“Man, so much has happened in 2014, aka my second year writing for Angry Metal Guy. Having my very own office away from the boiler room (which reeked of desperation, sadness, and decaying flesh… kinda like your local Abercrombie & Fitch with less Axe body spray), seeing familiar faces leave, welcoming in a new batch of talent… it’s been a pretty hectic year.” Grymm’s all grown up and has a man’s list! *Sniffle*…Where did the time go?
“The first time I heard Mors Principium Est was at the end of 2012 when I discovered that they had been slotted to release their first record in five years in December. Somehow in the course of my metal journey I’d managed to miss a band that few have anything bad to say about. In fact, despite being a bit late to the scene—with a debut record in 2003—Mors is one of those bands that everyone I know seems to either not know or love. And AFM releasing your new record in December? Not helping. This time of year is when lists blossom and we bloggers start going through all the stuff we’ve heard and a lot of the stuff we haven’t: new records have trouble finding their way on to our radars in December. AFM seemed to be telling them: ‘No end of year lists for you.'” December? Must mean AFM is releasing a new Mors Principium Est record. AMG has the scoop.
“Without fail, I always seem to come back to my mass of Swedish death metal albums in a given calendar year. During that time, I pass from album to album, band after band of angry-at-the-world vocals, heavy-as-hell riffs, and the bludgeoning anti-Christian, death, and war themes. Much like the thrash movement in the States, there are arguments over the “Big Four” of the genre.” And guess who isn’t getting included in anyone’s list?
“Bloodshot Dawn appeared in 2012 brandishing a sword whose fiery arc emblazoned their thrash-influenced melodic death metal into the skies. Their self-titled debut impressed many and was hailed as a unique and creative offering in a genre that’s been riddled with Soilwork clones for the last decade. Now, they’re returning with their second-most creatively named album Demons, and with a moniker that inventive, one has to wonder if they’re falling victim to the much maligned ‘sophomore slump.’” Well, that’s an original album title.
“Odors – specifically bad ones – provide no end of inspiration for metal artists, so I was surprised to find that the simple name Stench hadn’t been taken some time back in the 80s when all these extreme metal shenanigans were kicking off (though I suppose this was also the time when metalheads collectively discovered adjectives, so we were treated to Pungent Stench instead). Containing two members of death metallers Tribulation, Stench released debut In Putrescence in 2010, mixing aggressive but melodic black metal with a good waft of Gardens of Grief to come up with a familiar but quite unique scent.” I love the smell of Swedish black / death in the morning. Smells like…Stench.
“I’m a crabby old thrash metal fanatic. No bones about it. I’ve never really been into the new wave of thrash metal like As I Lay Dying and Suicide Silence, or the retro thrash metal bands like Municipal Waste and Bonded By Blood, who prance about in their tight jeans and high top sneakers, probably because I was there in the trenches during the first wave (though I never got into the skinny jeans). When Sweden’s The Haunted first rose from the ashes of At The Gates with their self-tiled debut in ’98, I wasn’t all that big of a fan. Compared to the originators of the genre and the legacy of At The Gates, The Haunted, frankly, was a letdown.” We’ve said some mighty unflattering things about The Haunted over the years, but we might have to stop the abuse…for now.
“With 2012’s Kentucky, Panopticon became among the most interesting black metal projects operating in the U.S. Unlike many USBM lynchpins that stubbornly ape the sound and ethos of their Scandinavian influences, Austin Lunn’s one-man black metal project took a full-fledged approach to the genre as tied to his own home and hearth of Kentucky as that of his Scandinavian forefathers. For those out of the loop, the result was an ambitious, politically-charged concept album centered around Kentucky’s blood-soaked history of coal mining, soundtracked by an unprecedented mix of black metal and bluegrass music.” Black metal and bluegrass sounds as good a mix as peanut butter and mayonnaise, but hey, you gotta try it to know!
Every once in a while the metal scene collectively pisses on a band or record and someone needs to step up and defend why they like it. We normally don’t spend a lot of time defending shitty records, but sometimes genuinely interesting or good records get lampooned by an overly conservative heavy metal scene and that calls for a professional contrarian to defend it! If ever there were professional contrarians, it would be the staff of AMG. So here we are to re-hash a record from our past that (some of us) love that everyone else seems to have soured on (or never liked in the first place). Watch as Grymm gamely defends Projector: Dark Tranquillity’s most reviled album. They say luck favors the foolhardy!
Every once in a while the metal scene collectively heaps too much praise on a band or record and someone needs to step up and announce that the Emperor has no clothing. We normally don’t spend a lot of time attacking beloved records, but sometimes genuinely overrated records get far too much love from the metal sheeples and that calls for a professional contrarian to set things right! If ever there were professional contrarians, they would be us at AMG. This floor: troll bait and flame throwers.
“Germanic Wound punt their cruddy, punky and nasty school of death metal as falling somewhere between that of forbearers of the Gothenburg death metal sound At The Gates, old-school death metallers Necrowretch and Wolfbrigade (previously Wolfpack) who combine Swedish hardcore punk and death metal. I’m hazarding a guess that’s why they were added to F.D.A Rekotz deathstable, home to one of Steel Druhm’s big picks from 2012, Blood Mortized. Inhale the Void follows on a little over a year after the release of their demo Confess to Filth and it pretty much negates the need to hunt down this earlier release as 4 of the 6 tracks making up the demo are nicely bundled up in this debut album. All rather convenient and considerate of them to do that!” Madam X tackles some death metal that doesn’t sound like Septicflesh because you demanded it!
