Apr23

Torrential Thrill – State of Disaster Review

By El Cuervo on April 11, 2023 in Reviews, Hard Rock, Heavy Metal, 7 comments

“Australia boasts a booming trade in classic and classic-influenced rock bands. The likes of AC/DC, INXS and Midnight Oil introduced the world to Down Under’s rock music, and have proven to be influences on hundreds of other bands. One such group is Melbourne’s Torrential Thrill and their third full-length entitled State of Disaster. I can’t confess to prior familiarity but look favorably on the rocking attitude and strong guitar leads promised by band descriptions online.” Rock in an Aussie place.

Children of the Reptile – Heavy Is the Head Review

By Dr. A.N. Grier on April 10, 2023 in Reviews, Heavy Metal, Thrash Metal, 44 comments

“Like me, you probably haven’t heard of North Carolina’s Children of the Reptile. But we are going to fix that today. Because you should listen to them and their third LP, Heavy Is the Head. Despite the endless possibilities of poking fun at that album title, I’ve had too much fun with the record for petty dick jokes. Though back-catalog gems like ‘Good Times Orc,’ ‘Master of the Forge,’ ‘Cro-Magnon Combat,’ and ‘Halls of the Skeleton Lord’ would suggest Children of the Reptile are another budding power metal outfit, they are not.” Snake no mistake.

Lesotho – Through the Dying Light Review

By Carcharodon on April 7, 2023 in Reviews, Ambient Metal, Instrumental Metal, Post-Metal, 10 comments

“Look, I get it. You’re a new post-metal band trying to make it, but is it, maybe, a bit of a stretch to tout that your debut EP was recorded at the same studio that, 21 years ago, hosted the sessions for ISIS’ iconic Oceanic and has, at some point in the intervening two decades, changed its name? Yes, but I’d do it too. So, Boston-based Lesotho recorded its 2021 EP, Summer Wars, at The Bridge Sound & Stage, formerly known as Fort Apache Studios, where post-metal legends ISIS … Never mind.” Studio stalkers.

Lethvm – Winterreise Review

By Grymm on April 7, 2023 in Reviews, Black Metal, Doom Metal, Post-Metal, 44 comments

“In all my years of being a music consumer, I’ll freely admit that little surprises me anymore. Sure, every now and then, something will come along and provide an unsettling moment, like a ragtime ditty or a handclap breakdown, but overall, well… we know what to expect from just about everything these days. Even within the confines of metal, things have gotten a bit comfy and cozy. So when Belgian quartet Lethvm drops a mixture of post-hardcore, post-metal, doom, and black metal on my furry lap in the form of their third album, Winterreise, I cracked my murder mittens, donned my noise-canceling cans, and kept my mind as open as felinely possible.” Blacknip.

Medevil – Mirror in the Darkness Review

By Steel Druhm on April 6, 2023 in Reviews, Heavy Metal, Progressive Metal, 22 comments

“Sometimes you stumble upon a band entirely unknown to you (and I suspect, to everyone else) and you hear a lot of good things, yet the overall listening experience falls well short of good. Canadian prog-power-trad metallers, Medevil subjected your Steelness to such an unsatisfying experience with their sophomore outing, Mirror in the Darkness.” Lost reflections.

Anareta – Fear Not Review

By Dolphin Whisperer on April 6, 2023 in Reviews, Black Metal, Doom Metal, Gothic Metal, 42 comments

“Somethin’s a brewin’ down in Nawlins, and it’s not just the festering street sludge that remains from this year’s Mardi Gras bash that has gone and passed. In fact, despite the region’s historical connection to the genre of that festering namesake, Anareta hasn’t an ounce of that groove and vitriol-fueled sound in their DNA—Fear Not comes with its own determined sense of dread and horror, though. You see, this sextet of stringed things and a drum kit play a form of gloomy and rollicking blackened metal led by the screech and saunter of a chamber orchestra trio—cello, viola, and violin fill the air of this grief-laden venture.” Crouching ferocity, hidden chamber pot.

Asystole – Siren to Blight Review

By Thus Spoke on April 5, 2023 in Reviews, 60 comments

“New York certainly produces some tasty, technical, twisted music. Home to glittering Artificial Brain, soundscape-warping Pyrrhon, and jazzy Imperial Triumphant, among others. Asystole follow in the footsteps of this pedigree in both origin and sound with hyper-dissonant death metal that grabs some of the harsher elements of black metal and grind along the way.” Taste the Pig Apple.

Omnicidal – The Omnicidalist Review

By GardensTale on April 4, 2023 in Reviews, Death Metal, 53 comments

“If you were deeply saddened by the news of Rimfrost’s demise in 2019, you were not alone. After Dr. Grier spent a week spinning Abigail in a dark room, we had to physically drag him into a cold shower and pay Brittney Slayes to give him a backrub just to get him out his catatonic state. Thankfully, the band changed their minds halfway into the pandemic, and all was right with the world. Sometime during their brief break-up, though, vocalist Sebastian Svedlund had the luminous idea to start Omnicidal, an entirely different band with an entirely different style: old school Swedish death metal with a teaspoon of Gothenburg melodeath.” Dawn of the OmniRim.

Lurk – Aegis Review

By Kenstrosity on April 3, 2023 in Reviews, Black Metal, Doom Metal, Sludge, Sludge Metal, 30 comments

“Here I sit, in my dimly lit alcove, wearing my cherished war elephant Transcending Obscurity tee, penning another review for a Transcending Obscurity release. This one is for Finnish sludge doom band Lurk, and their upcoming mass of grime Aegis. I was rather smitten with 2016’s (2018’s if you track signed release dates) Fringe and its murky, swinging brand of sludge metal. It was oppressive while also being quite beautiful, adeptly wielding a chilling atmosphere that cut to the bone as often as it crushed bone to dust. Just how likely is it, then, that Lurk could return seven years later with another record of similar sound and equal or better quality?” Lurking in the murk.