“Usurping the Throne of Disease gave me two things: one, a delightfully rotten piece of blackened death-crust (which, typing it out now, actually sounds more like a spicy appetizer than a genre); and two, a reason to move past my failed no-jerking-off New Year’s resolution and slave away at a review that will, inevitably, be given the ‘Quilted Northern’ treatment by my Great Overlord.” I like my crust blackened and radioactive with a side order of cold saw.
“Many moons ago when I walked uphill in ten feet of snow both ways to get to secondary school. The music department was populated with insufferable dorks who would lecture anyone within earshot on music’s death and subsequent stinking decay post-1979. This snobbery still exists in the present day, and I’m left wondering exactly where this incredibly soundproof rock these people are demonstrably living under is located.” Come back baby, rock n’ roll never forgets.
“There are three things you need to know in regards to Raunchy: 1) I’ve had an unhealthy love affair with them since stumbling across Wasteland Discotheque back in 2008; 2) they have the most misleading band name ever; and 3) never say “can I get Raunchy?” when asking for their promo.” We call that a micro-aggression, and we only tolerate macro-aggressions at AMG. HR awaits!
“Caïna certainly aren’t your typical black metal band, they’re not Norwegian, Swedish, American or French as you would expect. In fact, Caïna is the labor of heartache by Englishman Andrew Curtis-Brignell and his band’s discography is all over the map.” Constantly changing and mutating, this act is very hard to pin down. But Madam X has many pins and a will to win.
“Having recently gone through some much-needed “downsizing” in my personal life, hitting the gym has become a more common activity for me, so I selfishly jumped at the chance to review Salvation’s début album, Resurrect the Tradition. Salvation is a hardcore band featuring alumni of various other hardcore bands (including bassist Gary Meskil of Pro-Pain and Crumbsuckers), and this music is tailor-made to be a real life Game Genie for workouts.” Need some heavy hardcore for your heavy lifting? This might be your Salvation.
“Historically I’ve not been awfully big on punk, particularly in its more melodic forms. More recently, though, I’ve been warming to the genre. I’ve always loved grindcore, am increasingly enjoying crust and hardcore, and the past year has seen me revisiting – and, swipe me, enjoying – The Offspring.” Looks like it’s time for an intervention at AMG. Now where are the spiked bats?
“Nestled in the Southwest corner of Germany, Schwarzwald (Black Forest) provides writing inspiration to its native musical counterpart, Finsterforst (Dark Forest). Playing exactly the style of metal one would expect from their name, Finsterforst have been plugging their epic, folksy wares to the masses with four full-lengths now, and Mach Dich Frei does not stray far from their established formula. There are problems, but it’s very solid and enjoyable, drawing on Moonsorrow and Wintersun in crafting epic and heavy soundscapes.” Moonsorrow influenced epi-folk sounds good, right? But is it more moon or sorrow?
“This is a strange metal saga, so bear with me. Satan’s Host formed way back in 1977 as a classic American metal band not far removed from Priest and Maiden. Though lurking in the shadows for years, they weren’t able to get anything released until 1985 when the band was joined by the ever mighty Harry “The Tyrant” Conklin of Jag Panzer fame. Their Metal From Hell debut attained a sort of cult status for its hijacking of Mercyful Fate’s sound and the mystery of who was and wasn’t in the band (thus making them the original Ghost).” Steel Druhm didn’t see this coming and got sucker punched…twice!
“The month of January is always a difficult one for us writers here at Angry Metal Guy. As evidenced by the staggering amount of Things You Might Have Missed articles that are still coming in, the sheer sparsity of new music is leaving us parched with thirst for thrilling material, and even more so when said thrilling material is at an absolute premium.” Can some heavy sludge shake off Grymm’s early year doldrums? And why are we already have doldrums?
“Napalm Death, we meet again. For their last decade or so, these guys have been a model of uneventful consistency. Their notorious lineup changes seem to be a thing of the past (or perhaps not), and their last 4-5 albums have been damn solid. This is certainly a good thing for longtime Napalm fans, but it makes reviewing them increasingly redundant.” You might even say reviewing them is a bit of a…grind?
