Austrian Death Machine is a joke. It’s even a funny joke. With Arnold being the governor of California as well as the cheesiest movie star of our times, if not all-time, as well as a huge internet sensation, it is not at ALL a surprise that someone is doing this. (Though, according to Wikipedia there is another band that has been doing this for 7 years longer than Austrian Death Machine.)
Almost Home is a record that was influenced by how much everything sucks right now, according to the band. It’s a bit of a dissertation on America in 2009, with a shitty economic situation, how hard it’s been to keep the band going in this kind of situation and so forth. Honestly, I don’t hear it. But that’s what the band says. What I hear is a highly melodic and poppy hardcore band doing the same things that bands of this type have been doing for years. It’s unfortunate, really, because they’ve got an alright sound, but things don’t stick.
As posted on the official forum, here’s footage of Mr. V singing. Â It’s short, but if you’re a fan, it sounds good. Yup!! I’m stoked.
Before this last week I’d never heard of Cormorant[1. Cormorant: “a large diving bird with a long neck, long hooked bill, short legs, and mainly dark plumage. It typically breeds on coastal cliffs, and is noted for its voracious appetite.” This voracious appetite has come to be used figuratively implying “an insatiably greedy person or thing.” – Thanks OAED] or of Saturnine Media. Because of this, I was able to be pleasantly surprised by what is one of the best underground albums of the year. But if you’re reading this, you don’t have to be surprised, you can go out and buy it as an informed consumer. You’re welcome.
The Atlas Moth – A Glorified Piece of Blue-Sky Rating: 3.5/5.0 – A mix of sounds that works very well, but doesn’t stand out for me.. Label: Candlelight Website: theatlasmoth.com Release Date(s): EU: 21.09.2009 | USA: 10.6.2009 Sludge, and many variations thereof, have definitely been working their way into the “mainstream” consciousness of heavy metal […]
According to a post that Vintersorg made on his forum, he and Matias are slowly at work recording the follow up to 2007’s Solens Rötter. While a name hasn’t been given for the new record yet, he teased today that in fact all the lyrics have ended up being in Swedish—and that this is entirely […]
Insomnium is one of those bands that rides on the border of melodic death metal and progressive rock, straddling the fence between good, solid heavy music and the proggy stuff that all the sadboy metal guys listen to. Those guys who secretly love The Cure and Depeche Mode and end up making stuff that sounds like newer Katatonia, Anathema or Amorphis. This isn’t really a critique, but it lets you know right off the bat where these Finnish melodic metallers are standing in reference to the never ending “is melody metal” war that seems to be going on these days.
The Black Dahlia Murder is becoming a veteran band among this new wave of melodic American death metal/metalcore or whatever the hell you want to call it. To get this out of the way right away: I think that The Black Dahlia Murder has been treated unfairly by a metal community sad to see the disappearance of the old school metal guy anywhere except brutal death metal. Modern American metal has come to be dominated by short-haired, tattooed hardcore lookin’ kids who often have super diverse taste in music and have never donned a leather jacket or a goatee in their lives. These hardcore lookin’ dudes put on shows that have an energy that often times metal dudes lack in their own live performances, and they’re gaining notoriety with their blending of brutal death metal and stupid core breakdowns. The Black Dahlia Murder has been lumped in with these guys because of tattoos and plugs, but they are certainly not akin to these bands. No, The Black Dahlia Murder is easily one of the best melodic death metal bands the United States has ever produced and despite them sounding a lot like At The Gates plus blast beats, I think they do it very, very well and very consistently.
Fame has its benefits. Getting signed immediately after you leave/get fired from your other band is one of those things. Of course, the inevitable problem with fame is that no matter how far away from what you got famous for, you will always be compared to it. And for me, Liv’s voice will live on forever in Theatre of Tragedy’s classic album Velvet Darkness They Fear. Leaves’ Eyes is not Theatre of Tragedy and Njord is definitely not Velvet Darkness They Fear, and while it doesn’t need to be that album all over again for me to like something she’s done, I know it can be better than this.
These last couple weeks have been pretty crazy for this Angry Metal Guy. I’ve moved south from the fair city of UmeÃ¥, to the much bigger (and arguably fairer) city of Uppsala. While I miss Norrland, I do have to say that I’m quite enjoying certain aspects of the student culture in the city of […]
