5/5.0 (Live Record) Label: Metal Blade (EU | USA) Website(s): myspace.com/amonamarth | amonamarth.com Release Date(s): USA: 09.01.2009 | EU: 28.08.2009 Amon Amarth is on top of the fucking world right now. The Thor’s Hammer is the new pentagram and every kid is hailing […]

Havok – Burn Review

Havok – Burn Review

How could Havok be anything but thrash? One doesn’t even have to listen to the band to get an idea of what they sound like when one looks at the coloration and logo of the band’s debut album: Burn. And Havok truly lives up to their predecessors, need I name them? Kill ‘Em All era Metallica, Testament, and so forth.. actually, these guys sound like a re-birth of America’s most famous metal scene of all time: the bay area thrash scene.

Threat Signal – Vigilance

Threat Signal – Vigilance

Three years after their initial release, after being a true Internet success story, Threat Signal is back with a new album called Vigilance. I never got to review the first album, and I must admit that this style is a little bit too sugary sweet for my tastes, but I was pleasantly surprised with what I heard contained within the borders of Vigilance: a band comfortable in their own shell, producing music that skates the fine line between pop metal, metalcore and thrash. This record is sure to bring delight to those among us who aren’t fans of the more heavy hitting, brutal or technical things that are flooding the market these days.