Alice In Chains

Witches of Doom – Funeral Radio Review

Witches of Doom – Funeral Radio Review

“Pulling off the whole “gothic-doom-stoner metal” thing is no easy task. You need just the right blend of mood, meat and mist, and not every band is up to that kind of high level jiggery-pokery. Italy’s Witches of Doom have been lurking around the genre since 2014 with 2 full-lengths to their name, but third outing Funeral Radio is my first encounter with them. Their interesting cover art gleamed amid the fetid effluvium of the promo sump, and a brief sampling suggested something like a Danzig meets Alice in Chains grave cocktail.” Witch’s brewskis.

Temple of Void – The World That Was Review

Temple of Void – The World That Was Review

“Debut album Of Terror and the Supernatural was a killer compound of death-doom. But Lords of Death also began to incorporate traits that might be more familiar to Alice in Chains or even Pearl Jam. Now, The World That Was prepares to thunder into immediate proximity with the same weight but a clear shift in intent. Fear thee not, ye acolytes and thralls –  monumental riffs still fill these halls. But, to quote the band, themselves: “your face is different, but we’ve met before…”” Killdozer or dozing off?

Rosy Finch – Scarlet Review

Rosy Finch – Scarlet Review

“The hallway that led to my office in grad school was red. Both walls. I shit you not. To make matters worse the hellish tunnel narrowed as you approached its end—where, to no one’s surprise, you could find my office. Trust me when I tell you that five years of red walls can fuck with a person. Like grad schools, animals also use the color red to ward off people. Red can represent everything from lovers to the most gruesome of deaths. And Spain’s grrrl sludge group, Rosy Finch, is every bit as varying in its topics and delivery. With artwork that looks as though poor Carrie got it again, this is Scarlet.” Red is a slow color.

Vision of Choice – Mistress of the Gods Review

Vision of Choice – Mistress of the Gods Review

“And then a record comes along that takes me right back to that storied past and refills my magic bar to 100%. Mistress of the Gods, the debut album from Germany’s Vision of Choice is one of those records. After close to thirty spins of this 57-minute monster, I’m still trying to come up with the best way to describe what it sounds like. Here’s the best I got: take the masculine riffs and baritone bellows of a band like Omen, mix it with some German speed a la Helloween or Blind Guardian, add some eccentric Savatage flair, and round it out with Mötley Crüe and Van Halen, and you might get close.” Hot pocket o’ metal.

Rose Tint: El Cuervo’s Discoveries of 2019

Rose Tint: El Cuervo’s Discoveries of 2019

“Following my last couple of year-end lists, it should now not come as a shock that I spent more time fleshing out my historical knowledge of music than my contemporary knowledge. In honor of my abject failure in keeping my eye on the present, I have received approval to document my ever-deeper plundering of previous decades in an article detailing my favorite older records which I first heard in 2019.” Old things, young ears.

Tylor Dory Trio – Unsought Salvation Review

Tylor Dory Trio – Unsought Salvation Review

“If there is one word that kept coming to mind over and over while I played through Unsought Salvation, it was “potential.” Tylor Dory Trio are a group with a ton of it, showing throughout that they have the musical chops to pull off something truly remarkable. All that seems to be holding the band back right now is experience.” PE = mgh.

Lamassu – Into the Empty Review

Lamassu – Into the Empty Review

“Stoner rock is one of those genres where it’s hard to put into words what separates the great records from the tediously competent. What is it that makes KyussWelcome to Sky Valley or Sleep’s Dopesmoker nigh-on perfect records, while another album with all the same constituents just barely scrapes a 2.0? Well, as I say, it’s hard to put into words but, possibly because of its close relationship with the blues, great stoner has a ‘feel’ to it, a ‘know it, when you hear it’ quality.” Empty feelz and bluesy thrills.

Damn Your Eyes – Kill the Outside Review

Damn Your Eyes – Kill the Outside Review

“Though absurd on so many levels, let’s imagine what it would be like to combine the aggressiveness of Down‘s ‘Lifer’ and the catchiness of ‘On March the Saints’ with the comeback power of Machine Head‘s ‘Imperium’ and the apocalyptic ‘Halo,’ all wrapped up in VH1’s second favorite grunge band, Alice in Chains. That must mean Damn Your Eyes‘ debut record, Kill the Outside, sounds like ‘Aesthetics of Hate’-meets-‘Down in a Hole’-meets-‘Bury Me in Smoke,’ right? Wrong.” Damn you ears.

The Offering – Home Review

The Offering – Home Review

“In 2017, Boston band The Offering dropped a self-titled—and killer—EP that got them noticed by Century Media. Well, it’s time to check out their debut full-length Home, so grab something olde, something nü, something growled, and something blues, because today we’ll be haunting the chapel to see if the band can successfully marry an unhealthy number of musical influences into a cohesive whole.” Holy headlock!

Black Passage – The Veil Review

Black Passage – The Veil Review

“Every now and again we at AMG receive promo that defies genre classification. Out of those, one or two make us crazy trying to decide whether we even like it or not. This review marks the first time I get to experience said phenomenon firsthand. Black Passage, a “metalcore” quintet out of Bay Area, CA, are releasing their debut LP The Veil at the tail end of July.” Pigeons without holes.