Enslaved

1349 – Massive Cauldron of Chaos Review

1349 – Massive Cauldron of Chaos Review

By Dr. A.N. Grier on September 25, 2014 in 2014, Black Metal, Indie Recordings, Norwegian Metal, Reviews, Black Metal, 16 comments

“Since 1997, 1349 has evolved a lot. And I mean a lot. They’ve changed so much that their musical career can only be compared to driving down the freeway at 70 miles per hour and hitting black ice. First, you accelerate along the on-ramp (Liberation and Beyond the Apocalypse), until you achieve top speed (Hellfire). When you come upon the ice, it sends you into uncontrollable spins (Revelations of the Black Flame) that you miraculously manage to steer free from.” Winter is fast approaching so it’s time to check your snow tires and drive safely out there!

Audrey Horne – Pure Heavy Review

Audrey Horne – Pure Heavy Review

By Steel Druhm on September 15, 2014 in 2014, Heavy Metal, Napalm Records, Norwegian Metal, Reviews, Hard Rock, Heavy Metal, 26 comments

“It pains me to say it, but the best American rock band hails from Norway. Their name is Audrey Horne and they’re mercy ruling the competition out of the game. This brilliant, idiot-manchild side project of Ice Dale (Enslaved) and Thomas Tofthagen (Sahg) has blazed a shockingly catchy trail of pure rock lunacy since 2005s Confessions and Alcohol. Their eponymous 2010 album was a positively brilliant amalgam of Faith No More and Stone Temple Pilots, surpassed only by 2013s Youngblood for skin snagging hooks and mega memorable rock anthems. This is the kind of band that serves up frothy, foamy good times music with so much swagger they can barely walk in a straight line. That’s right, it’s big pimpin, hard rocking, dirty rolling, greasy rock that sticks to the ribs and makes you cooler just by listening.” Resistance is futile, you will be converted to the Horde of Horne.

Vehemenz – Vehemenz Review

Vehemenz – Vehemenz Review

By Grymm on May 18, 2014 in 2014, Black Metal, German Metal, MDD Records, Reviews, Black Metal, 4 comments

“Nothing annoys me more than when artists hype up their work beyond perceivable notions. You know what I’m talking about. “It needed to be visceral.” (adorable, Linkin Park). “…unique, not following trends” (right, Savn)? It’s just better for everyone involved to just shut the hell up and let the music do all the communication for you instead of throwing out false pretenses in hopes that maybe someone out in the Nethersphere will somehow agree with you. In other words, take a note from Germany’s Vehemenz, who have managed to grab my attention and kept me musically fixated and grinning ear-to-ear with their self-titled debut 5-song EP, all without overhyping the ever-loving shit out of it.” We at AMG will tolerate no guff, bullhockey or hype. None!

Morbus Chron – Sweven Review

Morbus Chron – Sweven Review

By Steel Druhm on March 7, 2014 in 2014, Century Media, Death Metal, Reviews, Swedish Metal, Death Metal, 21 comments

“The times they are a changing! If you were around for my review of Morbus Chron’s 2011 opus Sleepers in the Rift, you know how impressed I was with their Autopsy-laden salute to early American death metal. That album was a sewage leak of nastiness and I still spin it often. Naturally, I expected more of the same with their follow up, but I didn’t get it. Not even close. That’s because Sweven (yea olde English for “visions”) is an enormous departure in style and approach, veering off into the world of proggy, tripped out weirdness, while somehow still remaining death metal.” Wow, this one really knocked Steel Druhm off his feet, and he’s notoriously difficult to knock over. You best read on.

Code – Augur Nox Review

Code – Augur Nox Review

By JF Williams on November 18, 2013 in 2013, Agonia Records, Avante Garde, Black Metal, English Metal, Finnish Metal, Progressive Metal, Reviews, Black Metal, Progressive Metal, 2 comments

“Genre tags such as progressive and avant garde are kind of paradoxical terms in metal. Surely something truly progressive or avant garde should traverse the outer fringes of musical expression, bringing to the table a metal forged of fearless, arcane exploration? Often that’s not the case – those terms are in many ways boxes only slightly larger than thrash, death, and other tags of old. Does the anticipated third album of England’s Code break free of these restraints?” JF Williams asks and also answers. That’s why we keep him around.

Acolyte – Alta Review

Acolyte – Alta Review

By Natalie Zed on April 30, 2013 in 2013, 3.5, Black Metal, Death Metal, English Metal, Mordgrimm, Reviews, Black Metal, Death Metal

“Alta is the debut full-length released from progressive black metal band Acolyte. Their sound is slightly challenging to put a finger on; their primary influences are clearly extreme, blackened metal bands like Deathspell Omega, Enslaved, and even French black metal experimenters Blut Aus Nord, but the sound they produce has a groove-based, classic heavy metal simplicity that belies their more progressive interests.” Natalie gives a quick breakdown on the debut from progressive black metallers Acolyte and how their old sound matches their new style. On an unrelated note, that’s one ugly cover!

In Vain – Ænigma Review

In Vain – Ænigma Review

By Angry Metal Guy on March 6, 2013 in 2013, 3.5, Death Metal, Indie Recordings, Melodic Death Metal, Norwegian Metal, Progressive Death, Progressive Metal, Reviews, Melodic Death Metal, 19 comments

In Vain hails from Norway, famous for its black metal, its fjords, its oil, its social democracy, but certainly not its progressive death metal. It’s actually a little strange that the land that brought us Borknagar, Enslaved, Ulver, and Solefald has never really produced its own Opeth or In Mourning, instead outsourcing that to its less affluent and pampered neighbor to the east (that’d be Sweden for the geographically challenged). Without getting too much into regional politics, it’s safe to say that given how high on the hog these Norwegians live—exploiting their Swedish workers and guzzling crude oil at the state’s expense—it’s surprising that none of them have wandered into the melodic, progressive death metal genre. They certainly have access to enough subsidies for the arts to do so if they wanted to.

Koldbrann – Vertigo Review

Koldbrann – Vertigo Review

By Madam X on January 30, 2013 in 2013, 3.5, Avante Garde, Black Metal, Norwegian Metal, Rating, Releases, Reviews, Season of Mist, Black Metal, 7 comments

“I’ve noticed that the face of Norwegian black metal is a changing, it’s becoming more adventurous, more rock infused, more progressive and God forbid, more accessible [well, it can’t get LESS accessible — Steel Druhm]. I can confirm however, that while they’re not just all about the evil any longer, they definitely haven’t lost sight or forgotten about the mighty Dark Lord Satan! Breath people, all is still right in the world.” How does Koldbrann fit in to this new movement? Follow Madam X on her trend analysis.

Enslaved – RIITIIR Review

Enslaved – RIITIIR Review

By Angry Metal Guy on October 1, 2012 in 2.5, 2012, Norwegian Metal, Nuclear Blast, Progressive Metal, Reviews, Viking Metal, Viking Metal, 23 comments

Enslaved has really secured its position in the highest tear of metal bands in the world. Though they started out long ago in the second wave of Norwegian black metal, nothing they’ve done since the late 90s has really represented that faction of their existence. Instead, they’ve become one of metal’s shining examples of a transition from the extreme to the progressive. While doing more to maintain their extremity than a band like Anathema or Katatonia have done, the band’s last full length Axioma Ethica Odini and their EP The Sleeping Gods both lacked extremity while pushing out the borders of the band’s progressive bona fides. I wasn’t sure of what to make of Enslaved’s RIITIIR when it first arrived – but while the record is ostensibly different than the band’s previous work, that mellow, bong-water stain of ’70s progressive rock continues to push further and further from their black metal roots. For the better?