Black Sabbath

Sarcator – Alkahest Review

Sarcator – Alkahest Review

“I was hoping that Sarcator would be short for something cool like “Sarcastic Alligator” or “Sarcophagus Emasculator.” Sadly, it’s just an unforgivable portmanteau of Sarcófago and Kreator. I trudged on undeterred, enticed by the description of Sarcator’s Alkahest. These Swedes bill themselves as blackened thrashers inspired by ’80s German thrash, a shortcut to my listening queue. And it’s exciting to review albums by teenagers; they may be hit-or-miss, but nothing warms my shriveled heart like hearing youngsters trying to drive metal onward.” Young, dumb, full of Sodom.

Reverend Mother – Damned Blessing Review

Reverend Mother – Damned Blessing Review

“Once known as Priestess, this power trio of Brooklyn musicians recently reinvented themselves as Reverend Mother and released a self-titled EP. Led by frontwoman and guitarist Jackie Green, the band’s sound on debut full-length Damned Blessing is a testament to their love of classic rock and metal like Black Sabbath, Jimi Hendrix, and The Doors.” Stone matriarch.

Autopsy – Morbidity Triumphant Review

Autopsy – Morbidity Triumphant Review

“When one of the founding fathers of death metal wanders out of the cemetery with a new album, the dead heads of the world take notice. Autopsy is right there with Massacre and Death as a progenitor of this gruesome genre, and on 9th full-length, Morbidity Triumphant they remind you that this is their grave and you just play tourist within its rancid confines. And this new splatter scrapbook finds Autopsy shockingly vibrant, agitated and more rabid than on 2015s Skull Grinder.” Mess with bull, get the gore.

Spiritus Mortis – The Great Seal Review

Spiritus Mortis – The Great Seal Review

“In the darkness I lurk, watching from a distance for that first glimpse of what I know must eventually arrive. But how long must I languish in this grim limbo? My hunger grows exponentially as weeks stretch into months without succor. In anguish, I raise my fists to the Heavens and cry out. Where oh where are the great doom albums of 2022? Where are the classic doom-inspired platters designed to crush me ‘neath oceans of despair and mammoth riffs? Aside from the winning debut by Early Moods (God, I hate that name), there’s been little to slake my unhealthy doom desires. Thus I pinned a great deal of miserable hope on the return of Finland’s Spiritus Mortis.” High spirits.

Splintered Throne – The Greater Good of Man Review

Splintered Throne – The Greater Good of Man Review

Splintered Throne hails from Portland, Oregon, and while The Greater Good of Man is their third full-length album, it’s something of a fresh start for the band. After founding member and longtime vocalist Brian Garrison left, the band brought celebrated blues singer Lisa Mann into the fold, and it doesn’t take long for her to prove that she’s more than a match for Splintered Throne’s heavy/power/hard rock formula.” Chairkiller.

Moths – Space Force Review

Moths – Space Force Review

Moths seemingly come out of nowhere. Often left unchecked, they move from chewing a couple holes in that one jacket you forgot about (and probably doesn’t fit you anymore anyway) to causing major issues with carpets, rugs, and insulation. These Moths are different, though. Hailing from Puerto Rico, Moths flutter about with vibe-heavy jazz doom hoping to infest oscillating melodies into your highest consciousness.” Bug hugs.

Early Moods – Early Moods Review

Early Moods – Early Moods Review

“With a name like Early Moods, this promo looked very out of place bobbing about in the AMG promo muck. It sounds like something a 60s jazz artist would dub his debut album, and it doesn’t so much as hint at its doom on roids character. That’s a marketing shame, as the band offers a unique and interesting take on the style pioneered by the likes of Black Sabbath, Pentagram, Witchfinder General, and Trouble. Formed by musicians from various thrash and death metal projects, Early Moods came together to attempt a marriage of classic doom with traditional heavy metal ideas and melodies.” Heavy dudes, doomy moods.

Lucid Grave – Cosmic Mountain Review

Lucid Grave – Cosmic Mountain Review

“I have recently come to the conclusion that it is sometimes a good exercise to deliberately review two records of the same genre back to back. Not to directly compare the two but to get one into the right mindset and to think about makes a great record in this particular field. And so it is that I find myself reviewing two stoner metal records in consecutive weeks. It’s lucky that I am not trying to compare them, however, as Copenhagen, Denmark’s Lucid Grave could not be more different—within the confines of stoner metal, anyway—from last week’s Holyroller.” Where the mountain meets the desert.

Birth – Born Review

Birth – Born Review

“As I listened to Born by Birth, it became clear I was witnessing another throwback progressive rock band being, well…born; one which harkens back to a bygone era of English prog majesty; less identified by the harder-edged, complex compositions of early Rush and more by the extended jams and intricate, less metallic instrumentation of King Crimson, Emerson, Lake and Palmer and Genesis. These were the bands I’d fallen in love with during my earlier sojourns, and it’s clear the Birth boys feel similarly.” Born too late.

Yer Metal is Olde: Black Sabbath – Dehumanizer

Yer Metal is Olde: Black Sabbath – Dehumanizer

“To put things ever so gently, the 1990s were not a good time for heavy metal, especially not the classic triumvirate of British heavy metal. Judas Priest and Iron Maiden, both riding the winds of success of the 1980s, were struggling to stay afloat due to dips in quality of music, the change of musical tastes in people, the looming flannel-cloaked spectre of grunge, and both their vocalists leaving to pursue solo careers. Black Sabbath, though… hoo boy.” More Humanizer than a human, man.