4.0

Amalekim – Avodah Zarah Review

Amalekim – Avodah Zarah Review

“2023 hasn’t been the best year for black metal. With some scattered, notable exceptions—DHG and Manbryne among them—most new releases have been underwhelming, or at least disappointing. Undeterred, I continue to pick promos bearing the ‘black metal’ tag, because I believe the genre, at its best, is captivating in a way others aren’t, and offers a flavor of expression unique to itself. As we approach the sunset of the year, my persistence has paid off with the arrival of Avodah Zarah, the sophomore record from Polish/Italian outfit Amalekim.” Blackened treasures uncovered.

Xoth – Exogalactic Review

Xoth – Exogalactic Review

“When the Elder Gods finally turn their dread gaze on this flake of cosmic dandruff, Xoth will be there to pass out beers. “Party Lovecraft” is a tricky vibe to nail and also possibly an oxymoron, but this Seattle tech/thrash/black/melodeath/whatever act makes it their own. Over the course of two excellent albums, Invasion of the Tentacube and Interdimensional Invocations, Xoth filled a void that only Xoth knew was there. Few who listen can resist their charms, and now the band drops third long-player Exogalactic.” X marks the Xoth.

Warcrab – The Howling Silence Review

Warcrab – The Howling Silence Review

“Surprise! I know many of you have been patiently waiting for Holdeneye‘s review of the fourth full-length from UK death sludge slingers Warcrab, given how he so shamelessly ran his tongue all over their exoskeleton’s undercarriage when he reviewed their last outing, Damned In Endless Night. Well this time you get me. Don’t worry, Holdy‘s fine. He’s certainly not bound and ball-gagged in my garden shed dressed like Adventure Time’s Finn the Human, slipping in and out of consciousness in a chloroform haze. He was simply busy this week and remembered how much I also enjoyed Warcrab’s last album, so he turned over reviewing duties to yours truly.” Pick the Crab!

Wayfarer – American Gothic Review

Wayfarer – American Gothic Review

American Gothic continues Wayfarer’s signature sound, forged on A Romance with Violence. While the base of black metal remains, like many US compatriots, Wayfarer use this as a starting point to explore different and atypical musical terrains. This unique aesthetic is then fused to themes and sonic templates of the American Wild West, highlighting the echoes of America’s fraught and violent past while drawing parallels with its present.” Gunsmoke is black.

Vertebra Atlantis – A Dialogue with the Eeriest Sublime Review

Vertebra Atlantis – A Dialogue with the Eeriest Sublime Review

A Dialogue with the Eeriest Sublime is pure unadulterated Vertebra Atlantis at its finest. Blending blackened death punishment with the grandiosity of a crashing castle, the doom-laden contemplation of the awe its destruction invokes, the blackened attack that battles ice with fire, and the atmospheric ice that coats every surface, the Italian trio has stepped up everything that gave its predecessor, the great Lustral Purge in Cerulean Bliss, its signature blend of punishing and atmospheric.” Sublime mass destruction.

Gravesend – Gowanus Death Stomp Review

Gravesend – Gowanus Death Stomp Review

Gravesend’s 2021 full-length debut, Method of Human Disposal, hit me like an unexpected brick between the eyes. So shocking was that concussive impact, in fact, that I was a bit dazed and later had to revisit the album to adjust the score. Upwards. To a 4.0. The New York City trio’s brand of blackened grind exuded such an aura of debauched filth that it almost matched the tales of decay and depravity woven by the lyrics. While grind is not my natural go-to genre, this, apparently, is what I want from it. Whether that says more about me or Gravesend, I don’t know but the latter certainly have issues that they may want to explore with a professional. Now back with that tricky sophomore record, has two years away helped these NYC denizens?” Dirty water death dawgs.

Vanishing Kids – Miracle of Death Review

Vanishing Kids – Miracle of Death Review

“Back in the days before the Great Plague (2018 to be exact), I stumbled upon a quirky underground act called Vanishing Kids and their Heavy Dreamer album. Hailing from Wisconsin, they billed themselves as “somnambulic doom,” which intrigued me but didn’t really do justice to their unique sound and style. They play a slick mash-up 70s acid/psychedelic rock with 80s goth rock, ethereal wave, and yes, some random bits of doom sprinkled in. The end product is haunting, dreamy, and entirely gripping, full of moodscapes that envelope you like a heavy fog. I still play Heavy Dreamer regularly and there’s just something special about the album that sticks in my head and heart. As the world hid away from 2020 to 2022, Vanishing Kids used the isolation to work on the follow-up, and after 5 years we get the appropriately titled Miracle of Death.” The Kids are alright.

Mānbryne – Interregnum: O Próbie Wiary i Jarzmie Zwątpienia Review

Mānbryne – Interregnum: O Próbie Wiary i Jarzmie Zwątpienia Review

“For those who missed my tongue-bathing in 2021, Mānbryne is an enigmatic black metal band from Poland consisting of members from a bunch of groups, most notably Blaze of Perdition. The musical template is straightforward black metal, but the execution of their debut set it apart. Most impressive was the balance between old and new. The fresh songwriting of Renz combined with the experienced hands behind the other instruments to give us the best of both worlds.” No man is a bryneland.