Doom Metal

Valborg – Romantik Review

Valborg – Romantik Review

“Admittedly, Valborg’s fifth full-length Romantik was selected for review by yours truly based solely on one thing: Valborg apparently sounds like Triptykon. I know; that’s not exactly the best approach when selecting a promo. However, being the fan I am of Tom G. Warrior Inc. (look no farther than my pick for 2014’s Album of the Year), how could I go wrong?” Did someone get trick-tykoned?

Succubus Irons – The Gorgon’s Lullaby Review

Succubus Irons – The Gorgon’s Lullaby Review

“Billed as progressive doom metal and originating from Québec, I anticipated something both quintessentially Canadian-weird (you know what I mean) and long. But no sooner had I finished applying the gravy to my poutine and the record ended. I know that it takes me precisely 32 minutes to make poutine – what on earth is going on? A half-hour prog/doom album?” What’s this all aboot, eh?

Yer Metal is Olde: Paradise Lost – Draconian Times

Yer Metal is Olde: Paradise Lost – Draconian Times

Draconian Times is an album that never should have worked. By now Paradise Lost’s career trajectory has been discussed ad nauseam – from rotten doom-death to Depeche Mode-inspired dance rock to their current gothic metal resurgence – and Times was essentially that early transition album, a puberty-stricken adolescent with a new slicked-up hairdo and a European leather jacket that still fit a little too big.” It shouldn’t have worked, but it did. And now it’s olde.

Obsequiae – Aria of Vernal Tombs Review

Obsequiae – Aria of Vernal Tombs Review

“Minnesota’s medieval enthusiasts Obsequiae emerged from the ashes of Autumnal Winds and created an immediate impact in the underground metal scene with their exhilarating debut Suspended in the Brume of Eos. Now nearly four years following the debut, the trio of Tanner Anderson (guitars, bass, vocals), drummer Andrew Della Cagna and Spanish musician Vicente La Camera Mariño have written a monumental follow-up that takes their musical vision to its next logical progression.” Is this the black metal Album of the Year? The metal Album of the Year? Time will tell.

Cold in Berlin – The Comfort of Loss & Dust Review

Cold in Berlin – The Comfort of Loss & Dust Review

“The Grymm Grab Bag© can be quite the two-sided beast of a backpack when utilized. For every moment when I pull out a gem by a promising band, I get two or three that end up closer to this. Forever undaunted (or just plain stupid), I once again reach into the bag of unknown-to-me goodies hoping to not get struck like that poor sap in Flash Gordon, and I am presented with The Comfort of Loss & Dust, the third album by London’s Cold in Berlin.” Reach into the bag of mystery and squeeze!

Monolord – Vænir Review

Monolord – Vænir Review

“The first long length from Gothenburg doomsters Monolord, last year’s Empress Rising, enjoyed a surprising level of success and acclaim, the likes of which is usually the result of a combination of solid, but not great music and circumstances which fall under the banner of “hype.” Releasing a second album just a year later and following such a highly esteemed record made more likely the possibility of the enthusiasm bubble bursting. Vænir (named after Sweden’s largest lake) could have easily turned out a dud.” Hype, drama, doom – it’s all here, folks.

Cave of Swimmers – Reflection Review

Cave of Swimmers – Reflection Review

“Remember Guitar Hero? Yes, I’m aware it’s 2015, but reach back into the memory vaults for just a second. Somewhere on the screen there’s a crowd pleasure meter that dynamically reacted to how well your performance is going. If you were good, it would stay in green. If you were really bad, it would stay in red, teetering on the edge of total audience disengagement. Being mediocre kept you squarely in yellow.” Are you ready to take on Guitar Hero’s doom edition? Cave of Swimmers think they are.

Bell Witch – Four Phantoms Review

Bell Witch – Four Phantoms Review

“I have to be honest. Aside from my love for doom metal, the main reason I picked up this promo was that it is released by Profound Lore Records, which has become a by-word for quality in recent times. The list goes on and on. The prospect of a new funeral death doom release on this label had me all kinds of excited….” Great expectations are a dangerous thing.