Doom

Shakhtyor – Shakhtyor Review

Shakhtyor – Shakhtyor Review

“In an age where gimmicks run rampant, from Black Veil Brides to Shitfucker (two bands, if you think about it, that are basically brothers from different mothers), it’s refreshing to see a band get noticed merely on the basis of craftsmanship. Shakhtyor are so no-frills it hurts. They’re painfully unmarketable: three German dudes that look like, well, dudes, with an unpronounceable-to-most Russian moniker and a blatant disregard for the value of vocals.” Jordan Campbell weighs in with his first review for Angry Metal Guy — the obscure German sludge act Shakhtyor out in a few days from Metal Blade Records in the US.

Pombagira – Maleficia Lamiah Review

Pombagira – Maleficia Lamiah Review

“Images of powerful and positive female sexuality are quite frankly underrepresented in aggressive music, which is why the definition of British occult doom metal band Pombagira is so exciting. The Pomba Gira are entities, associated with several Brazillian religions, who are the embodiments of female desirability, sexuality and strength. Consorts of the corresponding male entity Exu, they represent both power and insatiability.” Natalie Zed gives you the run down on this British doom band, which evokes a side of our world that metal has deigned to touch previously.

The 11th Hour Studio Diary – #1

So here’s a special fucking treat if ever there was one. Ed motherfucking Warby (as he’s known to friends) is writing for this blog to give updates on his HIGHLY anticipated (by this Angry Metal Guy) follow up to Burden of Grief which is one of my favorite doom records ever. He’ll be periodically checking in with the written word as watching him in his studio would be about as exciting as watching Ihsahn was in his (i.e., not fucking entertaining at all; watching flies fuck; paint dry; corpses decay without time-lapse). Enjoy! – AMG

Subrosa – No Help for the Mighty Ones Review

Subrosa – No Help for the Mighty Ones Review

I consider myself a pretty open-minded guy. Sure, I’m angry and a tad dogmatic at times, but I’m certainly not unwilling to engage in new ideas or to follow along with people when they do innovative things. But one trend, or musical movement if I’m going to be polite about it, in the metal underground that I just have never been able to get on board with is sludge or funeral doom. As I’ve said before, I just get bored. My attention span isn’t up for this stuff. There is a mind-numbing simplicity that I think you can only appreciate if you’re really stoned and I, frankly, don’t touch the stuff.

Mose Giganticus – Gift Horse Review

Mose Giganticus – Gift Horse Review

Every now and then, a band comes along and I’m utterly at a loss for how to classify them in the official Steel Druhm Book O™ Metal [That’s what you get for not using the Angry Book o’ Metal Classifications, n00b. – AMG]. Generally, this causes me anger and vexation, but I always give a nod of appreciation for the bands that resist easy classification. The latest recipient of the nod is Gift Horse, the second album by Mose Giganticus, for they have truly baffled my considerable pigeonholing acumen. They have forced even me to admit I’m stumped. Mose Giganticus is apparently a one-man entity created by Matthew Garfield, a staple of the Philly punk rock scene for some time. While some of that punk ethos is apparent on Gift Horse, this isn’t exactly a punk album. What is it then? Good question!! Let’s try to piece this puzzle together shall we.

Netherbird – Monument Black Colossal Review

Netherbird – Monument Black Colossal Review

One thing that I love about heavy metal is that every time you think you have a pretty thorough knowledge of the overall scene, some band you never heard of slithers out of some crevasse and bites you in the ass. Sweden’s Netherbird is just such an ass biter and their second full length, Monument Black Colossal seemingly came out of nowhere and surprised me with some impressively done melodic black metal, despite the really crappy band name and nonsensical album title. What is it with Sweden and metal these days anyway? That place is crawling with quality, ass biting bands!

Cathedral – The Guessing Game Review

Cathedral – The Guessing Game Review

After five long years, doom metal fans everywhere are graced with a new record from Coventry occultists, Cathedral. At thirteen tracks on two discs, The Guessing Game seems a fitting followup to 2005’s doom epic, The Garden of Unearthly Delights, which this angry metal guy thinks was their finest offering since their first three albums. All the elements are here – the same line up since Carnival Bizarre; groovy riffs; trippy cover art by Dave Patchett; the usual mix of mythology, literature and occultism that makes Cathedral’s lyrics so much fun to listen to and read – but does that guarantee a stellar album.