Jul17

Nicumo – Storms Arise Review

Nicumo – Storms Arise Review

“Melancholy: a feeling of pensive sadness. Synonyms: desolation, woe, sorrow. The word, from its Latin and Greek origins, translates to black bile: too much of which in a person could cause depression. It’s a loaded word, that’s for certain, and it gets thrown around and attached to music cheaply and without much care. Too many words of melancholy’s ilk are over-used; too much hyperbole, drama and imaginative nonsense is bestowed upon average and uninspiring music (I’m also responsible for this sort of thing) and thus certain words, phrases, and images have lost their power completely.” Sad boys be sad.

Contaminated – Final Man Review

Contaminated – Final Man Review

“Glance at the cover art for this grotesque slab of stripped-back brutality and immediately you get an insight into the album’s grimy and barbaric death metal aesthetic, unleashed in all its fury in what is likely to be one of the most gruesome releases of 2017. Crafted by the hands of Aussie underground scene veterans, Contaminated live up to their chosen moniker with uncomfortable ease and while the album has some issues and certainly isn’t for the faint-hearted, it’s a hell of a punishing ride.” Clean the Toilet ov Death.

Beyond Grace – Seekers Review

Beyond Grace – Seekers Review

“If perhaps, you have had the misfortune of laboring through any of my previous reviews, you may have picked up on my shameless love of death metal. You may have also noticed I’m a little picky when it comes to that genre’s melodic side. There’s nothing insightful in my complaint – I just find a lot of it to be somewhat toothless, and death by gums is no way to go. Beyond Grace, know these tenets well, and if debut album Seekers is anything to go by, won’t be happy until we’ve all been consumed by an omnidirectional wave of death metal to bleed the brain and skin the soul.” Melodeath, camels and conquest.

Heresiarch – Death Ordinance Review

Heresiarch – Death Ordinance Review

“While I love the scorched-earth pummeling of bands like Revenge and Bestial Warlust, I’ll be the first to admit the genre isn’t exactly known for its variety and memorability. To me the style needs some musicality to balance out the brutality, otherwise, I’d just be blasting Tetragrammacide all day and sending my entire paycheck to Hells Headbangers. Fortunately, this was something New Zealand quartet Heresiarch understood pretty well.” Tuneful war.

Stahlmann – Bastard Review

Stahlmann – Bastard Review

Stahlmann are the new decade’s flag-bearers for Neu Deutsche Härte (NDH); a genre hailing from Germany in the 90s, featuring groove, industrial, and electronic influences, and popularized by the likes of Rammstein and Oomph!. While they’re both still active, Stahlmann deemed these big names needed support and so their first record was released in 2010. Bastard is now their fourth and I’m forced to consider its title. Is it a puerile scream against a shitty world or the unwanted child which they’ll ditch upon its release?” Illegitimate.

Mutation – Mutation III: Dark Black Review

Mutation – Mutation III: Dark Black Review

“Ginger Wildheart has had an interesting career. Achieving mild commercial success with the pop/rock band The Wildhearts, he’s expanded his repertoire to include “power pop” (Hey! Hello!), folk music (,b>Ghost in the Tanglewood) and latterly a noise rock and metal project (Mutation).” Jack of all trades, Wildheart of some.

Limbonic Art – Spectre Abysm Review

Limbonic Art – Spectre Abysm Review

“I have to admit, I’m impressed with some of the black metal records so far this year. Of the records that I reviewed, I find myself returning to Ophiuchi, Wiegedood, and Havukruunu on a regular basis. Not to mention the solid output from old-school black metallers, Ofermod and Svartsyn. But, for how excited I’ve been for most of these releases, I was most excited for Limbonic Art’s Spectre Abysm. If you’ve never heard of these Norwegian symphonic black metal beasts, you should fix that.” Limber up.

M.O.D. – Busted, Broke & American Review

M.O.D. – Busted, Broke & American Review

“Billy Milano is 53. Let that sink in a while. If you grew up worshiping S.O.D. and his later offshoot act, M.O.D., or had the pleasure of being annihilated by him in the mosh pits of L’Amour Brooklyn, it’s almost impossible to imagine the man as anything but the loud mouth, barrel chested bruiser he was back in the 80s and 90s. We all grow up though. We all get older, change and evolve. All except Billy, that is.” Hardcore is a lifestyle choice.

Excalion – Dream Alive Review

Excalion – Dream Alive Review

“There was a time not so long ago I would have argued for Excalion being one of the best Euro-power acts out there. 2007s Waterlines was and is one of my most played albums in the genre, and 2010s High Time followup was more polished but no less striking and addictive. It seemed as if the band was on the verge of breaking into the next level and giving Sonata Arctica and Stratovarious some serious competition. Then the guns fell silent and Excalion disappeared. I wrote them off as another promising act that died before reaching their full potential and moved on. Needless to say I was pleasantly surprised to see their name floating in our promo bay and I hoped they could pick up where they left off nearly a decade ago.” Keeping the dream alive.