Alice In Chains

Greg Puciato – Mirrorcell Review

Greg Puciato – Mirrorcell Review

“Greg Puciato staved off the post-Dillinger blues by diving headlong into a raft of existing and new musical endeavors. Whether it be mainstream metal supergroup Killer Be Killed, electro project The Black Queen, lending a helping hand on Jerry Cantrell‘s recent solo album, or pursuing his versatile musical realms under his own name. Puciato’s 2020 debut, Child Soldier: Creator of God, marked an ambitious, sprawling start to his solo career.” Expanding the plans.

End Boss – They Seek My Head Review

End Boss – They Seek My Head Review

“I’m not gonna lie, I grabbed this one based on the band name alone. While I don’t consider myself to be a hardcore gamer, I’ve still played enough to have the name End Boss give me an immediate feeling of nostalgic mental arousal. The name makes me want to head to the nearest merchant to stock up on healing potions, buffing elixirs, and specialty arrows before listening. But who am I kidding? I’m lazy. You know perfectly well that I Instacarted the hell out of that shit.” All your head are belong to us.

Di’Aul – Abracamacabra Review

Di’Aul – Abracamacabra Review

“When it comes to the types of metal we cover on this site, it’s rare to find bands openly drawing from grunge, even though it was the dominant rock style of the 90s. Bluesy hard rock and prog from the 70s, 80s guitar heroics; scroll through the reviews on our homepage and you’ll find a band or five still mining those veins. Sure, there’s sludge, grunge’s fugly big brother, but love that genre as I do, it rarely trips the dormant teenage Cherd nostalgia centers of my brain that flare up when something 90s alt rock radio adjacent passes over my earballs. Di’Aul, on the other hand, crashes into the ol’ cortex like an atomic elbow off the top rope.” Alice in pains.

Guild of Others – Guild of Others Review

Guild of Others – Guild of Others Review

“Too many bands today make progressive music for the sake of being progressive, prioritizing meandering exploration over songcraft, and this is akin to a chef filling a bowl with flavorful seasonings and serving it as a full meal. Guild of Others seem intent on dishing out hearty meals seasoned with proggy goodness, their promo even going so far as to quote prolific music critic Martin Popoff, who is supposed to have said, “Guild of Others accomplish the near impossible, and that’s make progressive metal that is accessible.” Let’s see if there is any truth to these words, or if they’re merely promospeak.” Guild to last.

WAIT – The End of Noise Review

WAIT – The End of Noise Review

“Time WAITs for no sponge. This apparently holds true for my unfortunate green friend to my left, the sands of time quite literally gushing out of his be-hourglassed noggin. The oddly disturbing artwork depicting this surreal injury translates to the weird and wacky, grungy prog-death stylings of Baltimore’s WAIT (short for We are in Transit). A supergroup of sorts, the trio pulls from the pool of live performers who jammed for acts ranging from Cynic to Defeated Sanity to Obscura, so it comes as no surprise to me that debut album The End of Noise promises to be a twisted and technical affair.” Difficult commute.

Without God – Siberian Tunes: Purple Clouds Review

Without God – Siberian Tunes: Purple Clouds Review

“Hailing from Russia, Without God formed back in 2008 and have released a pair of full-lengths, the last coming out in 2014. Reemerging in 2021, the band have already released a nice little EP entitled Siberian Tunes: The Green Light and have made the interesting choice to immediately follow it with related LP Siberian Tunes: Purple Clouds. Without God play a big, burly style of doom metal that manages to include a pretty large range of influences.” From Russian with RIFFS!

Grief Collector – En Delirium Review

Grief Collector – En Delirium Review

“I don’t consider myself to be a serious fan of doom metal because my love of the genre is fairly limited. So you may be surprised to see that I picked up En Delirium, the debut full-length from Minneapolis, Minnesota’s Grief Collector. Well, I’m a sucker for doom metal of the epic variety, so when I saw that former Candlemass and Solitude Aeturnus, vocalist Rob Lowe was fronting this relatively new project, I snatched it up without hesitation, marveling that the release had passed through the Steel filter on its way into the promo bin as I did so. Add to that the satisfaction of knowing that I’d stolen some Minneapolis doom right out from under Cherd of Doom‘s nose, and I simply couldn’t wipe the dumb smile off my dumb face.” Where’s the grief?!

Yer Metal Is OIde: Alice In Chains – Alice In Chains

Yer Metal Is OIde: Alice In Chains – Alice In Chains

“Seattle rock legends Alice In Chains may not strictly qualify as metal, but they are widely regarded within the metal community, especially compared to the other big name bands of the famed grunge era, which tend to polarize metalheads. Perhaps it’s the blanket of sorrow and darkness enveloping their sound, coupled with the sludge and doom influences, that compliment their hard rock core and melancholic acoustic forays. Although Alice In Chains are still chugging along admirably to the present day, it was the band’s ’90s heyday and era with doomed frontman Layne Staley that remains the classic and defining era of the band.” Alice lives.

Gargoyl – Gargoyl Review

Gargoyl – Gargoyl Review

“Ever since the early seeds of the Gargoyl project came to public light, I have been anticipating a debut album. Lo and behold, the band, featuring Revocation‘s Dave Davidson (guitars) and Luke Roberts (vocals/guitars) from the underrated Ayahuasca, has arrived with their self-titled LP. Blending dark, brooding, unsettling atmospheres, Gargoyl play off-kilter progressive metal with avant garde tendencies and a strong ’90s grunge vibe, most notably drawing influence from Seattle rock legends Alice in Chains. On paper the combination has a hell of a lot going for it, however, nailing the execution and establishing a strong identity are challenges to overcome.” Super groups, man…

Witches of Doom – Funeral Radio Review

Witches of Doom – Funeral Radio Review

“Pulling off the whole “gothic-doom-stoner metal” thing is no easy task. You need just the right blend of mood, meat and mist, and not every band is up to that kind of high level jiggery-pokery. Italy’s Witches of Doom have been lurking around the genre since 2014 with 2 full-lengths to their name, but third outing Funeral Radio is my first encounter with them. Their interesting cover art gleamed amid the fetid effluvium of the promo sump, and a brief sampling suggested something like a Danzig meets Alice in Chains grave cocktail.” Witch’s brewskis.