Deep Purple

Travelin Jack – Commencing Countdown Review

Travelin Jack – Commencing Countdown Review

“We’ve been seeing it since the dawn of time: when one band finds success, record company execs stumble over themselves trying to sign the next great version of that band. Rarely is the next great version actually found: instead, what we usually end up with are tepid versions of the original, competent yet missing that certain intangible (and more often than not also missing decent songwriting). Case in point: the critical success bands like Royal Thunder and Blues Pills have enjoyed in recent years. Record labels are wading through quagmires looking for the next great female-fronted retro blues/metal acts, and tossing half-baked ideas at us in the hopes that something sticks.” Sticky or icky?

Mausoleum Gate – Into a Dark Divinity Review

Mausoleum Gate – Into a Dark Divinity Review

“While Death Alley sticks with the upbeat rock ‘n’ roll of Motörhead, Captain Beyond, and Blue Öyster Cult, Finland’s Mausoleum Gate goes for dark, jamming, progressive song structures, with a fuck-ton of organs. Like, Deep Purple levels of organ. And this is where, I suspect, readers will be split. If you aren’t the type to buy an original print of Machine Head (even if it’s fifty cents), Into a Dark Divinity ain’t for you. But, old-timers looking for an interesting combination of BÖC and Purple, with hints of Angel Witch, should read on.” Enjoy of Deep Purple.

Demon Eye – Prophecies and Lies Review

Demon Eye – Prophecies and Lies Review

“If you’re anything like me, first of all, clean your room, and second, you’re probably sick to death of bands aping the retro-doom sound making its rounds among the underground. The music’s gotta be something special for me to pay attention and give it my time. Thankfully, Demon Eye’s Prophecies and Lies is that something special.” Demon cleaner, room neatener.

Avatarium – Hurricanes and Halos Review

Avatarium – Hurricanes and Halos Review

“I had no idea this album was even happening until late Friday evening. It arrived in the Promo Department and Madam X sent a minion scurrying to my stately offices inquiring if I was expecting something new from Avatarium. After said minion was soundly whipped for making eye contact and disturbing my righteous Steelsleep, I reflected on the question. Having heard nothing whatsoever of a new album I assumed it was just an EP, remix or some such nonsense. Not so, as it’s actually the third album of bluesy, 70s influenced quasi-doom rock from Candlemass founder Leif Edling and company.” A mighty wind’s gonna halo.

Morass of Molasses – These Paths We Tread Review

Morass of Molasses – These Paths We Tread Review

“Lust. Greed. Pride. Jealousy. Gluttony. Vengeance. Six emotions that I experience on my daily commute to and from work. What’s better than having a heavy-blues inspired stoner album, shaped by these sordid vices, to accompany me on my soulless journey into this sick and weary world? Hailing from my beloved Blighty, Morass of Molasses thrust sexy, groove-laden shock-waves that send old-biddies reeling, cups of tea a-spilling, rich-tea biccies mushing, and tea doilies dampening.” Sounds of a tea party fading.

The Unity – The Unity Review

The Unity – The Unity Review

The Unity know a thing or two about history, two of its members having kicked tires in Gamma Ray for a spell, but the trip down memory that is their self-titled debut goes further than their own stomping grounds and offers an experience akin to a boisterous evening catching up with those legendary veterans. But this isn’t Just Another German Power Metal Band (JÄGPMB), as beneath the glossy Teutonic shell twitches layers of classic acts such as Iron Maiden, Judas Priest and – perhaps unsurprisingly – Helloween.” Who wants Jäger bombs?

Doublestone – Devil’s Own Review

Doublestone – Devil’s Own Review

“If I’ve learned anything from the Metallicas and Carcasses of the world, it’s to leave ’em wanting more. Knowing when to put out a tunneling candle is preferable to producing an nigh unsurpassable album that embarrasses all future output. Any career based on one-upping yourself will likely end in disappointment.” Doublestone’s double tap.

Earth Electric – Vol I: Solar Review

Earth Electric – Vol I: Solar Review

“Rune Eriksen is a well-traveled gentleman of metal. He was an important part of Mayhem’s second creative wave and continues to be a foundational part of Aura Noir. He’s also known for his gothic doom vehicle Ava Inferi, which released one of the most enduring albums in the genre with 2011s Onyx. Now he’s launching another project with long-time Ava Inferi collaborator Carmen Susana Simoes. Earth Electric could be called experimental goth rock, and rocking it is, taking an enormous 70s rock influence and shoehorning it into Ava Inferi’s ethereal goth style.” Rock in a soft place.