2022

Abyssus – Death Revival Review

By Steel Druhm on January 19, 2022 in Reviews, Death Metal, Speed Metal, 33 comments

“Steps to ensure Steel Druhm throws his dirty ape cash at your old school death metal album: 1) Make it sound like it came from between 1987 and 1992, 2) Be as riffy and aggressive as possible, 3) Tie together nods to Obituary, Asphyx, and Death circa Leprosy / Spiritual Healing, 4) Cram some Possessed influence into all the cracks like so much snot grout. Greek death metal act Abyssus do all these things on sophomore platter Death Revival, and what’s more, they make it fun and mindlessly enjoyable to boot.” Abyssus for all of us.

Worm Shepherd – Ritual Hymns Review

By Dr. Wvrm on January 19, 2022 in Reviews, Deathcore, 34 comments

“In my very limited experience with the deathcore genre, Shadow of Intent is the master, chief. I’ve never before been arsed with Lorna Shore or any of the rank-and-file, nor do I care that Worm Shepherd have made a lot of waves in a relatively short period. Their debut In the Wake ov Sol dropped a touch over a year ago, and already they’re on Unique Leader and working with what I’m told are some big names. I wouldn’t spank Grier‘s ass over any of this. All I want is some good fucking music. Given their name, I’d say Worm Shepherd are obligated to pied piper my ass to the promised land with Ritual Hymns.” Worm wrangling.

Toundra – Hex Review

By GardensTale on January 18, 2022 in Reviews, Post-Metal, 18 comments

“Post-metal, particularly the instrumental kind, tends to be its own beast when it comes to songwriting, and Toundra have clearly mastered the craft. The “El Odio” trilogy of songs, that forms the front half, beautifully blends echoing, trilling, Explosions in the Sky-like leads of beauty and wonder with crashing, thundering cavalcades of drums and riffs that remind a fair bit of Dvne, a compliment of the highest order,” Thunder on the Toundra.

Autumn’s Child – Zenith Review

By Crispy Hooligan on January 18, 2022 in Reviews, Hair Metal, Hard Rock, 22 comments

“Night Flight Orchestra’s sizable following in the metal community has evidently attracted the attention of Swedish AOR (always on radio) scene fixture Mikael Erlandsson. Erlandsson has been prolific in the Swedish AOR scene over the past two decades, releasing fourteen studio albums with Last Autumn’s Dream and now three albums with successor Autumn’s Child. For Erlandsson’s most recent project to reach its Zenith, he must walk the knife’s edge of writing songs that fit within a commercialized framework without simultaneously sounding tired and rote. To pull off this magic trick again and again in front of AOR audiences that have seen it all would be impressive indeed.” Hard rock in a hard place.

Trenches – Reckoner Review

By Dear Hollow on January 17, 2022 in Reviews, Hardcore, Metalcore, Post-Metal, Sludge Metal, 20 comments

“Trenches is a band formed by Jimmy Ryan, former vocalist of Christian metalcore heavyweights Haste the Day. Releasing one album through Solid State Records, Jesus’ vacation home of all things -core, 2008 debut The Tide Will Swallow Us Whole instead opted for a Neurosis’ Given to the Rising-esque sludgy ‘n slow take rather than the second coming of When Everything Falls.” Jesus wept.

Bullet Ride – At the Gates of Hell Review

By Ferox on January 16, 2022 in Reviews, Power Metal, 37 comments

“Can heavy music make you a better person? France’s Bullet Ride seems determined to answer that question on At the Gates of Hell, which may just pioneer the sub-genre of “self-help metal.” Here are ten thrash-adjacent tunes that lean heavily into their themes of overcoming an ever-shifting combination of adversity, despair, and shitty exes. These veterans of regional acts like Methadol and Divine Punishment have crafted a bright, melodic debut that was not at all what I expected when I requested a blackened thrash promo from Dr. Overlord Himself.” Handling the unknown is an important part of successful n00bery.

Verbum – Exhortation to the Impure Review

By Dolphin Whisperer on January 16, 2022 in Reviews, Black Metal, Death Metal, Doom Metal, 35 comments

“What’s in an identity? In a world where often we have knowledge at our fingertips, it’s frustrating when information just isn’t there. Promo material for Verbum has no names attached at all, and though I am a high-level Google-fu practitioner, research into this band doesn’t yield much about members—but we do know they’re from Chile. Therefore, I can only conclude that on one particularly auspicious night deep in the Atacama, an unfortunate miner bored mistakenly into a mysterious, pulsating rock, releasing four cloaked metal demons from the underground.” Unknown and impure.

Soen Release Unreleased Track “Igniter” Because Covid Sucks

By Angry Metal Guy on January 14, 2022 in Blog Posts, 49 comments

We’ve had the “Covid: How Can You Help?” thing up on the sidebar for ages, but we haven’t updated anything on the issue for a long time. Today, however, Soen dropped a new track. Entitled “Igniter,” the song was recorded during the early stages of the pandemic. In the wake of yet another cancelled tour and staring down the barrel of a spring where no one knows whether any tours are going to happen, Soen needs some help to stay afloat.

Ereb Altor – Vargtimman Review

By Steel Druhm on January 14, 2022 in Reviews, Viking Metal, 31 comments

“Bathory was a touchstone act for multiple metal genres, and though Quorthon has been gone since 2004, his influence still looms large in black and Viking metal. No more proof of this is needed than the 12-year career of Sweden’s Ereb Altor. Their entire output is heavily referential to classic Bathory albums like Hammerheart and Twilight of the Gods and the spirit of mighty Quorthon is never far from their writing. Vargtimman is their eighth platter of classic Bathorycore, and very little is left to chance.” Oversized swords, blackened hordes.

King Bastard – It Came From the Void Review

By Doom_et_Al on January 13, 2022 in Reviews, Doom Metal, 55 comments

“It’s become a joke in the AMG tea-room that stoner doom, while often quite enjoyable, very rarely stands out. The languid, hazy riffs and easy atmosphere make for music that flirts cheekily with memorability, but rarely commits to it. Part of the reason, I suspect, is that most of this music operates in a slightly blunted emotional frequency, reflecting the effect being stoned has on the listener. Enter New York foursome, King Bastard, with their debut It Came From the Void. Crashing in with all the subtlety of day-old bong water, it’s a trip all right. But it’s one you should consider taking.” Void bastards.