2021

Never End – The Cold and the Craving Review

Never End – The Cold and the Craving Review

“I know promo sheets are all about hyping up the band. Hyperbole is basically in the job description, and I and my esteemed colleagues are largely immune to the declarations of paradigm shifts and best things since sliced bread. But every now and then, something so ridiculous comes along that I can’t keep it from you all. If I am to believe the sheet for Never End’s The Cold and the Craving, “…they’re brutal, melodic and technical all at once without ever being too much of one thing, which is impressive. The grind remains godhead, obviously, but the entwined emanations flowing from it –thrash, match [sic] rock, prog, hardcore, metal, grunge—never felt more potently distilled, dynamic or organic. [It] weakens the boundaries between Rock, Metal, Grunge, Hardcore, Metalcore, Doom, Stoner.”” All things for all people.

Bloodstock Open Air 2021 Review: Pandemic Festival Pandemonium

Bloodstock Open Air 2021 Review: Pandemic Festival Pandemonium

“In the words of Rob Halford during Judas Priest’s two-hour headline slot: “Britain’s premier heavy metal festival is back.” Yes, cranky Covid’s delta wave dangerously hovered over the pit like clouded sweat but after a few strong ciders and a crunching riff – experienced live for the first time in over 18 months – the external world became a distant memory.” Metal never dies.

Moon Unit – Differences in Language and Lifestyle Review

Moon Unit – Differences in Language and Lifestyle Review

Moon Unit traffic in a tongue-in-cheek brand of progressive metal that’s heavily influenced by groups like Faith No More, with a dose of Spock’s Beard and an undercurrent of Saturday Morning Apocalypse’s wackiness. On paper, at least to this humble reviewer, that sounds like quite the conglomeration; one with the potential to produce a fun, over-the-top but ultimately rewarding prog metal album.” Lifestyle choices.

Deformatory – Inversion of the Unseen Horizon Review

Deformatory – Inversion of the Unseen Horizon Review

“Spurred into action by Dear Hollow’s aggressive maneuvering towards my station as the Sole Arbiter of Brutality, I’m forced to toil in the less productive shafts of the criticism mines. This week sees me stumbling through the murk of the promo sump like a common probationary writer, grasping towards anything familiar and grabbing hold of Deformatory. The Ottowans’ last record, Malediction, was less than remarkable, but the basic conceit – ‘90s and ’00s Cryptopsy combined without all the wacky stuff – is worth more than one try.” Crypt lickers.

Doctor Smoke – Dreamers and the Dead Review

Doctor Smoke – Dreamers and the Dead Review

Ghost created quite the marketable niche for themselves when they introduced the whole “faceless ghouls and demon Pope paying homage to Blue Oyster Cult and Mercyful Fate” schtick. It shouldn’t have worked as well as it did, but their notoriety speaks for itself. Other bands tried similar recipes with varying degrees of success but none came close to capturing the secret ingredients in Ghost’s unholy special sauce. Ohio-based Doctor Smoke aren’t trying to ape those nameless ghouls so much as borrow the best parts of their sound to season their own proprietary slurry composed of hair metal, hard rock, NWoBHM, and a vague Foo Fighters appreciation.” Smoky bones and Ghost loans.

Rise to the Sky – Per Aspera Ad Astra Review

Rise to the Sky – Per Aspera Ad Astra Review

“Since founding Rise to the Sky in 2019, Sergio G. has written and released two EPs and four full-length albums of highly atmospheric death-doom metal. Six releases in two years would be impressive for any band, really, but the fact that he does it all largely on his own is another twist to the story, one that has had me, on at least one occasion, wondering if everything is going okay in his life. Apparently he’s doing alright, so I can only assume he really likes what he does.” Doom adds life.

Malison – Death’s Embrace Review

Malison – Death’s Embrace Review

Malison—a young band in a growing line of thrash-oriented power metal acts—arises from San Diego, California in a valiant attempt to revitalize a genre riddled with mediocrity. For their sophomore effort Death’s Embrace, the quartet delivers speedy power slashes forged in the fires of heavy metal and tempered in a brief soak of thrash metal. No synths. No choirs. No autotune. Just metal and mettle.” Anvil’s envy.

White Stones – Dancing Into Oblivion Review

White Stones – Dancing Into Oblivion Review

“Here we are to provide a legal, post-release examination of the quickfire second LP from White Stones, the death metal project spearheaded by Opeth bassist Martin Mendez. 2020’s debut Kuarahy certainly had its moments and was an intriguing, well crafted, if not overly exciting platter. In hindsight, I was perhaps a half-point generous in my assessment. Still, it offered enough interest and intrigue to make me eager to hear how White Stones develop on subsequent releases. Sophomore album Dancing Into Oblivion is now upon us, so how does it stack up?” Whitewater parks.

Dead Soul Alliance – Behind the Scenes Review

Dead Soul Alliance – Behind the Scenes Review

“I’ve soaked up more death metal in 2021 than in the past five years combined. Why? Hard to say exactly. Perhaps the combination of an unending pandemic and the generally chaotic state of world affairs helped rekindle my love of the extreme and ugly side of metal. The Ottawa-based duo behind Dead Soul Alliance also prefer things ugly and extreme. On their full-length debut Behind the Scenes, they’ve conjured the worst angels of old school death metal, going hard for the heavy and unpleasant without entirely forsaking hooks and memorable dynamics.” Dead collective bargaining.